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We absorb information, communicate with different artists, look at exhibitions and participate in discussions with peers and colleagues from multiple cultural and political environments.
I'm very much a fan of the public institution. I think only the public institution can provide the long-term guarantee that it will continue to exist and it will be 'the' public memory.
Over the Australian summer, cult Chinese artists Yangjiang Group will present a new multi-site work commissioned by 4A Centre for Contemporary Asian Art. Actions for Tomorrow will take
Tales of Our Time is the second of The Robert H. N. Ho Family Foundation Chinese Art Initiative, which seeks to commission new works relevant to Chinese contemporary art which will then enter the Gu
In the corner of a small gallery on an upper floor of the Solomon R. Guggenheim Museum, you are immersed in a bloody, bizarre, and strangely emotional tableau. Inside a floor-to-ceiling acrylic cage,