Tony Cragg is a British contemporary artist celebrated for his innovative sculptures that challenge the boundaries between the natural and the artificial. Winner of the Turner Prize in 1988 and the British representative at the 43rd Venice Biennale the same year, Cragg is widely recognised for his gravity-defying forms and his transformative approach to materials in contemporary art.
Tony Cragg was born in Liverpool in 1949. He initially worked as a laboratory technician, an experience that informed his lifelong interest in science and material transformation. Cragg studied at the Wimbledon College of Arts in London, graduating in 1973, and completed his postgraduate studies at the Royal College of Art in London in 1977. He moved to Wuppertal, Germany, in the late 1970s, where he continues to live and work. Cragg's international perspective and scientific background have profoundly influenced his art practice.
Cragg's contemporary art practice is defined by his use of both unconventional and traditional materials to create sculptures that reimagine familiar forms. His works often blur the line between the organic and the industrial, with objects that appear to shift, stack, or morph, evoking both human bodies and landscapes.
In the late 1970s and 1980s, Cragg gained recognition for creating wall-mounted or floor-based installations by assembling everyday detritus and found objects. New Stones, Newton's Tones (1978) is a seminal artwork in which he arranged coloured plastic items into a geometric composition, reflecting on consumer culture and environmental impact. Works like those of Leaf (1981) and Bird (1980) used man-made materials to depict natural forms, highlighting the intersection of human intervention and the environment.
Cragg's later sculptures are notable for their tiered and stacked appearances, often referencing the verticality of Constantin Brancusi's columns and the dynamic forms of Futurist artists such as Umberto Boccioni. Points of View (2013), a set of three seven-metre columns, shifts in appearance depending on the viewer's perspective. In contrast, Minster (1990) is constructed from circular metal machine parts amassed into towers, while more recent works are often cast in a single material but retain a sense of layered complexity.
From the late 1980s, Cragg's 'Early Forms' series explored the vessel as a fundamental human object, distorting and twisting its shape to create new, abstract forms. Taurus (Early Forms) (1999) transforms the vessel into a monumental bronze sculpture reminiscent of natural phenomena. In the 'Rational Beings' series, Cragg investigates the abstraction of the human figure, as seen in A Head, I Thought (2011), where facial profiles dissolve into columns and slabs.
Some examples include:
Some examples include:
Tony Cragg has been the subject of both solo and group exhibitions at major institutions worldwide. Some are referenced below.
Tony Cragg's website can be found here.
Cragg works with a wide range of materials, including bronze, wood, steel, plastic, and found objects, often combining traditional and unconventional media in his contemporary art practice.
His early work as a laboratory technician fostered a fascination with material transformation and structure, which is evident in the experimental processes and forms of his artworks.
'Early Forms' explores the vessel as a universal human object, transforming it into abstract, organic shapes that challenge perceptions of function and form.
Yes, Cragg has taught at the École Nationale Supérieure des Beaux-Arts, Paris, and has been a professor at Kunstakademie Düsseldorf since 2009, influencing a new generation of contemporary artists.
Cragg's public artworks are installed in cities worldwide, including London, Tokyo, and Bangkok, making his contemporary art accessible to a broad audience.
Sherry Paik | Ocula | 2025
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