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b. 1978, SAR, China

Lee Kit Biography

Born in Hong Kong and now based in Taipei, the trans-disciplinary practice of Lee Kit (李杰) incorporates painting, moving-image and readymade objects along with other intangible elements such as light and sound to create poetic reflections on his everyday surroundings and experiences.

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Lee's ongoing 'Hand-painted cloth' series originated in 2001 during his training as a painter at the Chinese University of Hong Kong and was critical in his stylistic development. The works consist of fabrics covered with repetitive lines. After painting the fabrics by hand, Lee brings them into the public sphere as functional items such as tablecloths, curtains or picnic blankets. In Sunday Afternoon: Picnic with friends and hand-painted cloth at Yung Shu O, Sai Kung (2003), for instance, photo documentation shows a picnic taking place on one of said fabrics, providing a marker of the fabric's public existence, which in this case came after a long period of government-encouraged indoor seclusion from the SARS epidemic.

Over the years, Lee's practice has expanded to include object-based installations, arranged in a seemingly haphazard fashion to create what the artist calls 'settings'. Exemplary of this was You (you)—Lee's presentation for the 55th Venice Biennale in 2013. A blue office carpet covered the Hong Kong pavilion's floor, with domestic objects such as a vacuum cleaner, a bucket and an unplugged hairdryer placed throughout the space. The objects were individually familiar, yet became uncanny in their arbitrary placement—an evocation of the title, which calls to mind the abstract yet simultaneously concrete experience of looking at oneself in the mirror. The domestic items in You (you) granted viewers a sense of familiarity, lending an intimate dimension to the work.

Much of Lee's practice is about conveying an internal state—whether of loss, sadness or boredom. As such, there is a universal quality to his works. In what the artist calls his most important work, Scratching the table surface (2006–11), the forbiddance of smoking indoors resulted in Lee scratching a table-top with his finger whilst feeling equal parts happy, sad and nervous—a coming-together of emotions. What ensued was a three-year action of carving a hole out of the table with his finger and posting 300 letters to friends informing them of the activity. The table was included in A small sound in your head (28 May–4 September 2016) at SMAK in Ghent—the artist's first institutional solo exhibition in Europe.

Parallel to the exhibition at SMAK was Kit's solo show Hold your breath, dance slowly at Walker Art Center in Minneapolis (12 May–9 October 2016). The exhibition included I can't help falling in love (2012), a 13-channel video installation in which each television showed footage including branded products and text hinting at Hong Kong's omnipresent market capitalism. The exhibition also included a number of Lee's object-based installations consisting of everyday objects in muted colours and subtly toned paintings, onto which swathes of light were cast from projectors—devices that often feature in his works. The pixels in the projected light provided a textural quality to Lee's installations that—in their careful composition and subtle, muted colours—can be seen as an expansion of Lee's formal training as a painter.

Kit was shortlisted for the 2013 Hugo Boss and Rockbund Art Museum Asia Art Prize and has participated in a number of major solo and group shows, including at the Hara Museum of Contemporary Art, Tokyo (2018); the Sharjah Biennial (2015); the New Museum Triennial, New York (2012); and the Shanghai Minsheng Art Museum (2012).

Tessa Moldan | Ocula | 2018

Lee Kit Featured Artworks

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Portfolio by Lee Kit contemporary artwork works on paper, print
Lee KitPortfolio, 2020Inkjet on watercolour paper, a set of 10 prints
ShugoArts Contact Gallery
Portfolio by Lee Kit contemporary artwork works on paper
Lee KitPortfolio, 2020inkjet print on watercolor paper
ShugoArts Contact Gallery
You are eating yourself by Lee Kit contemporary artwork painting, works on paper
Lee KitYou are eating yourself, 2018Acrylic, emulsion paint, inkjet ink and pencil on cardboard
40 x 47 cm
Asia Art Archive
Soul Bowl, 2016 (For Parkett 98) by Lee Kit contemporary artwork installation
Lee KitSoul Bowl, 2016 (For Parkett 98), 2016Installation with photograph (archival print, framed) and towel
Parkett Contact Gallery
1 & 2 by Lee Kit contemporary artwork painting
Lee Kit1 & 2, 2019Acrylic, emulsion paint, inkjet ink and pencil on canvas
TKG+ Contact Gallery
A girl in a gallery by Lee Kit contemporary artwork mixed media
Lee KitA girl in a gallery, 2017Acrylic, emulsion paint, inkjet ink, pencil and correction fluid on plywood
57 x 66 cm
Not for sale
Para Site
Close to you by Lee Kit contemporary artwork mixed media
Lee KitClose to you, 2016Looped digital video with sound
Jane Lombard Gallery Contact Gallery
Sweet Choice by Lee Kit contemporary artwork mixed media
Lee KitSweet Choice, 2010Acrylic, emulsion paint, inkjet and pencil on acid-free board.
38 x 44 cm
Not for sale

Lee Kit Recent Exhibitions

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Lee Kit Represented By

Lee Kit In Ocula Magazine

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Lee Kit In Related Press

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Lee Kit In Video & Audio

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