Ocula MagazineContentsView All
Featured ContentView All
‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

Fade out copy.
Read More
Zoe Butt on the Challenges and Rewards of Curating Ocula Conversation Zoe Butt on the Challenges and Rewards of Curating

Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...

Fade out copy.
Read More
Ocula 报告|Condo Shanghai 2019 展览看点 Ocula Report Ocula 报告|Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula

即将于2019年7月13开幕的第二届 Condo Shanghai,联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市,如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城,为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥,《景观/对象WA》(2016)。橡木上固化油墨打印,左: 55.88 × 147.32 cm,中: 121.92 × 152.4 cm,右: 55.88 × 147.32 cm,图片提供:马凌画廊,上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...

Fade out copy.
Read More

Carmen Herrera

b. 1915, Cuba

Core to Carmen Herrera’s painting is a drive for formal simplicity and a striking sense of colour: “My quest”, she says, “is for the simplest of pictorial resolutions” (2012). A master of crisp lines and contrasting chromatic planes, Herrera creates symmetry, asymmetry and an infinite variety of movement, rhythm and spatial tension across the canvas with the most unobtrusive application of paint. As she moved towards pure, geometric abstraction in the post-war years in Paris, she exhibited alongside Theo van Doesburg, Max Bill and Piet Mondrian and a younger generation of Latin American artists, such as members of the Venezuelan Los Disidentes, Brazilian Concretists and the Argentinian Grupo Madi. Her work also chimed with painters from the US school such as Barnett Newman, Leon Polk Smith and Ellsworth Kelly. Reflecting on this period, she says, “I began a lifelong process of purification, a process of taking away what isn’t essential” (2005). While allied with Latin American non-representational concrete painting, Herrera’s body of work has established, quietly but steadily, a cross-cultural dialogue within the international history of modernist abstraction.

Carmen Herrera was born in Havana, Cuba in 1915. She moved frequently between France and Cuba throughout the 1930s and 1940s; having started studying architecture at the Universidad de La Habana, Havana (1937–38), she trained at the Art Students League, New York (1943–45), before exhibiting four times at the Salon des Réalités Nouvelles, Musée d’Art Moderne de la Ville de Paris (1949–53). She settled in New York in 1954, where she continues to live and work. Herrera’s paintings were the subject of a large-scale survey at Ikon Gallery, Birmingham, UK in 2009; she has also had solo exhibitions at Museum Pfalzgalerie Kaiserslautern, (2010) and Museo del Barrio, New York (1998). She has been included in the group shows ‘Order, Chaos and the Space Between’ at the Phoenix Museum of Art, Arizona (2013) and ‘The Geometric Unconscious: A Century of Abstraction’, Sheldon Museum of Art, Nebraska (2012). She was awarded a fellowship from the Cintas Foundation, New York (1966–68) and a grant by the Creative Artists Public Service, New York (1977). Her work is in numerous public and private collections including the Museum of Modern Art, New York; the Tate Collection, London; the Hirshhorn Museum, Washington DC; The Smithsonian American Art Museum, Washington DC and the Walker Art Center, Minneapolis.

Fade out copy.
Read More

Featured Artworks

Angulo Rojo by Carmen Herrera contemporary artwork
Carmen HerreraAngulo Rojo, 2017–2018 Painted aluminium
106.7 x 153.7 x 24.1 cm
Lisson Gallery
Verde y Negro by Carmen Herrera contemporary artwork
Carmen HerreraVerde y Negro, 2017 Portfolio of three lithographs
54 x 44.5 cm
Lisson Gallery
Nocturne by Carmen Herrera contemporary artwork
Carmen HerreraNocturne, 2016 Acrylic on canvas
152.4 x 152.4 cm
Lisson Gallery

Recent Exhibitions

Contemporary art exhibition, Carmen Herrera, Estructuras at Lisson Gallery, New York
Closed
14 September–27 October 2018 Carmen Herrera Estructuras Lisson Gallery, West 24th Street, New York
Contemporary art exhibition, Carmen Herrera, Carmen Herrera at Lisson Gallery, London
Closed
25 November 2017–17 February 2018 Carmen Herrera Carmen Herrera Lisson Gallery, Bell Street, London

Represented By

In Related Press

The Colors of the Sixties Related Press The Colors of the Sixties Hyperallergic : 6 April 2019

The eighth floor of the Whitney Museum of American Art, as David Breslin, the Director of the Collection, sees it, is 'a place for surprises.'The elegant spaces of the museum's top floor, catching the light off the river through its skylights and glass walls, have felt enchanted ever since it opened in 2015 with the Early Modernist 'Forms...

Fade out copy.
Read More
A passionate visual idiom: Carmen Herrera at the Whitney Museum of American Art, New York Related Press A passionate visual idiom: Carmen Herrera at the Whitney Museum of American Art, New York Artcritical : 24 October 2016

This exhibition is focused on a relatively short segment of Carmen Herrera’s long career (she is now 101), namely 1948 to 1978. It presents her painting in Paris during the years immediately after World War Two, and then her development when she moved to New York. In the first gallery you find Siete (1949), a relatively small painting with...

Fade out copy.
Read More
Lisson Gallery reveals May opening date, programming for first New York Space Related Press Lisson Gallery reveals May opening date, programming for first New York Space ArtNews : 13 February 2016

Nearly two years after first announcing plans to open a gallery space in New York’s Chelsea neighborhood—right under the world-famous High Line—the London-based Lisson Gallery revealed an opening date, the architectural renderings, and the space’s programming for 2016 at a press conference at The Standard in the Meatpacking...

Fade out copy.
Read More

Be among the first to know when new artworks and exhibitions by Carmen Herrera are added to Ocula.

WeChat

Scan the QR Code via WeChat to follow Ocula's official account.

Scan to follow Ocula on WeChat.
iCal GoogleYahooOutlook