French gallerist Almine Rech-Picasso opened her first space in Asia on Shanghai's historic Bund in July this year, bringing her eponymous gallery's total locations to five. The Shanghai gallery occupies roughly 4,000 square feet on the second floor of the three-storey Amber Building, a beautiful warehouse space, originally occupied by the Central...
There's an inside joke amongst the team of Ashkal Alwan, The Lebanese Association for Plastic Arts: that every time an edition of its biennial forum on cultural practices is planned, a national crisis happens. The eighth edition of Home Works was no different: it opened on 17 October amidst the most devastating wildfires that Lebanon had witnessed...
Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...
Gallery Baton is pleased to present 'Cygnus Loop', an exhibition of works by selected emerging artists: Bae Yoon Hwan, Alex Chaves, Yuichi Hirako, Misaki Kawai, Rinus Van de Velde. This exhibition will feature five artists who mainly focus on paintings and are actively pioneering their territory in there own regions such as Korea, Japan, USA and Europe. Through the recent major works we will explore their creative minds and at the same time search for a common objective for other modern painters in this age of multi layered divisions.
For an artist, 'Creative Intention' is the spark that makes the hands pick up a brush or work through clay and touch the materials to explore its properties. When an artist is suddenly overcome with this 'creative intention' it is the moment that ignites a desire to create, but at the same time a moment requiring constant editing of the rapidly changing original intention.
The volatility of the original 'Creative Intention' and its dissipation and transformation, can be effectively resisted and overcome by the artist through cultivating his or her own unique style. An artist's style can be defined by images that appear frequently, preferred color palette and techniques, but it is also a coping mechanism to support the exterior of the object of creation and to hold on to the swiftly transforming story details and context and other additional elements. The creative periods accompanied by agony and trial and error, is a necessary process in cultivating one's style, through this one can reach a point of adroitness in depiction and prodigious uniformity therefore making this an integral process for an artist.
The Belgian artist, Rinus Van de Velde (b.1983), who's works crosses various genres such as installation, video, and paintings will be showing recent works of his trademark large charcoal paintings. His rough brushstrokes accentuate chiaroscuro in the depiction of the artist himself or others in life-size on canvas, which combined with the unspecified text of ambiguous meaning that appears under the image reminds us of a movie scene with subtitles and immediately lead the observer to explore the correlation between the text and the image. These forms of narration and monologues heighten the undertone of Rinus's work, and the scene and scenery where a mix of reality and virtual reality occupy a specific time and space, bring about many probabilities and multiply sense of reality.
Inspired by the artist herself and daily lifes, the memories, and personal experiences, the Japanese artist Misaki Kawai (b.1978) is known for her use of the Heta-uma approach with various primary colors and bold touches depicting people, animals and objects similarly appearing together. For this exhibition, she brings colorful collage works using cut-out techniques. The paper and cloth pieces in primary colors stand in contrast with their background to explore their boundaries and create a separate form. The unconstrained drawing and color combinations on her works which letting their craftiness and techniques deliberately arouse bursting energy from the unexpected harmony of each primary colors and shapes.
Bae Yoon Hwan (b. 1983) addresses direct and indirect experiences, social issues, spooky stories, rumors, and political incidents in his own unique way. The numerous tangled images depicted with conté, oil pastel, and paint on a large canvas, create a complex and multi-layered narrative structure which represent a personal interpretation of the artist's view of particular events and certain unacceptable social aspects. The overload and mutual disturbance of images and story, together with modern society's addiction to non-linear and distorted information systems, appear in diverse forms to create a dynamic picture where beginning and end blend together like the Möbius strip.
Yuichi Hirako (b. 1982) has generally worked on creating hybrid shapes of human and trees. The forest, which is the heart of nature's circulation system and provides creature comforts to animals and plants, is regarded as a kind of sacred place in Japan. The hybrid character resembling the human shape is portrayed as leisurely spending its days living a harmonious life with other living things in the forest. Yuichi's work reflects his connection to the perspective of Deep ecology, which views all nature as one unified whole concept, and explores the prospect of artwork to go beyond displaying aesthetic value of the piece itself to become a medium for expressing an artist's unique sentiments.
Alex Chaves (b. 1989) who lives and works in USA, has been well received for his series of creative reinterpretations of various artwork by historically famous artists. The Guernica is known as Picasso's masterpiece that reflected political and social issues and Alex borrows the composition and forms of the original figures but adds impressive colors to the images and puts emphasis on adding analogue strokes contrary to the predominantly straight lines and geometric formation of the original work. This newly born (2018) highlights absurdity and chaos rather than the horrific aspects. Furthermore, the repeated use of red, blue, and yellow adds volume to the space and energizes the surroundings, and the selection of this color scheme place formality on its appearance which prevents from being seen as graffiti.
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