HomePage Artists

b. 1944, Germany

Rebecca Horn Biography

Rebecca Horn is a German contemporary artist known for her body-extensions, mechanical sculptures, drawings, performances, films, and installations. These artworks explore the relationship between the human body and its surroundings, political and historical memory, and human vulnerability.

Read More

Horn was born in Michelstadt, Hesse, Germany. While studying at the HFBK University of Fine Arts Hamburg, in the 1960s, she was hospitalised for lung damage from working unprotected with polyester and fibreglass. Confined to her bed for a year, the artist could only draw and sew. This gave rise to her fixation with the human body found in her early wearable sculptures. They came to be known as ‘body-extensions’.

Horn’s body-extensions are simultaneously sculptures and performance accessories, blurring the line between stationary objects and temporary props. Her iconic Einhorn (Unicorn) (1970–1972), for example, consists of a long cone—reminiscent of a unicorn’s horn—and a series of straps (made from wood, fabric, and metal) for securing it to the wearer’s body. The work was designed for a fellow student, who wears it while walking through the woods at dawn in the video Performances II (1973).

In the late 1970s, Horn began to introduce mechanised sculptures into her films. The Feathered Prison Fan (1978)—a human-scaled sculpture with large overlapping feathers that move like a shell to encase whoever stands inside—appears in The Gigolo (Der Eintänzer) (1978), a 45-minute feature film about a man named Max, a blind man, and twins. Fantasy and reality take turns in propelling the narrative forward, emanating the dream-like and illogical quality evocative of Surrealist experimentation. In La Ferdinanda (1981), set in an Italian villa, Horn shows a machine that spreads out and folds beautiful white peacock plumage (The Peacock Machine, 1979–1980).

After periods of living in London and New York, Horn returned to Germany in the 1980s and 1990s to create site-specific installations that incorporated sound and violent activities as haunting reminders of war. For Concert in Reverse, conceived for Skulptur Projekte Münster in 1987, she installed mechanical hammers in the basement vaults of the Zinger, where Gestapo executions had taken place. Concert for Buchenwald, installed in 1999 in a disused tram depot in Weimar near the Buchenwald concentration camp, consisted of a stack of old musical instruments and their cases behind a pile of ash. There is no sound—a silent concert without musicians or audience—apart from the commotion made by a trolley as it regularly travels down the railway line and crashes into a wall at the end.

Other recurring motifs in Rebecca Horn’s oeuvre include the butterfly, which usually takes the form of a pair of fluttering blue wings attached to a small motorised device. In the sculpture Butterfly Body Fantasy (2009), a thin branch hangs upside down in a vitrine while a mechanised butterfly beats its wings on a stick protruding out from a wall. Another sculptural work, Metamorphoses between Rock and Butterfly (2014) juxtaposes the ephemeral beauty of the butterfly with the durability of hard rock, by placing the insect atop a volcanic rock the artist found near Mt Vesuvius in Italy.

Horn has had numerous retrospective exhibitions, including a mid-career survey at the Solomon R. Guggenheim Museum, New York, in 1993, which travelled to Eindhoven, Berlin, Vienna, London, and Grenoble, and Bodylandscapes at the Hayward Gallery, London, in 2005. In 2019 two retrospective exhibitions were held simultaneously at the Centre Pompidou-Metz (Rebecca Horn: Theatre of Metamorphoses) and Basel’s Museum Tinguely (Rebecca Horn: Body Fantasies).

Sherry Paik | Ocula | 2019

Rebecca Horn Featured Artworks

View All (17)
The Lover's Bed by Rebecca Horn contemporary artwork
Rebecca HornThe Lover's Bed, 1990Iron bed frame, butterfly wings, metal constructions, motors
116 x 191 x 121 cm
Galerie Thomas Schulte Enquire about this work
Le Tambour de la Reine by Rebecca Horn contemporary artwork
Rebecca HornLe Tambour de la Reine, 2006Mixed media
266 x 43 x 62 cm
Galerie Thomas Schulte Enquire about this work
Vitrina Mariposa by Rebecca Horn contemporary artwork
Rebecca HornVitrina Mariposa, 2009Mixed media
115 x 70 x 19 cm
Galería Pelaires Enquire about this work
Mirrored Moon by Rebecca Horn contemporary artwork
Rebecca HornMirrored Moon, 2017Butterfly, electronic motor, black painted paper, glass funnel, gold leaf, brass, branch, steel, glass
39 3/8 x 30 3/8 x 7 1/2 inches
Sean Kelly Enquire about this work
Windgesicht by Rebecca Horn contemporary artwork
Rebecca HornWindgesicht, 2008Acrylic on paper
182 x 150 cm
Sean Kelly Enquire about this work
Augen Wirbel by Rebecca Horn contemporary artwork
Rebecca HornAugen Wirbel, 2015Steel, glass, painting on the surface of the glass, electronic device, motor, brass, wire
100 x 70 x 19 cm
Sean Kelly Enquire about this work
Untitled by Rebecca Horn contemporary artwork
Rebecca HornUntitled, 2010Acrylic on paper
Galerie Lelong & Co. Paris Enquire about this work
Le baiser du corbeau by Rebecca Horn contemporary artwork
Rebecca HornLe baiser du corbeau, 2003Feather, mirror, electric motor
80 x 148 cm
Galerie Lelong & Co. Paris Enquire about this work

Rebecca Horn Current Exhibitions

Contemporary art exhibition, Group Exhibition, Listen to a heart beat at Galerie Thomas Schulte, Berlin
Open Now
23 May–11 July 2020 Group Exhibition Listen to a heart beat Galerie Thomas Schulte, Berlin

Rebecca Horn Represented By

Rebecca Horn In Ocula Magazine

Art Basel Lowdown: Shows to See Ocula Report Art Basel Lowdown: Shows to See By Tessa Moldan, Basel

To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions. From Rebecca Horn at Museum Tinguely to Geumhyung Jeong at Kunsthalle Basel, here is a selection of what to see. William Kentridge, Dead Remus (2014–2016). Charcoal on...

Fade out copy.
Read More

Rebecca Horn In Related Press

A Prophet of the Coming Electronic and Mechanical Realities Related Press A Prophet of the Coming Electronic and Mechanical Realities 5 August 2019, Hyperallergic

METZ, France; BASEL, Switzerland — The Centre Pompidou-Metz and Museum Tinguely have joined together to present a remarkably diverse and prolific two-part exhibition devoted to the German artist Rebecca Horn. Horn's stimulating body of work, begun in the late 1960s, consists of conceptually based, process-oriented, prosthetic performances...

Fade out copy.
Read More
In Head-To-Head Exhibitions, Artist Rebecca Horn Equips Machines To Fiddle With Human Emotions Related Press In Head-To-Head Exhibitions, Artist Rebecca Horn Equips Machines To Fiddle With Human Emotions 17 June 2019, Forbes

When Rebecca Horn was in art school, she used fiberglass and polyester as sculptural materials. They soon damaged her lungs, forcing her to spend a year in a sanitarium. The months of isolation led to a reappraisal of her sculptural medium. After she was released, she started sculpting own body.

Fade out copy.
Read More
Klaus Biesenbach recalls the founding of KW in Berlin 25 years ago, a moment of 'radical change and freedom' Related Press Klaus Biesenbach recalls the founding of KW in Berlin 25 years ago, a moment of 'radical change and freedom' 29 November 2016, ARTnews

In late November 1989 I came to Berlin. I had spent the summer in New York, staying with a friend who at the time was the editor of an international magazine. On her cable TV and in the many different newspapers she had at her home on the Upper West Side, I had seen and read about an autumn full of demonstrations in East Germany, embassies taken...

Fade out copy.
Read More
THE BACKBONE OF REBECCA HORN Related Press THE BACKBONE OF REBECCA HORN 15 May 2015, Interview Magazine

If you were to imagine Justine, the titular heroine in the Marquis de Sade's late 18th-century novel (also called The Misfortunes of Virtue ), in a tiger pelt, you would be sharing a poetic vision with celebrated German artist Rebecca Horn. You might also be fantasizing about the late German born-Swiss Surrealist, Méret Elisabeth Oppenheim, to...

Fade out copy.
Read More

Sign up to be notified when new artworks and exhibitions by Rebecca Horn are added to Ocula.

WeChat

Scan the QR Code via WeChat to follow Ocula's official account.

Scan to follow Ocula on WeChat.
iCal GoogleYahooOutlook