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Sunjung Kim’s Real DMZ Project Interrogates the North and South Korea Divide Ocula Conversation Sunjung Kim’s Real DMZ Project Interrogates the North and South Korea Divide

Ongoing since 2012, the Real DMZ Project interrogates the demilitarised zone (DMZ) between North and South Korea through annual, research-based exhibitions that bring together the works of Korean and international artists. Sunjung Kim, the independent curator behind the project, conceived the idea of exploring the DMZ while curating Japanese artist...

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Frieze Week Lowdown: London Shows to See Ocula Report Frieze Week Lowdown: London Shows to See 20 Sep 2019 : Tessa Moldan for Ocula

London's galleries and museums are gearing up for a lively October, with Frieze London and Frieze Masters running between 3 and 6 October 2019 at Regent's Park, along with 1-54 Contemporary African Art Fair, taking place across the same dates at Somerset House; and the tenth anniversary of the Sunday Art Fair, showcasing new and emerging artists...

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Mark Bradford’s Call for Unity at Shanghai’s Long Museum Ocula Insight | Video Mark Bradford’s Call for Unity at Shanghai’s Long Museum 16 August 2019

Mark Bradford walks through Mark Bradford: Los Angeles Mark Bradford: Los Angeles at the Long Museum West Bund in Shanghai (27 July–13 October 2019) is the artist's largest solo exhibition to date in China. In this video for Ocula, Bradford and Diana Nawi, curator of the show, walk through selected works that convey the artist's concerns with...

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Peter Saul

b. 1934, USA

“I always do things the wrong way, which is completely empty Territory.”
Peter Saul
 
Peter Saul has been deemed the father of Pop Art and a successor to Surrealism. He is one of the most important artists of our time and a consistent “violator of good taste” in art. 

He is the founder of the unique style of Bad Painting, which is characterized by a bright palette of colors and exaggerated distortion of images – a jubilant depiction of lawlessness and violence in society, which the artist sarcastically criticizes through his “indictments”. 
 
In the 1950s, Saul introduced the iconic comic and cartoon characters, Superman and Donald Duck, to his expressionist paintings; in the mid-1960s, he devoted a series of anti-military works to the Vietnam War; and, in the 1970s, he created his own variations of Rembrant's The Night Watch and Picasso's Guernica, always returning to subjects drawn from mass media and art history. 
 
Saul's works, rambunctious and full of lush images and poisonous morality, portray a new reality by removing the mask of hypocrisy and exposing human vices, in such a way that can change our perception of history and the generally accepted understanding of social norms. As the originator of Pop Art, Saul embodied his ideas in an unprecedented style of painting that inspired a generation of American artists to new thinking and new creativity, which became the foundation of modern American culture. 

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In Related Press

Connecting the Dots in the Met Breuer’s Show About Conspiracy Theories Related Press Connecting the Dots in the Met Breuer’s Show About Conspiracy Theories Hyperallergic : 15 October 2018

It will likely take me months to digest all the lessons I've learned from The Met Breuer's newest exhibition, Everything Is Connected: Art and Conspiracy, so it's a good thing that the show stays open through January.

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Everything is connected: new exhibition on art and conspiracy Related Press Everything is connected: new exhibition on art and conspiracy The Guardian : 17 September 2018

In 1974, Black Panthers artist Emory Douglas created a portrait of Gerald Ford, America's 38th president, being pulled by puppet strings held by giant corporations. A speech bubble had Ford saying: 'I Gerald Ford am the 38th puppet of the United States.'

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Peter Saul: the chocolate-smeared prankster of pop painting Related Press Peter Saul: the chocolate-smeared prankster of pop painting The Guardian : 3 October 2016

You certainly can’t mistake Peter Saul for any other artist. Splurges of lime green or spaghetti sauce red, gross caricatures of politicians, flamboyant sexual fantasies … His art is the American dream pumped up and injected with steroids, served with a hot dog and a tube of mustard coloured acrylic.

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