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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Takashi Murakami and Tobias Berger Talk Murakami Ocula Conversation
In Collaboration with Tai Kwun Contemporary
Takashi Murakami and Tobias Berger Talk Murakami

For three months from 1 June to 1 September 2019, Tai Kwun Contemporary in Hong Kong showcases MURAKAMI vs MURAKAMI, a major survey exhibition of the Japanese artist Takashi Murakami. Curated by Tobias Berger, head of art at Tai Kwun, and Gunnar B Kvaran, director of Astrup Fearnley Museet, Oslo, the exhibition spans the three floors of Tai Kwun's...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Rose Wylie

b. 1934, United Kingdom

Rose Wylie lives and works in Kent, England.

Featured Artworks

View All (12)
Yellow Bathing Costume, and 6 Birds by Rose Wylie contemporary artwork
Rose WylieYellow Bathing Costume, and 6 Birds, 2019 Oil on canvas with collage
184 x 152 cm
CHOI&LAGER Gallery
White Corset, Smile by Rose Wylie contemporary artwork
Rose WylieWhite Corset, Smile, 2019 Oil on canvas
182 x 149 cm
CHOI&LAGER Gallery
Corset, (Botticelli on Planks) by Rose Wylie contemporary artwork
Rose WylieCorset, (Botticelli on Planks), 2019 Oil on canvas
183 x 149 cm
CHOI&LAGER Gallery
Black Frock, The Modest Corset (Malevitch) by Rose Wylie contemporary artwork
Rose WylieBlack Frock, The Modest Corset (Malevitch), 2019 Oil on canvas
183 x 312 cm
CHOI&LAGER Gallery
Face of Africa, Wall by Rose Wylie contemporary artwork
Rose WylieFace of Africa, Wall, 2016 Oil on Canvas
182 x 350 cm
CHOI&LAGER Gallery
Tale of Tales, Flea (Film Notes) by Rose Wylie contemporary artwork
Rose WylieTale of Tales, Flea (Film Notes), 2017 Oil on Canvas
183 x 167 cm
CHOI&LAGER Gallery
Tale of Tales, Pink Castle (Film Notes) by Rose Wylie contemporary artwork
Rose WylieTale of Tales, Pink Castle (Film Notes), 2017 Oil on Canvas
183 x 165 cm
CHOI&LAGER Gallery
Gold Lump by Rose Wylie contemporary artwork
Rose WylieGold Lump, 2012 Oil on canvas
181 x 165 cm
CHOI&LAGER Gallery

Recent Exhibitions

View All (4)
Contemporary art exhibition, Group Exhibition, Girl Meets Girl at CHOI&LAGER Gallery, Cologne
Closed
22 March–28 April 2019 Group Exhibition Girl Meets Girl CHOI&LAGER Gallery, Cologne
Contemporary art exhibition, Rose Wylie, Lolita's House at David Zwirner, London
Closed
20 April–26 May 2018 Rose Wylie Lolita's House David Zwirner, London
Contemporary art exhibition, Rose Wylie, Cupid & Fur Coat at CHOI&LAGER Gallery, Cologne
Closed
10 March–7 May 2017 Rose Wylie Cupid & Fur Coat CHOI&LAGER Gallery, Cologne

Represented By

In Related Press

Rose Wylie: Quack Quack review – crude, joyous spontaneity Related Press Rose Wylie: Quack Quack review – crude, joyous spontaneity The Guardian : 3 December 2017

Grand, ungainly and defiantly young – this is the art of Rose Wylie. It is a strange and anomalous combination, especially since she is now 83. Looking at her enormous canvases, which might show a park bench, a film star surrounded by flying ears or a biscuit on its way into someone’s open mouth, you reel at the sheer directness of the painting,...

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Rose Wylie review – childlike bursts of freedom and joy Related Press Rose Wylie review – childlike bursts of freedom and joy The Guardian : 29 November 2017

Memories of her own childhood well up in this strange, discombobulating, exciting exhibition. Wylie was born in 1934 and can remember the blitz. In her painting Rosemount (Coloured) the red outline of a V1 with its square wings flies over a roughed-out map of west London centred on a black silhouette of a factory with the name 'Rosemount' scrawled...

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Rose Wylie: 'I want to be known for my paintings – not because I'm old' Related Press Rose Wylie: 'I want to be known for my paintings – not because I'm old' The Guardian : 22 November 2017

Often, a painting's content is described on the canvas in blocky handwriting that is as much a part of the picture as the figures the words snake around or run into. Yet in both thinking and making, the process is slow and considered. 'You can go on for about five hours doing just one little bit. It really can be hours.' Wylie recently had a stint...

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