Based in New York, Meleko Mokgosi is a Botswanan contemporary artist and educator. His projects subvert and challenge colonial and post-colonial frameworks in order to offer more nuanced narratives of southern Africa's history and present.Read More
Meleko Mokgosi was raised by his mother and grandmother in Botswana before moving to the United States. He received a BA from Williams College in Massachusetts in 2007 and participated in the Whitney Museum of American Art's Independent Study Program in the same year. He later graduated with an MFA from University of California, Los Angeles' Interdisciplinary Studio programme in 2011.
Mokgosi's visual practice can be broadly split into figurative and text-based paintings. Projects such as 'Wall of Casbah' (2009–2014), and 'Modern Art: The Root of African Savages' (2012–2016) take a textual approach. For these works Mokgosi reproduced existing museum texts on canvas, adding long-form annotations that dissect the inherent cultural biases and persisting colonial power dynamics that lie behind their assumed educational neutrality.
Meleko Mokgosi's key overarching projects 'Pax Afrikaner' (2008–2011), and 'Pax Kaffraria' (2010–2014), are predominantly figurative. Drawing visually from the languages of European history painting and cinematic imagery, amongst others, these works bring together a range of images, tropes, and symbols to question aspects of national identity, colonial history and legacy, and post-colonial perspectives within southern Africa. Meleko Mokgosi frequently incorporates Setswana text into his paintings—an approach, he discusses in Ocula Magazine, that 'creates the conditions of de-centring viewers who do not know the language, and therefore points to the asymmetrical nature of globalisation, which always tilts in favour of the Western viewer.'
The eight-chapter project 'Democratic Intuition' (2013–2019) is one of Mokgosi's longest-running series. For this series, across a wide range of oil paintings and sculptures, Mokgosi examined the complex contradictions of democracy within the lived experience of individuals in southern Africa. Each chapter was exhibited at a gallery or institution, including Institute of Contemporary Art / Boston (Exordium, 2015) and Baltimore Museum of Art (Acts of Resistance, 2018).
Alongside his artistic practice, Meleko Mokgosi influences a new generation of artists as a teacher. In tandem with Meleko Mokogosi's Yale School of Art associate professorship, which began in 2019, the artist is co-founder and co-director of The Interdisciplinary Art and Theory Program, in New York: a programme that seeks to facilitate the investigation of various art-related epistemological frameworks.
Your Trip to Africa, Pérez Art Museum Miami (2020); Pan-African Pulp: A Commission by Meleko Mokgosi, University of Michigan Museum of Art, Ann Arbor (2020); Bread, Butter, and Power, Smart Museum of Art, Chicago (2019); Acts of Resistance, Baltimore Museum of Art (2018); Democratic Intuition, Institute of Contemporary Art / Boston (2015).
Art/Afrique, le nouvel atelier, Fondation Louis Vuitton, Paris (2017); A story within a story..., 8th Göteborg International Biennial for Contemporary Art, Germany (2015); Migrating Identities, Yerba Buena Center for the Arts, San Francisco (2013); Primary Sources, The Studio Museum in Harlem, New York (2012).
Michael Irwin | Ocula | 2020
Galleries were enthusiastic about how the fair went, despite slower sales and a significant drop in visitors.
Artists participating in the event include Cajsa von Zeipel, Zanele Muholi, and Samson Kambalu.
Meleko Mokgosi reflects on his ongoing project, Democratic Intuition, within the development of his practice.