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Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

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Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

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The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

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Browse Artworks

Open (Medium Scale) by William Kentridge contemporary artwork William KentridgeOpen (Medium Scale), 2018 Bronze
110 x 55 x 40 cm
Goodman Gallery
Drawing for Soft Dictionary ("Earning Its Keep") by William Kentridge contemporary artwork William KentridgeDrawing for Soft Dictionary ("Earning Its Keep"), 2018 Charcoal on found pages
107 x 203 cm
Goodman Gallery
Soft Dictionary by William Kentridge contemporary artwork William KentridgeSoft Dictionary, 2016 Single Channel HD Video
Goodman Gallery
Untitled (Drawing from Wozzeck 17) by William Kentridge contemporary artwork William KentridgeUntitled (Drawing from Wozzeck 17), 2016 Charcoal and red pencil on Hahnemuhle paper
56.5 x 78 cm
Goodman Gallery
Untitled (Drawing for Wozzeck 65) by William Kentridge contemporary artwork William KentridgeUntitled (Drawing for Wozzeck 65), 2016 Charcoal and red pencil on Hahnemuhle paper
60.5 x 80 cm
Goodman Gallery
Untitled (Drawing for Wozzeck 66) by William Kentridge contemporary artwork William KentridgeUntitled (Drawing for Wozzeck 66), 2017 Charcoal and red pencil on Hahnemuhle paper
61 x 80 cm
Goodman Gallery
Untitled (Drawing from Wozzeck 63) by William Kentridge contemporary artwork William KentridgeUntitled (Drawing from Wozzeck 63), 2017 Charcoal on paper
164 x 196 cm
Goodman Gallery
Drawing for The Head & the Load (Twelve Birds) by William Kentridge contemporary artwork William KentridgeDrawing for The Head & the Load (Twelve Birds), 2018 Charcoal and red pencil on found ledger pages
88.5 x 130 cm
Goodman Gallery
Drawing for The Head & the Load (Panorama with Trees) by William Kentridge contemporary artwork William KentridgeDrawing for The Head & the Load (Panorama with Trees), 2018 Collage of printed text, red pencil and charcoal on paper
44 x 152.5 cm
Goodman Gallery
Drawing for The Head & the Load (Fallen Figures) by William Kentridge contemporary artwork William KentridgeDrawing for The Head & the Load (Fallen Figures), 2018 Charcoal and red pencil on paper
61 x 280 cm
Goodman Gallery
Drawing from The Head & the Load (L'Impot du Sang) by William Kentridge contemporary artwork William KentridgeDrawing from The Head & the Load (L'Impot du Sang), 2018 Collage of printed text, charcoal, pastel and red pencil on paper
Goodman Gallery
Untitled (Drawing for Wozzeck 68) by William Kentridge contemporary artwork William KentridgeUntitled (Drawing for Wozzeck 68), 2016 Charcoal, pastel and red pencil on Hahnemuhle paper
53 x 78 cm
Goodman Gallery
Untitled (Drawing from Wozzeck 12) by William Kentridge contemporary artwork William KentridgeUntitled (Drawing from Wozzeck 12), 2016 Charcoal and red pencil on Hahnemuhle paper
55.5 x 80 cm
Goodman Gallery
Untitled (Drawing from Wozzeck 23) by William Kentridge contemporary artwork William KentridgeUntitled (Drawing from Wozzeck 23), 2016 Charcoal and red pencil on Hahnemuhle paper
54 x 78 cm
Goodman Gallery
Untitled (The Pool Ahead Is Not To Be Trusted) by William Kentridge contemporary artwork William KentridgeUntitled (The Pool Ahead Is Not To Be Trusted), 2018 Charcoal, pastel and printed text on paper
128 x 152 cm
Goodman Gallery
Processione di Riparazioniste Maquettes (Full Set) by William Kentridge contemporary artwork William KentridgeProcessione di Riparazioniste Maquettes (Full Set), 2018 Laser cut steel, Set of 15 maquettes
363 x 242 x 2.5 cm
Goodman Gallery
Untitled by William Kentridge contemporary artwork William KentridgeUntitled, 2010 Ink on found pages
174 x 129.5 cm
Goodman Gallery
Drawing for 'The Head and the Load' by William Kentridge contemporary artwork William KentridgeDrawing for 'The Head and the Load', 2018 Charcoal, pastel and red pencil on paper
39 3/8 x 63 inches
Marian Goodman Gallery
That Which I Do Not Remember from Triumphs and Laments by William Kentridge contemporary artwork William KentridgeThat Which I Do Not Remember from Triumphs and Laments, 2017 Arrangement of 13 woodcuts onto 26 sheets of Somerset Velvet, Soft White paper, each with relief printing, assembled with 56 aluminium pins
82 1/2 x 78 1/2 inches
Krakow Witkin Gallery
Art in the State of Grace by William Kentridge contemporary artwork William KentridgeArt in the State of Grace, 1988 Silkscreen on Velin Arches and brown paper
63 x 39 3/8 inches
Krakow Witkin Gallery
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