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4th Kochi-Muziris Biennale: Possibilities for a Non-Alienated Life Ocula Report 4th Kochi-Muziris Biennale: Possibilities for a Non-Alienated Life 15 Feb 2019 : Natalie King for Ocula

'Poems are like sentences that have taken their clothes off.' Marlene Dumas' poetic and sensual refrain accompanies her figurative watercolours on view in Possibilities for a Non-Alienated Life, the fourth edition of the Kochi-Muziris Biennale (KMB) in the southern state of Kerala, India (12 December 2018–29 March 2019).Dumas' new series...

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Ellen Altfest Ocula Conversation Ellen Altfest

The paintings of Ellen Altfest are ethereal in their detail. Fields of minutiae come together as pulsating images; small brushstrokes of oil paint accumulate over a series of months to single out seemingly innocuous subjects, such as a hand resting atop patterned fabric (The Hand, 2011) or a deep green cactus reaching upwards from beneath a bed of...

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Colomboscope 2019: Cross Currents and Dissonance Ocula Report Colomboscope 2019: Cross Currents and Dissonance 8 Feb 2019 : Nada Raza for Ocula

On the rooftop of the former Rio Hotel complex in Colombo, it was hard to ignore the high-rise buildings, still under construction, blocking all but a sliver of what used to be an open view over Slave Island, once an island on Beira Lake that housed slaves in the 19th century, and now a downtown suburb. The hotel was set alight during the...

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Browse Artworks

That Which I Do Not Remember from Triumphs and Laments by William Kentridge contemporary artwork William KentridgeThat Which I Do Not Remember from Triumphs and Laments, 2017 Arrangement of 13 woodcuts onto 26 sheets of Somerset Velvet, Soft White paper, each with relief printing, assembled with 56 aluminium pins
82.5 x 78.5 inches
Krakow Witkin Gallery
Art in the State of Grace by William Kentridge contemporary artwork William KentridgeArt in the State of Grace, 1988 Silkscreen on Velin Arches and brown paper
63 x 39.38 inches
Krakow Witkin Gallery
Notes Towards a Model Opera by William Kentridge contemporary artwork William KentridgeNotes Towards a Model Opera, 2015 3 channel video installation in 1.45 aspect ration (non-standard), 4 channels of audio, 11 min 22 sec
Marian Goodman Gallery
Unremember Me by William Kentridge contemporary artwork William KentridgeUnremember Me, 2015 Lithograph on Japanese paper
38 x 48 cm
Cahiers d'Art
Cicero by William Kentridge contemporary artwork William KentridgeCicero, 2014 Mohair tapestry (woven by the Stephens Tapestry Studio, Johannesburg)
180 x 195 cm
KEWENIG
Untitled (mask and Large Glove) by William Kentridge contemporary artwork William KentridgeUntitled (mask and Large Glove), 2016 Etching, paper: Hannemuhle 300 gsm
59.3 x 42.8 cm
KEWENIG
El Lissitzky by William Kentridge contemporary artwork William KentridgeEl Lissitzky, 2010 Sugarlift aquatint, drypoint, etching and burnishing on Somerset Velvet, Soft White, 300gsm
40 x 30 cm
KEWENIG
Undo Unsay by William Kentridge contemporary artwork William KentridgeUndo Unsay, 2012 One run hand printed lithograph and collage on Munken, Superwove and Phumani archive Mill paper on white Arches 400 gsm
60 x 80 cm
KEWENIG
Lekkerbreek by William Kentridge contemporary artwork William KentridgeLekkerbreek, 2013 Linocut printed on 30 sheets of non-archival pages from 'Britannica World Language Dictionary, Edition of Funk and Wagnalls', 1954
170 x 108 cm
KEWENIG
Xa Xa Xa by William Kentridge contemporary artwork William KentridgeXa Xa Xa, 2010 Linocut, paper: Hannemuhle 350 gsm
109.5 x 69.5 cm
KEWENIG
The Full Stop Swallows the Sentence by William Kentridge contemporary artwork William KentridgeThe Full Stop Swallows the Sentence, 2012 One run hand printed lithograph and collage on Munken, Superwove and Phumani archive Mill paper on white Arches 400 gsm
70 x 86 cm
KEWENIG
Processional Nose by William Kentridge contemporary artwork William KentridgeProcessional Nose, 2015 Mohair tapestry (Stephens Tapestry Studio, Johannesburg)
258 x 257 cm
KEWENIG
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