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Extra States: Nations in Liquidation at Kunsthal Extra City Ocula Report Extra States: Nations in Liquidation at Kunsthal Extra City 8 Dec 2018 : Stephanie Bailey for Ocula

The nation-state—a nation (a people) presided over by a governing body with jurisdiction over a defined territory (the state)—is either going through a renaissance or demise, depending on one's perspective. There has been talk about the nation-state's end for years—from a 2013 United States National Intelligence Council report...

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Anita Dube Ocula Conversation Anita Dube

On 12 December 2018, the Kochi-Muziris Biennale (KMB), referred to as 'the people's Biennale', will open its fourth edition to the public. Considered one of the most significant large-scale exhibitions in South Asia, and by far one of the most attended art events in the subcontinent, this edition is curated by the New Delhi-based artist and critic...

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The 9th Asia Pacific Triennial Keeps Up With The Zeitgeist Ocula Report The 9th Asia Pacific Triennial Keeps Up With The Zeitgeist 8 Dec 2018 : Susan Acret for Ocula

Looking through the windows that front Indonesian artist Aditya Novali's wall installation The Wall: Asian (Un)Real Estate Project (2011), a series of miniature apartments come into view: private interiors that are sometimes bland, strange or garish (Hello Kitty decor characterises one space, for example, while multiple Duchamp-like toilets appear...

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Daniel Buren

b. 1938, France

World-renowned French artist Daniel Buren is acclaimed for his contribution to conceptual art over the past 50 years. As an artist, his practice borders sculpture, installation and painting. Critically, he explores the relationship between art and the framework that continues to structure how we perceive art. Through his practice, Buren particularly challenges our customary ideas about where art is displayed and how it is understood. 

Buren first developed a critique of the art establishment in Paris in the 1960s. He is best known from this era as a founding member of the BMPT (his surname initial alongside fellow artists Olivier Mosset, Michel Parmentier and Niele Toroni). The series of four exhibitions that BMPT presented—the ‘manifestations’ (1967)—questioned typical social values regarding artists and their art, for example the authority of the Parisian salons that had governed the art world for centuries. The four men also created work that disregarded the importance of authorship, often implying that one artist’s paintings were painted by another. This notion increased the value of the artistic object itself rather than its novelty. 

The tone of the BMPT philosophy was arguably the biggest influence on Buren’s own  practice. In 1965, he first developed the distinctive artistic motif of exploring the relationship between a work’s medium and its support. He cut fabric into 8.7cm-wide vertical stripes and attached them to unconventional surfaces, objects and spaces. His installation spaces of choice now range from window frames to the cylindrical structures in the renowned courtyard of the Palais-Royal, central Paris (in Les Deux Plateaux (1986)). Buren describes his onsite practice as in situ, as he takes a particular building or place and considers its unique story and context to create his vertically striped geometric designs. 

The stripes in these works typically alternate between white and a bright colour, sometimes creating an optical illusion. Buren also often incorporates light and an array of textures such as Plexiglas into his works to enhance their spatial forms. He has documented each of his explorations and archived this documentation as ‘photo-souvenirs’. 

The 1990s saw Buren’s work become increasingly architectural, employing fencing and grids. During this decade he developed the use of stained-glass window. The bright yet translucent colours in his site-specific installation Monumenta (2012) reflect these explorations in the nave of the Grand Palais in Paris.

Buren’s in situ work culminated in his representation of France at the 1986 Venice Biennale, where he was awarded the prestigious Golden Lion award for the best national pavilion that year.  Since the Biennale pavilion, Buren has completed over 80 international public art works, including Diamonds and Circles, works in situ (2017), completed for the Tottenham Court Road tube station in London. 

Over his career, Buren has received a number of important awards including the International Award for the Best Artist, Stuttgart, Germany (1991) and the Grand Prix National de Peinture, France (1992). He has been the subject of retrospectives at the Bozar Centre for Fine Arts, Brussels (2016); the Solomon R. Guggenheim Museum, New York (2005); and the Centre Pompidou, Paris (2002).

Featured Artworks

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Prisms and Mirrors, high relief - n°XXIII: situated work by Daniel Buren contemporary artwork Daniel BurenPrisms and Mirrors, high relief - n°XXIII: situated work, 2018 Wood, glue, lacquer, and vinyl adhesive
225 x 135 cm
Galeria Nara Roesler
Pile Up: High relief n° B3 by Daniel Buren contemporary artwork Daniel BurenPile Up: High relief n° B3, 2017 Powder coated aluminium
304.5 x 130.5 x 30.5 cm
Lisson Gallery
Double square with X and blue, situated work by Daniel Buren contemporary artwork Daniel BurenDouble square with X and blue, situated work, 2015 Steel cables, iron support, canvas, plexi
200 x 200 x 50 cm
Lisson Gallery
2 Rising Cubes bas-relief (blue): situated work by Daniel Buren contemporary artwork Daniel Buren2 Rising Cubes bas-relief (blue): situated work, 2014 Paint, plywood and black tape
200 x 200 cm
Lisson Gallery
2 Rectangles of Electric Light: situated work by Daniel Buren contemporary artwork Daniel Buren2 Rectangles of Electric Light: situated work, 2011 Woven fibre optic, LED (white, blue), metal boxes
250 x 43.5 cm
Lisson Gallery
Coloured Shadows - Projection II by Daniel Buren contemporary artwork Daniel BurenColoured Shadows - Projection II, 2006 Aluminium and perspex
146 x 105 cm
Lisson Gallery
Prisms and Mirrors, high relief - n°XIV by Daniel Buren contemporary artwork Daniel BurenPrisms and Mirrors, high relief - n°XIV, 2018 Wood, glue, lacquer, and vinyl adhesive
150 x 150 cm
Galeria Nara Roesler
Three Light Boxes for One Wall by Daniel Buren contemporary artwork Daniel BurenThree Light Boxes for One Wall, 1989 Three electrical light boxes with silkscreen; each work in the series of 15 is unique in color, this one in red
60 x 80 x 9 cm
Krakow Witkin Gallery

Recent Exhibitions

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Contemporary art exhibition, Group Exhibition, Towards Infinity: 1965-1980 at Simon Lee Gallery, London
Closed
4 July–7 September 2018 Group Exhibition Towards Infinity: 1965-1980 Simon Lee Gallery, London
Contemporary art exhibition, Group Exhibition, Towards Infinity: 1965-1980 at Simon Lee Gallery, New York
Closed
2 May–16 June 2018 Group Exhibition Towards Infinity: 1965-1980 Simon Lee Gallery, New York
Contemporary art exhibition, Daniel Buren, PILE UP: High Reliefs. Situated Works at Lisson Gallery, London
Closed
22 September–11 November 2017 Daniel Buren PILE UP: High Reliefs. Situated Works Lisson Gallery, Lisson Street, London

Represented By

In Ocula Magazine

Top 5 booths at Art Busan 2016 Ocula Report Top 5 booths at Art Busan 2016 31 May 2016 : Angela Suh for Ocula

Located a stones throw from the famed Haeundae Beach, popularised in Korean cinema and countless K-dramas, Art Busan 2016 conveyed a leisurely air brought on by the first warm days of spring. Now in its fifth edition, the fair has grown into a sizeable event showcasing some of the best works in the region. With over 190 participating galleries...

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Total Abstraction: A Report From Art Basel Miami Beach Ocula Report Total Abstraction: A Report From Art Basel Miami Beach 11 Dec 2013 : Stephanie Bailey for Ocula

General consensus? This years edition of Art Basel in Miami Beach was better than the last. Everything was “more” – more vibrancy, daring choices, and a more buoyant market. The Public program at Collin’s Park was a complete success, featuring performance pieces by artists including Ryan McNamara, Mungo Thomson and David...

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In Related Press

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From the return of FIAC to a Russian arrival at Fondation Louis Vuitton: The best cultural pursuits in Paris this October Related Press From the return of FIAC to a Russian arrival at Fondation Louis Vuitton: The best cultural pursuits in Paris this October The Telegraph : 18 October 2016

Frieze may be over for another year, but as the tents are dismantled in London’s Regent’s Park, so the art market circus is preparing to pitch camp in Paris. This week sees the 43rd edition of FIAC, the Foire Internationale d’Art Contemporain or International Contemporary Art Fair, as well as the second edition of Asia Now,...

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Seeing stripes: Daniel Buren shows ten Related Press Seeing stripes: Daniel Buren shows ten Wallpaper* : 25 September 2016

Visitors to Nahmad Contemporary this month will be seeing stripes – and lots of them – as the gallery presents Origin of Stripes: Paintings from 1965­–1966, a collection of paintings by artist Daniel Buren.Featuring ten early works by the French artist, the show marks the first display of the pieces in the United States...

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Expo Chicago 2016 announces roster for special projects sectors Related Press Expo Chicago 2016 announces roster for special projects sectors ARTNews : 26 August 2016

Expo Chicago, that city’s annual contemporary art fair, announced the list of participants for its 2016 editions of In/Situ, In/Situ Outside, and Expo Projects. These sectors of the fair feature large-scale installations, and will be placed both at the fair and around Chicago. Expo Chicago opens September 22.

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Child's play: Daniel Buren showcases his new installation at the Museo Espacio Related Press Child's play: Daniel Buren showcases his new installation at the Museo Espacio Wallpaper* : 27 July 2016

When the French abstract minimalist artist Daniel Buren – aka 'the stripe guy' – first discovered the murals of Mexican social realist painters David Alfaro Siqueiros, José Clemente Orozco and Diego Rivera during his maiden voyage to the country in 1957, he says, 'I discovered that I was not only seeing something totally...

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