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Taloi Havini: Reclaiming Space and History Latest Ocula Conversation
In Partnership with Artspace Sydney
Taloi Havini: Reclaiming Space and History By Ruth McDougall, Sydney

Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .

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Sydney Biennale Connects Here with Everywhere Ocula Report Sydney Biennale Connects Here with Everywhere By Soo-Min Shim, Sydney

'This year's Biennale of Sydney seems like a corrective,' writes Soo-Min Shim, 'prioritising autonomy in an international exhibition format that has all too often omitted or sidelined First Nations artists.'

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Hell is a Place on Earth: P·P·O·W Looks to History in Context of Covid-19 Ocula Insight Hell is a Place on Earth: P·P·O·W Looks to History in Context of Covid-19 By Stephanie Bailey, London

In the United States, parallels have been drawn between the HIV/AIDS crisis and what is unfolding with Covid-19. These connections feed into P·P·O·W's online exhibition, Hell is a Place on Earth. Heaven is a Place in Your Head .

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San Francisco Art Guide

Despite being home to a tech boom that has skyrocketed rents out of reach for even six-figure-salary programmers, San Francisco continues to host a healthy, well-rounded art scene, with many major arts institutions and non-profits dotted across the city.

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In the east of the City by the Bay, Dogpatch has not been touched by gentrification until relatively recently. An historically industrial neighbourhood cut off from the rest of the city by an interstate highway, Dogpatch is now a creative hub where you can find institutions such as the Minnesota Street Project, which hosts galleries, artists, and other not-for-profit spaces across three warehouses. Down the block from the Minnesota Street Project is the McEvoy Foundation for the Arts (MFA), a relatively new institution centred around the McEvoy Family Collection. Though initially an exclusively photography collection, it has expanded to media of all kinds and includes the work of heavy hitters such as Diane Arbus, Alex Katz, and Wayne Thiebaud.

West of Dogpatch is the Mission District—the centre of San Francisco's nightlife and host to a range of galleries. In this neighbourhood, the non-profit Southern Exposure (SoEx) is dedicated to supporting artists of the Bay Area and beyond. Nearby, KADIST—another non-profit—is focused on the development of contemporary art through collaborations with artists, curators, and other organisations. The KADIST collection holds a wide range of contemporary artworks, and the foundation also has a hub in Paris. Residing alongside these institutions in the Mission District are dealer galleries such as Hosfelt Gallery, Catharine Clark Gallery, and Ratio 3. Northwest in the NOPA neighbourhood (an abbreviation of North of the Panhandle) is CULT | Aimee Friberg Exhibitions—a dealer gallery with an extensive and expansive public programme that includes but is not limited to dinners, tours, talks, and offsite exhibitions.

North of Dogpatch and the Mission District is San Francisco's lively SoMa neighbourhood. An abbreviation of 'South of Market [Street]', SoMa is the city's SoHo-esque hub. Northern SoMa is home to the San Francisco Museum of Modern Art (SFMOMA)—one of the largest museum of modern and contemporary art in the country. Across the street from SFMOMA is the Yerba Buena Center for the Arts (YBCA), which supports art committed to social change, and around the corner is San Francisco's local chapter of dealer gallery Gagosian.

In southern SoMa, the core mission of SOMArts—like the YBCA—is to support socially conscious art. SOMArts facilitates programmes by and for marginalised artist communities, including annual themed exhibitions such as The Black Woman is God, which focuses on spirituality in the African diaspora. Further south of SOMArts, in Protrero (between Dogpatch and the Mission District), is the CCA Wattis Institute for Contemporary Arts. An exhibition venue and research institution attached to the California College of the Arts, the Institute describes itself as a 'laboratory for testing the future of contemporary art' and is home to a cutting-edge programme of experimental works.

North of Market Street, the Tenderloin neighbourhood is the least gentrified area of the city, and is home to the Jessica Silverman Gallery and the unconventional artist-run publication THE THING Quarterly, amongst other galleries and institutions. North in Chinatown are the experimental contemporary art galleries CAPITAL and Et al., and rounding out the range of art programmes the city has to offer, Art Market San Francisco arrives each April with contemporary and modern works offered by local, national, and international galleries.

Past Exhibitions In San Francisco

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Contemporary art exhibition, Giuseppe Penone, Foglie di bronzo / Leaves of Bronze at Gagosian, San Francisco
12 September–30 November 2019 Giuseppe Penone Foglie di bronzo / Leaves of Bronze Gagosian, San Francisco
Contemporary art exhibition, Richard Prince, High Times at Gagosian, San Francisco
30 May–23 August 2019 Richard Prince High Times Gagosian, San Francisco
Contemporary art exhibition, Robert Therrien, Robert Therrien at Gagosian, San Francisco
21 March–11 May 2019 Robert Therrien Gagosian, San Francisco

Ocula Member Galleries In San Francisco

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Contemporary Institutions In San Francisco

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San Francisco In Ocula Magazine

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Wang Gongxin Ocula Conversation Wang Gongxin By Laura Thomson, Melbourne

The pioneering video works of Wang Gongxin heralded the rise of the video art movement in China, and he remains a force in Chinese contemporary art today. Born in Beijing in 1960, he belonged to the first generation of art students after the Cultural Revolution and trained as an oil painter in the Socialist-Realist style. In 1987 he was...

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Max Gimblett Ocula Conversation Max Gimblett By Anna Dickie, Beijing

What a strange and wonderful place to meet the painter Max Gimblett – in the hutongs of Beijing. It was as a student of art history in New Zealand that I first came across the work of Max Gimblett. Although the artist has been based in New York since 1972, is now a citizen of America, and has exhibited regularly there (including in the...

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Bill Henson Ocula Conversation Bill Henson By Anna Dickie, Hong Kong

Faced with the daunting, but intriguing challenge of interviewing one of Australia’s most distinguished artists, Bill Henson, I did the contemporary obvious – I googled him.  The result was, as one would expect, slightly polarized. His recent withdrawal of work from the Adelaide Biennale following a police complaint had...

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