(1930 – 1999), USA

Lee Lozano Artworks

Lee Lozano experimented with various styles, from her early cartoonish drawings and paintings to later minimalist works on canvas, as well as performative pieces that were often intimately entwined with her private life.

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New York

After completing her studies at the Art Institute of Chicago in 1960, Lozano settled in New York, where she befriended numerous intellectuals and artists including Sol LeWitt and Carl Andre.

Images of hardware tools recur throughout Lozano's early works from this decade, among them screwdrivers, hammers, bolts, and drills, that morph into or mix with phallic or vulva-like forms. Rendered in crayon, pencil, or oils in a bold, comic-book style, these overtly sexual paintings and drawings have been compared to the work of Philip Guston, Claes Oldenburg, and Peter Saul.

Wave Paintings

Lozano's paintings became increasingly abstracted, culminating in the 'Wave' series (1957—1970), which features oil paintings of wavelengths of light on narrow, vertical canvases. Produced according to the artist's own mathematical systems, the 'Wave' paintings often employ monochrome colour palettes to depict soft undulating lines.

Language Pieces

Between 1968 and 1972, Lozano documented private affairs and thoughts, daily interactions, and instructions for her artworks and exhibitions in notebooks, calling these texts 'drawings' and expanding beyond the physical art object as a work of art. 11 of Lozano's private notebooks survive, which have been posthumously published as Private Books.

Among Lozano's text-based drawings or 'Language Pieces' is Dialogue Piece, begun in April 1969, that saw the artist invite people whom she 'might not otherwise see for the specific purpose of inviting them to your loft for a dialogue.' No physical evidence of the dialogues, however, exists—as Lozano prohibited recordings or notes—leaving the work to be an ephemeral, conceptual happening existing apart from the written instructions.

Boycott

In the late 1960s, Lozano also began General Strike Piece, which saw the artist gradually distance herself from the New York art world by ceasing to visit museums and galleries. Her performative strike peaked with Dropout Piece when, in 1982, Lozano retired completely from engaging in public art world events and moved to Dallas, Texas, where she lived until her death in 1999.

Lozano's boycott of the art world overlapped with another boycott piece, in which she refused to speak to women for the rest of her life. In an essay for Karma gallery, art historian and curator Helen Molesworth interprets Lozano's rejection of the art world and women as a rejection of systems—capitalism and patriarchy—an act that demonstrates 'that the systems are linked, interdependent, and mutually beneficial.'

Browse Artworks
No title by Lee Lozano contemporary artwork painting
Lee Lozano No title, 1963–1964 Oil on canvas, two parts
175.3 x 254 cm
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No title by Lee Lozano contemporary artwork painting
Lee Lozano No title, 1963 Conté on paper
27.4 x 35 cm
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No title by Lee Lozano contemporary artwork painting
Lee Lozano No title, 1962–1963 Oil on canvas
106.6 x 116.7 x 1.8 cm
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No title by Lee Lozano contemporary artwork painting
Lee Lozano No title, 1962–1963 Oil on canvas
51 x 96.3 x 1.8 cm
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No title by Lee Lozano contemporary artwork works on paper, drawing
Lee Lozano No title, 1962–1963 Graphite and crayon on paper
27.2 x 34.2 cm
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No title by Lee Lozano contemporary artwork works on paper, drawing
Lee Lozano No title, 1962–1963 Crayon, graphite and ink on paper
27.4 x 34.2 cm
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No title by Lee Lozano contemporary artwork works on paper, drawing
Lee Lozano No title, 1962–1963 Graphite on paper
20.4 x 15.2 cm
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No title by Lee Lozano contemporary artwork painting
Lee Lozano No title, 1962–1963 Oil on canvas
75.8 x 116.8 x 2 cm
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No title by Lee Lozano contemporary artwork painting
Lee Lozano No title, 1962–1963 Oil on canvas
30.8 x 36.2 cm
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No title by Lee Lozano contemporary artwork works on paper, drawing
Lee Lozano No title, 1962–1963 Graphite and crayon on paper
36 x 51.8 cm
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No title by Lee Lozano contemporary artwork painting
Lee Lozano No title, 1962–1963 Oil on canvas
127.1 x 142 x 2.8 cm
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No title by Lee Lozano contemporary artwork painting
Lee Lozano No title, 1962–1963 Oil on canvas
30.8 x 41 cm
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No title by Lee Lozano contemporary artwork painting
Lee Lozano No title, 1962–1963 Oil on canvas over wood
6.3 x 16.5 cm
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No title by Lee Lozano contemporary artwork painting
Lee Lozano No title, c. 1963–1964 Oil on canvas, two parts
175.3 x 254 cm
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No title by Lee Lozano contemporary artwork painting
Lee Lozano No title, c. 1962 Oil on canvas
61.6 x 66.6 cm
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No title by Lee Lozano contemporary artwork painting
Lee Lozano No title, c. 1962 Oil on canvas
30.5 x 30.5 cm
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No title by Lee Lozano contemporary artwork works on paper
Lee Lozano No title, c. 1961 Crayon and graphite on paper
42.4 x 35 cm
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I'll punch you in the nose by Lee Lozano contemporary artwork works on paper
Lee Lozano I'll punch you in the nose, 1962 Coloured pencil and crayon on paper
47.6 x 60.5 cm
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Cram by Lee Lozano contemporary artwork painting
Lee Lozano Cram, 1965 Oil on canvas
221 x 197.8 x 3.8 cm
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Clamp by Lee Lozano contemporary artwork painting
Lee Lozano Clamp, 1965 Oil on canvas, 2 parts
224 x 213 x 3.9 cm
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No Title by Lee Lozano contemporary artwork works on paper
Lee Lozano No Title Graphite on paper
21.5 x 27.2 cm
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No Title by Lee Lozano contemporary artwork painting
Lee Lozano No Title, 1964 Oil on canvas, 3 parts
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Pitch by Lee Lozano contemporary artwork painting
Lee Lozano Pitch, 1964 Oil on canvas
198.3 x 198.3 x 3.9 cm
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Stroke by Lee Lozano contemporary artwork painting
Lee Lozano Stroke, 1967–1970 Oil on canvas
42 x 84 cm
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