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Cinga Samson: ‘a different conversation on representation’ Ocula Conversation Cinga Samson: ‘a different conversation on representation’ By Jareh Das, New York

Cinga Samson 's paintings lay bare the complex relationship between contemporary life, African traditions, globalisation, and representation. His strikingly sombre portraits contain similarities to those of contemporary painters such as Toyin Ojih Odutola, Lynette Yiadom-Boakye , Kehinde Wiley , Florine Démosthène, and Tunji...

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Dhaka Art Summit 2020: Seismic Movements Ocula Report Dhaka Art Summit 2020: Seismic Movements By Radha Mahendru, Dhaka

Seismic Movements , the fifth Dhaka Art Summit, plotted movements, solidarities, and exchanges across the Global South with over 500 artists, scholars, curators, and thinkers.

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Guo Hongwei on Seeing Patterns That Don’t Exist Ocula Insight Guo Hongwei on Seeing Patterns That Don’t Exist By Sherry Paik, New York

Guo Hongwei's recent watercolour paintings, showing at Chambers Fine Art in New York from 3 March, trigger pareidolia—the phenomenon of seeing random objects or patterns where they do not exist.

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HomePage Artists

b. 1959, Singapore

Simryn Gill Biography

Simryn Gill's methods include photographing, drawing, collecting, altering, casting and writing. The artist presents two works from the MCA Collection, Untitled (Interior) II, 2008, and Carbon Copy, 1998, at the 21st Biennale of Sydney. These works are separated by ten years and use profoundly different material and formal approaches, yet both arise from the close attention Gill pays to the ubiquitous and overlooked, and from her habitual process of harvesting materials and forms from her immediate environment.

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Untitled (Interior) II, 2008, is one of five bronze sculptures the artist cast from fissures in dry dams and creeks during the severe drought that affected South Eastern Australia between 2001 and 2009, described as 'the worst drought in 1000 years'. The initial silicon rubber casts were made near Nyngan and Lake George in NSW, and cast in bronze in Bangkok, Thailand, by Apisit Nongbuo, who comes from a family of bronze artists who have traditionally made ritual objects for temples.

Carbon Copy comprises 53 parts, including 26 typed texts and their carbon copies. The words and phrases feature statements by Australian politician Pauline Hanson and Malaysia's former Prime Minister Mahathir Mohamad regarding immigration and refugees. Phrases such as 'Do we want or need any of these people here?' and 'foreign miscreants and parasites' are referenced, as well as words including 'succumb', 'sincere', 'trust me', 'swamped', 'kowtowing' and 'assimilate'. It is not always clear who said what, but collectively the words generate a sense of panic that knows no borders.

Struck by the remarkably similar language used by both individuals, Gill extracted the words and represented them as typewritten and duplicated texts. The words are repeated without spacing and arranged in geometric blocks, creating a kind of abstraction in both meaning and form. The repetition of the typed words also creates warp and weft patterns, such as diagonal lines of the same letters: text as texture, or textile. It is as if these inflammatory phrases have become woven into the fabric of everyday life, and are now almost invisible and impossible to unpick.

Adapted from: Russell Storer, 'Simryn Gill', in Natasha Bullock (ed.), MCA Collection Handbook, Museum of Contemporary Art Australia, Sydney, 2016

Tai Spruyt and Stephanie Berlangieri | Biennale of Sydney Exhibition Team | 2018

Simryn Gill Featured Artworks

My Own Private Angkor by Simryn Gill contemporary artwork
Simryn GillMy Own Private Angkor, 2008Gelatin silver print
40 x 38 cm
Jhaveri Contemporary Enquire about this work
Insomnia by Simryn Gill contemporary artwork
Simryn GillInsomnia, 2013Leaded glass
Beyer Projects Enquire about this work
Pressing In #67a by Simryn Gill contemporary artwork
Simryn GillPressing In #67a, 2016Ink on paper
67.5 x 21.5 cm
Not For Sale
Para Site

Simryn Gill Recent Exhibitions

Contemporary art exhibition, Group Exhibition, Alterations Activation Abstraction at Sundaram Tagore Gallery, New York
28 February–30 March 2019 Group Exhibition Alterations Activation Abstraction Sundaram Tagore Gallery, Chelsea, New York
Contemporary art exhibition, Simryn Gill, Soft Tissue at Jhaveri Contemporary, Mumbai
16 January–2 March 2019 Simryn Gill Soft Tissue Jhaveri Contemporary, Mumbai

Simryn Gill Represented By

Simryn Gill In Ocula Magazine

TarraWarra International 2019: Tracing Tangible Shadows Ocula Report TarraWarra International 2019: Tracing Tangible Shadows By Natalie King, Melbourne

Everyone I encounter along my journey asks: 'Where are you based?' 'On my feet,' I answer. 'Where are your feet based then?' 'Feet are never based,' I say. This haunting voiceover from Hiwa K 's video, Pre-Image (Blind as the Mother Tongue) (2017), follows the artist retracing a journey that he made when he was 25 years old, fleeing Iraq...

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S. Alice Mong Ocula Conversation S. Alice Mong

S. Alice Mong became the Executive Director of Asia Society Hong Kong Center in 2012. Prior to joining the Asia Society, Ms Mong worked for almost a decade in New York, where as Director of the Museum of Chinese in America (MOCA) she was responsible for transforming MOCA from a New York Chinatown institution to a leading national museum. Ms Mong...

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Richard Armstrong Ocula Conversation Richard Armstrong By Anna Dickie, Hong Kong

Richard Armstrong is the Director of the Solomon R. Guggenheim Museum and Foundation. As well as managing the foundation he oversees the Guggenheim Museum in New York as well as the Peggy Guggenheim collection in Venice, the Guggenheim Museum Bilbao, the Deutsche Guggenheim and the Guggenheim Abu Dhabi due for completion in 2017. Prior to this...

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June Yap Ocula Conversation June Yap

Launched in April 2012, the Guggenheim UBS MAP Global Art Initiative charts contemporary art in South and Southeast Asia, Latin America, and the Middle East and North Africa. No Country: Contemporary Art for South and Southeast Asia is the Initiative’s inaugural exhibition. Initially shown in New York, (22 February–22 May 2013), the...

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Simryn Gill In Related Press

Superstar Curators Flock to Bangladesh in 2016 for Dhaka Summit Related Press Superstar Curators Flock to Bangladesh in 2016 for Dhaka Summit 8 October 2015, Observer

A slew of superstar curators, including ones from the Tate Modern, the Pompidou and the Rubin, are now on board for the upcoming Dhaka Art Summit. The huge biennial of South Asian art, now in its third iteration, will be held in the capital of Bangladesh February 5 through 8, 2016. The show will include commissioned solo works by Lynda...

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