Ocula Conversation William Kentridge By Keli-Safia Maksud, Toronto For over 20 years, the legacies of colonialism have been recurring themes in William Kentridge 's work. In 2018, he was awarded an honorary doctorate degree from the University of Pretoria in South Africa in recognition of a practice that has consistently charted 'a universal history of war and revolution, evoking the complexities and tensions of...
Ocula Feature Golden Jubilee: Art Brussels By Denis Maksimov, Brussels With 147 participating galleries from 32 countries and some 800 artists represented on the fair floor, over 30 percent of whom were below the age of 40, the fiftieth anniversary edition of Art Brussels was in youthful spirits, despite being the second oldest art fair in the world after Art Cologne.
Ocula Feature Berlin, Boners and Brecht By Diana d'Arenberg, Berlin Apparently my timing sucks. One week too late for Berlin Gallery Weekend, and one month too early for the Berlin Biennale. ‘You should have been here last weekend for Berlin Gallery Weekend!’ a Berliner friend exclaimed. ‘Everyone was having orgies at Soho House! It was the best art world networking!’ I shifted...
Ocula Feature Sydney Summer Report By Rachel Fuller, Sydney When Silence Falls Art Gallery of New South Wales, Sydney 19 December 2015 - 1 May 2016 Currently showing in the contemporary galleries of the Art Gallery of New South Wales, When Silence Falls is a collection-based, group exhibition curated by AGNSW curator of Aboriginal and Torres Strait Islander art, Cara Pinchbeck....
Related Press William Kentridge’s Indictment of Colonial and Apartheid Injustice 26 September 2019, Frieze What does it mean to speak? To speak in a way that not only broaches the moral ambiguities of silence, but also probes the limits of speech's capacity to make sense of the world. William Kentridge, the Johannesburg artist and theatre director, addresses this question in a 2018 essay titled 'Let Us Try for Once'. The text forms part of a dispersed...
Related Press THAT WHICH WE DO NOT REMEMBER WILLIAM KENTRIDGE 1 March 2019, ArtAsiaPacific As I looked through William Kentridge's That Which We Do Not Remember at Sydney's Art Gallery of New South Wales, led by the multimedia artist himself, it became increasingly apparent to me that Kentridge, often described as a distinctive and powerful voice in the global contemporary art realm, is both erudite and generous with his ideas.
Related Press William Kentridge’s Real and Metaphorical Cages Illuminate a Protest on Deportation 16 August 2018, Hyperallergic MILWAUKEE—The current William Kentridge exhibition at the Milwaukee Art Museum, More Sweetly Play the Dance, is an immersive 2015 installation: a 14-minute video loop projected on a series of eight screens, 130 feet long in total. The screens unfold like an accordion book, not quite aligning, leaving small gaps that create page breaks in...
Related Press William Kentridge and the forgotten victims of Africa’s Great War 6 July 2018, Financial Times Does art have the power to affect people’s view of war and politics? In the years during and following the first world war, art did its best to reflect the desolation and sense of waste prompted by the monstrous number of lives lost between 1914 and 1918. Art and literature portrayed a world that had fallen apart and lost its moorings to meaning:...
