Brisbane Art Guide

Brisbane/Meanjin is situated on the winding Brisbane River, the traditional home of the Turrbal and Yugara peoples who have been living there for over 60,000 years. The capital of Queensland, it is Australia's third largest city with a population of 2.5 million. The energy and depth of its many visual arts activities is generally widely under-estimated.

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Queensland Art Gallery and the Gallery of Modern Art (QAGOMA) is the state gallery, and the cultural precinct spans two buildings in the city's cultural precinct at Southbank. The institution has made its mark internationally through the iteration of the Asia Pacific Triennale, which began in 1993. Both discourse and building a collection are a focus of the Triennale; and in each three-yearly iteration, the curatorial frameworks give way to fresh new voices that attract a global audience.

The Institute of Modern Art, Brisbane (IMA), is one of Australia's oldest contemporary art spaces. The IMA is a non-collecting art institution that is committed to the innovative practices of international, national and local artists that are often commissioned to create new bodies of work as milestones for their professional careers. The institution has a strong commitment to experimental curatorial practice, including discourse building through public programs and publishing. Celebrating its fortieth year in 2017, the institution is now stronger than ever with the launching of its new Belltower Gallery.

2020 marks the forty-year history of Metro Arts, the multi-discipline arts venue currently positioned in the central business district in a heritage-listed building. Hosting a gallery and theatre complex, their programming is determined by an open call process facilitated through a core team that also oversees the hire of studio spaces and larger community spaces.

Nearby is the Museum of Brisbane, the city museum operated from the city hall building in the centre of Brisbane's central business district. Museum of Brisbane presents local visual artists alongside designers, architects, social historians, and technological developments through exhibitions aimed at a wide public. It has an artist in residency program, and this year the Museum launched BAD, the Brisbane Art and Design festival that runs for seventeen days.

Artisan is a non-profit art, craft and design centre that has been active for almost fifty years. It recently moved to its new location in King St, Fortitude Valley and features a Reko Rennie artwork on the façade of the building.

University galleries with engaging programmes include the University of Queensland Art Museum, Griffith University Art Museum and Queensland University of Technology Art Museum. The more prominent Brisbane-based dealer galleries include Milani Gallery, Jan Murphy Gallery, Philip Bacon Gallery, Jan Manton Gallery, Onespace Gallery, Andrew Baker Art Dealer, Fireworks Gallery, and Bruce Heiser Projects.

There are also many artist run initiatives, project spaces and small-to-medium sized non-commercial venues. The most significant include Outer Space, Boxcopy, The Third Quarter, Kuiper Projects, House Conspiracy, Innerspace, Wreckers Artspace, STABLE, and XYZ ARI.

Contemporary Institutions In Brisbane

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Brisbane In Ocula Magazine

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The 9th Asia Pacific Triennial Keeps Up With The Zeitgeist Ocula Report The 9th Asia Pacific Triennial Keeps Up With The Zeitgeist By Susan Acret, Brisbane

Looking through the windows that front Indonesian artist Aditya Novali 's wall installation The Wall: Asian (Un)Real Estate Project (2011), a series of miniature apartments come into view: private interiors that are sometimes bland, strange or garish (Hello Kitty decor characterises one space, for example, while multiple Duchamp-like toilets...

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Patricia Piccinini Ocula Conversation Patricia Piccinini By Natalie King, Brisbane

On the occasion of Patricia Piccinini 's multisensory and epic retrospective, Curious Affection at Brisbane 's Gallery of Modern Art (GOMA, 24 March–5 August 2018), this interview covers Piccinini's meticulous and collaborative studio practice, and the role of narrative in her work. Curated by Peter McKay, the exhibition occupies the ground...

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APT8: A fragmenting vision of the future Ocula Report APT8: A fragmenting vision of the future By Susan Acret, Brisbane

It is 16 years since I last visited an Asia Pacific Triennial and it is heartening to see that although APT8 is a very different beast from the ground-breaking APTs of the 1990s, this edition has stayed true to the triennial’s philosophy of interacting with the region’s artists in a sustained and very localised way. When the APT was...

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Aileen Burns and Johan Lundh Ocula Conversation Aileen Burns and Johan Lundh By Rachael Vance, Brisbane

Having held the dual role of co-directors of Brisbane’s Institute of Modern Art (IMA) for almost two years, Aileen Burns and Johan Lundh have shaken up the city’s contemporary art landscape. The unprecedented formulation of a joint vocation of director and curator shared between two people saw two outsiders hailing from Canada and...

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