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b. 1982, Japan

Yuichi Hirako Biography

Japanese artist Yuichi Hirako works with painting, sculpture, and drawing to reconsider the coexistence and boundaries between plants, nature, and humans in modern society. The artist approaches this theme through the lens of Japanese folklore and landscape, as well as his experience in London as a student.

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Early Life

Born in Okayama, Japan, Yuichi Hirako moved to London to study Painting at the Wimbledon College of Arts, graduating in 2006. Today, the artist lives and works in Tokyo.

His years spent in London were crucial in defining the subject matter of his practice. Having grown up in a rural mountainous region in Southern Japan, London's urban green areas of roadside trees and enclosed parks prompted Hirako to reconsider the relationship between humans and their surroundings.

Shinto Legend of Kodoma

Yuichi's early works invoked the Shinto legend of kodoma—where spirits were believed to inhabit trees—stemming from an ongoing Japanese tradition where trees are venerated for their deep connection with time.

As noted by Stephanie Bailey for Ocula Magazine, 'From canvas to canvas, there is a sense that Yuchi intends to bring kodama—or any other myth connecting the natural world with supernatural life—out of the woods so that they might speak to any audience whose connection with nature has been weakened, if obscured.'

Mount Mariana

Yuichi Hirako's fascination with nature and its relationship with time culminated in his solo exhibition Mount Mariana (2021) at Gallery Baton, Seoul.

Taking its name from the earth's deepest ocean trench, the exhibition combines classical art forms—namely, the surreal fruit and vegetable 'Composite Heads' series of 16th-century court painter Giuseppe Arcimboldo—with Japanese folklore and the notion of Deep Ecology, which unites 'all living beings as dependant existences on others within a single ecosystem.'

Building on his fascination with kodama, this series of artworks, which includes Gift 15, Lost in Thought 65, and Nonchooser 10 (all 2021), is set in a fantastical woodland inhabited by Hirako's fictional half-human, half-tree character 'Tree Man'.

Hirako's contrasting colour palette results in mystical, ominous, yet strangely alluring scenes, while 'his surreal figurative paintings rendered in bold, painterly brushstrokes are indicative of a global trend in contemporary paintings,' as Rory Mitchell remarks in Ocula Advisory.

Private and Public Collections

Hirako's work is held in the collections of the Long Museum, Shanghai; Shanghai Powerlong Museum; Lisser Art Museum (LAM), Lisse, Netherlands; Akzonobel Art Foundation, Amsterdam; Jean Pigozzi Collection, Switzerland; and Dai-ichi Life Insurance Company, Japan.

Yuchi has been the recipient of numerous awards, including The VOCA Encouragement Prize in 2013 the Outstanding Performance Award at the D Art Biennale in 2011, and the Tokyo Wonder Wall Prize in 2010.

Solo and Group Exhibitions

Yuichi Hirako's solo exhibitions include Mount Mariana, Gallery Baton, Seoul (2021); Growth Rings, Warehouse Gallery, Hong Kong (2020); Memories, WAITINGROOM, Tokyo (2019); Lycoris, Satellite, Okayama (2019); Dandelion, Zerp Galerie, Rotterdam (2019); Project N 71, Tokyo Opera City Art Gallery (2018); Leftover, Dai-ichi Life Gallery, Tokyo (2018); BLOOM, YIRI ARTS Taipei Space Taiwan(2018); Seeding, YIRI ARTS, Taichung Space, Taiwan (2018); SPROUT, Galleri Christoffer Egelund, Copenhagen (2017); Haze, Satellite, Okayama (2016); and Our way to the Forest, Fouladi Projects, San Francisco (2016).

Hirako's group exhibitions include DOMESTICITY, Volery Gallery, Dubai (2021); Tokyo☆Voca, Dai-ichi Life Gallery, Tokyo (2020); Mr.I group show, Satellite, Okayama (2020); Salon d'Hiver, Zerp Galerie, Rotterdam (2019); Cygnus Loop, Gallery Baton, Seoul (2019); LIGHT, NON-LIGHT, Chapter II, Seoul (2018); Musubi, Galerie Da-End, Paris (2018); Après Toronto, Laroche/Joncas, Montréal (2017); Egg of Shibuya, Shibuya City Hall, Tokyo (2015); Considering the Source, Fouladi Projects, San Francisco (2013); VOCA Prize 2013, Ueno Royal Museum, Tokyo (2013); Tokyo Painting II Mind-scape between interior and exterior, Tokyo Metropolitan Art Museum (2013); Tokyo Wonder Wall 2010, Museum of Contemporary Art, Tokyo (2010); and The 10th Gunma Biennale for Young Artists 2010, The Museum of Modern Art, Gunma.

Yuichi Hirako's website can be found here.

Annabel Downes | Ocula | 2021

Installation view: Yuichi Hirako, 'Mount Mariana', Gallery Baton, Seoul, 13 Aug - 16 Sep, 2021

Yuichi Hirako Featured Artworks

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Yggdrasill 04 by Yuichi Hirako contemporary artwork
Yuichi HirakoYggdrasill 04, 2021Acrylic paint, wood, metal, FRP
222 x 90 x 65 cm
Gallery Baton Contact Gallery
Leaf Shape 02 by Yuichi Hirako contemporary artwork
Yuichi HirakoLeaf Shape 02, 2021Acrylic paint, wood
270 x 240 x 1 cm
Gallery Baton Contact Gallery
Gift 15 by Yuichi Hirako contemporary artwork
Yuichi HirakoGift 15, 2021Acrylic on canvas
248.5 x 333.3 cm
Gallery Baton Contact Gallery
Nonchooser 10 by Yuichi Hirako contemporary artwork
Yuichi HirakoNonchooser 10, 2021Acrylic on canvas
45.5 x 38 cm
Sold
Gallery Baton
Lost in Thought 67 by Yuichi Hirako contemporary artwork
Yuichi HirakoLost in Thought 67, 2021Acrylic on canvas
194 x 162 cm
Sold
Gallery Baton
Lost in Thought 66 by Yuichi Hirako contemporary artwork
Yuichi HirakoLost in Thought 66, 2021Acrylic on canvas
194 x 162 cm
Sold
Gallery Baton
Green Master 61 by Yuichi Hirako contemporary artwork
Yuichi HirakoGreen Master 61, 2020Acrylic on canvas
116.7 x 91 cm
Sold
Gin Huang Gallery
Lost in Thought 54 by Yuichi Hirako contemporary artwork
Yuichi HirakoLost in Thought 54, 2020Acrylic on canvas
116.7 x 91 cm
Sold
Gin Huang Gallery

Yuichi Hirako Current & Recent Exhibitions

Yuichi Hirako Represented By

Yuichi Hirako In Ocula Magazine

In Ocula Advisory

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Yuichi Hirako In Video & Audio

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