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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Zoe Butt on the Challenges and Rewards of Curating Ocula Conversation Zoe Butt on the Challenges and Rewards of Curating

Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...

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Ocula 报告|Condo Shanghai 2019 展览看点 Ocula Report Ocula 报告|Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula

即将于2019年7月13开幕的第二届 Condo Shanghai,联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市,如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城,为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥,《景观/对象WA》(2016)。橡木上固化油墨打印,左: 55.88 × 147.32 cm,中: 121.92 × 152.4 cm,右: 55.88 × 147.32 cm,图片提供:马凌画廊,上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...

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Daniel Buren

b. 1938, France

World-renowned French artist Daniel Buren is acclaimed for his contribution to conceptual art over the past 50 years. As an artist, his practice borders sculpture, installation and painting. Critically, he explores the relationship between art and the framework that continues to structure how we perceive art. Through his practice, Buren particularly challenges our customary ideas about where art is displayed and how it is understood. 

Buren first developed a critique of the art establishment in Paris in the 1960s. He is best known from this era as a founding member of the BMPT (his surname initial alongside fellow artists Olivier Mosset, Michel Parmentier and Niele Toroni). The series of four exhibitions that BMPT presented—the ‘manifestations’ (1967)—questioned typical social values regarding artists and their art, for example the authority of the Parisian salons that had governed the art world for centuries. The four men also created work that disregarded the importance of authorship, often implying that one artist’s paintings were painted by another. This notion increased the value of the artistic object itself rather than its novelty. 

The tone of the BMPT philosophy was arguably the biggest influence on Buren’s own  practice. In 1965, he first developed the distinctive artistic motif of exploring the relationship between a work’s medium and its support. He cut fabric into 8.7cm-wide vertical stripes and attached them to unconventional surfaces, objects and spaces. His installation spaces of choice now range from window frames to the cylindrical structures in the renowned courtyard of the Palais-Royal, central Paris (in Les Deux Plateaux (1986)). Buren describes his onsite practice as in situ, as he takes a particular building or place and considers its unique story and context to create his vertically striped geometric designs. 

The stripes in these works typically alternate between white and a bright colour, sometimes creating an optical illusion. Buren also often incorporates light and an array of textures such as Plexiglas into his works to enhance their spatial forms. He has documented each of his explorations and archived this documentation as ‘photo-souvenirs’. 

The 1990s saw Buren’s work become increasingly architectural, employing fencing and grids. During this decade he developed the use of stained-glass window. The bright yet translucent colours in his site-specific installation Monumenta (2012) reflect these explorations in the nave of the Grand Palais in Paris.

Buren’s in situ work culminated in his representation of France at the 1986 Venice Biennale, where he was awarded the prestigious Golden Lion award for the best national pavilion that year.  Since the Biennale pavilion, Buren has completed over 80 international public art works, including Diamonds and Circles, works in situ (2017), completed for the Tottenham Court Road tube station in London. 

Over his career, Buren has received a number of important awards including the International Award for the Best Artist, Stuttgart, Germany (1991) and the Grand Prix National de Peinture, France (1992). He has been the subject of retrospectives at the Bozar Centre for Fine Arts, Brussels (2016); the Solomon R. Guggenheim Museum, New York (2005); and the Centre Pompidou, Paris (2002).

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Featured Artworks

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Photo-souvenir: Tondo n°3, situated work by Daniel Buren contemporary artwork
Daniel BurenPhoto-souvenir: Tondo n°3, situated work, 2018 Coloured plexiglass, coloured altuglas, self-adhesive strips and steel
215 x 215 cm
Galeria Nara Roesler
Photo-souvenir: Colors, light, projection, shadows, transparency: works in situ 6 by Daniel Buren contemporary artwork
Daniel BurenPhoto-souvenir: Colors, light, projection, shadows, transparency: works in situ 6, 2015 Metal structure, vinyl, acrylic and mirror
200 x 200 x 50 cm
Galeria Nara Roesler
Voir Double - Travaux Situés - Blue Pastel - RAL 5024 by Daniel Buren contemporary artwork
Daniel BurenVoir Double - Travaux Situés - Blue Pastel - RAL 5024, 2009 MDF, peinture acrylique satinée, plastique, satiné noir
187 x 198 x 26 cm
Xavier Hufkens
Pile Up: High relief n° B9 by Daniel Buren contemporary artwork
Daniel BurenPile Up: High relief n° B9, 2017 Powder coated aluminium
304.5 x 130.5 x 30.5 cm
Lisson Gallery
Pile Up: High relief n° B5 by Daniel Buren contemporary artwork
Daniel BurenPile Up: High relief n° B5, 2017 Powder coated aluminium
304.5 x 130.5 x 30.5 cm
Lisson Gallery
Westwind by Daniel Buren contemporary artwork
Daniel BurenWestwind, 2010 Flags, steel, ventilator
200 x 45 x 100 cm
Buchmann Galerie
Les visages colorés III A-rosé by Daniel Buren contemporary artwork
Daniel BurenLes visages colorés III A-rosé, 2005 White vinyl on mirror
210 x 200.1 cm
Buchmann Galerie
Prisms and Mirrors, high relief - n°XXIII: situated work by Daniel Buren contemporary artwork
Daniel BurenPrisms and Mirrors, high relief - n°XXIII: situated work, 2018 Wood, glue, lacquer, and vinyl adhesive
225 x 135 x 30.95 cm
Galeria Nara Roesler

Recent Exhibitions

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Contemporary art exhibition, Group Exhibition, Reflections on Space and Time at Galeria Nara Roesler, São Paulo
Closed
1 April–11 May 2019 Group Exhibition Reflections on Space and Time Galeria Nara Roesler, São Paulo
Contemporary art exhibition, Group Exhibition, Towards Infinity: 1965-1980 at Simon Lee Gallery, London
Closed
4 July–7 September 2018 Group Exhibition Towards Infinity: 1965-1980 Simon Lee Gallery, London
Contemporary art exhibition, Group Exhibition, Towards Infinity: 1965-1980 at Simon Lee Gallery, New York
Closed
2 May–16 June 2018 Group Exhibition Towards Infinity: 1965-1980 Simon Lee Gallery, New York

Represented By

In Ocula Magazine

Top 5 booths at Art Busan 2016 Ocula Report Top 5 booths at Art Busan 2016 31 May 2016 : Angela Suh for Ocula

Located a stones throw from the famed Haeundae Beach, popularised in Korean cinema and countless K-dramas, Art Busan 2016 conveyed a leisurely air brought on by the first warm days of spring. Now in its fifth edition, the fair has grown into a sizeable event showcasing some of the best works in the region. With over 190 participating galleries...

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Total Abstraction: A Report From Art Basel Miami Beach Ocula Report Total Abstraction: A Report From Art Basel Miami Beach 11 Dec 2013 : Stephanie Bailey for Ocula

General consensus? This years edition of Art Basel in Miami Beach was better than the last. Everything was “more” – more vibrancy, daring choices, and a more buoyant market. The Public program at Collin’s Park was a complete success, featuring performance pieces by artists including Ryan McNamara, Mungo Thomson and David...

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In Related Press

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From the return of FIAC to a Russian arrival at Fondation Louis Vuitton: The best cultural pursuits in Paris this October Related Press From the return of FIAC to a Russian arrival at Fondation Louis Vuitton: The best cultural pursuits in Paris this October The Telegraph : 18 October 2016

Frieze may be over for another year, but as the tents are dismantled in London’s Regent’s Park, so the art market circus is preparing to pitch camp in Paris. This week sees the 43rd edition of FIAC, the Foire Internationale d’Art Contemporain or International Contemporary Art Fair, as well as the second edition of Asia Now,...

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Seeing stripes: Daniel Buren shows ten Related Press Seeing stripes: Daniel Buren shows ten Wallpaper* : 25 September 2016

Visitors to Nahmad Contemporary this month will be seeing stripes – and lots of them – as the gallery presents Origin of Stripes: Paintings from 1965­–1966, a collection of paintings by artist Daniel Buren.Featuring ten early works by the French artist, the show marks the first display of the pieces in the United States...

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Expo Chicago 2016 announces roster for special projects sectors Related Press Expo Chicago 2016 announces roster for special projects sectors ARTNews : 26 August 2016

Expo Chicago, that city’s annual contemporary art fair, announced the list of participants for its 2016 editions of In/Situ, In/Situ Outside, and Expo Projects. These sectors of the fair feature large-scale installations, and will be placed both at the fair and around Chicago. Expo Chicago opens September 22.

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Child's play: Daniel Buren showcases his new installation at the Museo Espacio Related Press Child's play: Daniel Buren showcases his new installation at the Museo Espacio Wallpaper* : 27 July 2016

When the French abstract minimalist artist Daniel Buren – aka 'the stripe guy' – first discovered the murals of Mexican social realist painters David Alfaro Siqueiros, José Clemente Orozco and Diego Rivera during his maiden voyage to the country in 1957, he says, 'I discovered that I was not only seeing something totally...

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