Ocula Report Ocula 报告｜Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula 即将于2019年7月13开幕的第二届 Condo Shanghai，联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市，如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城，为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥，《景观/对象WA》（2016）。橡木上固化油墨打印，左: 55.88 × 147.32 cm，中: 121.92 × 152.4 cm，右: 55.88 × 147.32 cm，图片提供：马凌画廊，上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...
Ocula Conversation Wong Ping: Hong Kong Fables There is something irrepressibly compelling about the lewd animated videos of Wong Ping. Is it their flat surfaces rendered in popping colours? Or their dark narratives that resonate with the deepest recesses of the human psyche? They have been included in an impressive repertoire of group exhibitions in recent years, including One Hand Clapping at...
Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...
Conceptually minded, Thomas Erben Gallery strives to either rediscover or expose work that contributes to contemporary discourse and expands beyond the boundaries of the artists’ chosen media.
Thomas Erben began his professional involvement in the art world in 1989 as a private dealer focusing on contemporary American art. In 1993, he began organising exhibitions in his private space, which led to the opening of Thomas Erben Gallery, located, until 2000, on Broome Street in SoHo. His inaugural exhibition in September of 1996 was an installation by Senga Nengudi. From the outset, the program has been multidisciplinary and internationally oriented, showcasing emerging as well as established artists.
Ocula Conversation 娜布其 Nabuqi 在第58届威尼斯双年展的绿城花园主展馆里，一个玻璃钢奶牛模型在人造植物、泡沫石头和树脂科林斯柱间绕圈转动，展墙被色彩与风景印花布帘覆盖，自然与城市的声音回荡在展厅内—娜布其的装置作品《真实发生在事物具有合理性的瞬间吗？》（2018）利用诸多物件的组合关系将观者包裹在一个闲适自然却又造作的场景中。与此呼应的是在军械库中的的另一种"风景"：在这件名为《终点》（2018）的作品中，将近六米长的海滩风景广告牌被钢架斜撑着，下方的人造植物穿透了图片，两种虚假的风景混淆在一起质问着现实。第58届威尼斯双年展即将拉开序幕，展览由伦敦海沃德美术馆（Hayward Gallery）总监拉尔夫・鲁戈夫（Ralph...
Ocula Photolog Independent New York 2019 11 March 2019 'Independent New York's selected participants represent the art world's most creative and inspired curatorial visions from a cross-section of emerging, mid-career and established programs from around the world. Independent is curating a forum that is an authentic reflection of the gallery landscape and encourages innovative approaches to fair...
Ocula Report Shanghai Art Exhibitions to See: The Lowdown 2 Nov 2018 : Sam Gaskin for Ocula There is no official Shanghai Art Week, but the term has nevertheless entered the lexicon of the city's contemporary art community. It's especially apt this year, with the firmly established West Bund Art Fair (8–11 November 2018) and Art021 (9–11 November 2018) taking place the same week that the 12th Shanghai Biennale opens at the Power Station...
Related Press New York Art Galleries: What to See Right Now The New York Times : 3 April 2019 'Détournement' means taking an existing artwork or artifact and transforming it into something wiser, funnier and cooler, as evidenced in the show Strategic Vandalism: The Legacy of Asger Jorn's Modification Paintings, at Petzel Gallery.Jorn, a Danish artist associated with the Situationist International group in Paris in the '50s, was a master of...
Related Press Harriet Korman: Permeable/Resistant The Brooklyn Rail : 11 December 2018 When asked how she starts one of her recent quadrant-based paintings, Harriet Korman replies that her first step is to "find the center." She does so without the assistance of any measuring device, relying solely on her hand and eye to determine the point from which she will begin building out her right-angled bands of color.
Related Press Harriet Korman’s Formal Mastery Hyperallergic : 17 November 2018 Harriet Korman began exhibiting her abstract paintings in 1971, during Conceptual Art’s ascendancy and when many in the art establishment considered painting to be a casualty of history’s progress.Working in the wake of Minimalism, Color Field painting, shaped paintings, and painting-as-object, Korman rejected the argument Donald Judd put forth...
Related Press What to See in New York Art Galleries This Week The New York Times : 2 May 2018 What's great about George Herriman's much admired early-20th-century comic strip Krazy Kat is its nearly unlimited scope for self-awareness. A stripped-down but playfully catholic style — combined with a sturdy, repetitive narrative frame — meant that Herriman could wink at the reader as often as he wanted, without losing his footing or...
