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b. 1944, Germany

Rebecca Horn Biography

Rebecca Horn is a German contemporary artist known for her body-extensions, mechanical sculptures, drawings, performances, films, and installations. These artworks explore the relationship between the human body and its surroundings, political and historical memory, and human vulnerability.

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Horn was born in Michelstadt, Hesse, Germany. While studying at the HFBK University of Fine Arts Hamburg, in the 1960s, she was hospitalised for lung damage from working unprotected with polyester and fibreglass. Confined to her bed for a year, the artist could only draw and sew. This gave rise to her fixation with the human body found in her early wearable sculptures. They came to be known as ‘body-extensions’.

Horn’s body-extensions are simultaneously sculptures and performance accessories, blurring the line between stationary objects and temporary props. Her iconic Einhorn (Unicorn) (1970–1972), for example, consists of a long cone—reminiscent of a unicorn’s horn—and a series of straps (made from wood, fabric, and metal) for securing it to the wearer’s body. The work was designed for a fellow student, who wears it while walking through the woods at dawn in the video Performances II (1973).

In the late 1970s, Horn began to introduce mechanised sculptures into her films. The Feathered Prison Fan (1978)—a human-scaled sculpture with large overlapping feathers that move like a shell to encase whoever stands inside—appears in The Gigolo (Der Eintänzer) (1978), a 45-minute feature film about a man named Max, a blind man, and twins. Fantasy and reality take turns in propelling the narrative forward, emanating the dream-like and illogical quality evocative of Surrealist experimentation. In La Ferdinanda (1981), set in an Italian villa, Horn shows a machine that spreads out and folds beautiful white peacock plumage (The Peacock Machine, 1979–1980).

After periods of living in London and New York, Horn returned to Germany in the 1980s and 1990s to create site-specific installations that incorporated sound and violent activities as haunting reminders of war. For Concert in Reverse, conceived for Skulptur Projekte Münster in 1987, she installed mechanical hammers in the basement vaults of the Zinger, where Gestapo executions had taken place. Concert for Buchenwald, installed in 1999 in a disused tram depot in Weimar near the Buchenwald concentration camp, consisted of a stack of old musical instruments and their cases behind a pile of ash. There is no sound—a silent concert without musicians or audience—apart from the commotion made by a trolley as it regularly travels down the railway line and crashes into a wall at the end.

Other recurring motifs in Rebecca Horn’s oeuvre include the butterfly, which usually takes the form of a pair of fluttering blue wings attached to a small motorised device. In the sculpture Butterfly Body Fantasy (2009), a thin branch hangs upside down in a vitrine while a mechanised butterfly beats its wings on a stick protruding out from a wall. Another sculptural work, Metamorphoses between Rock and Butterfly (2014) juxtaposes the ephemeral beauty of the butterfly with the durability of hard rock, by placing the insect atop a volcanic rock the artist found near Mt Vesuvius in Italy.

Horn has had numerous retrospective exhibitions, including a mid-career survey at the Solomon R. Guggenheim Museum, New York, in 1993, which travelled to Eindhoven, Berlin, Vienna, London, and Grenoble, and Bodylandscapes at the Hayward Gallery, London, in 2005. In 2019 two retrospective exhibitions were held simultaneously at the Centre Pompidou-Metz (Rebecca Horn: Theatre of Metamorphoses) and Basel’s Museum Tinguely (Rebecca Horn: Body Fantasies).

Sherry Paik | Ocula | 2019

Exhibition view: Rebecca Horn, Bee’s Planetary Map, Galerie Thomas Schulte, Berlin (28 April–26 June 2021). Courtesy Galerie Thomas Schulte.

Rebecca Horn Featured Artworks

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Die drei Grazien im Tanz by Rebecca Horn contemporary artwork
Rebecca HornDie drei Grazien im Tanz, 20202 violins, 3 violin bows, 3 glass-funnels, copper, motors, steel, electronic device
Galerie Thomas Schulte Contact Gallery
Zimbel Zen by Rebecca Horn contemporary artwork
Rebecca HornZimbel Zen, 2006Shell, steel, tibetan cymbals, leather, motor, electronic device
50 x 25 x 35 cm
Galerie Thomas Schulte Contact Gallery
Vitrina Mariposa by Rebecca Horn contemporary artwork
Rebecca HornVitrina Mariposa, 2009Mixed media
115 x 70 x 19 cm
Galería Pelaires Contact Gallery
Mirrored Moon by Rebecca Horn contemporary artwork
Rebecca HornMirrored Moon, 2017Butterfly, electronic motor, black painted paper, glass funnel, gold leaf, brass, branch, steel, glass
39 3/8 x 30 3/8 x 7 1/2 inches
Sean Kelly Contact Gallery
Windgesicht by Rebecca Horn contemporary artwork
Rebecca HornWindgesicht, 2008Acrylic on paper
182 x 150 cm
Sean Kelly Contact Gallery
Augen Wirbel by Rebecca Horn contemporary artwork
Rebecca HornAugen Wirbel, 2015Steel, glass, painting on the surface of the glass, electronic device, motor, brass, wire
100 x 70 x 19 cm
Sean Kelly Contact Gallery
Untitled by Rebecca Horn contemporary artwork
Rebecca HornUntitled, 2010Acrylic on paper
Galerie Lelong & Co. Paris Contact Gallery
Le baiser du corbeau by Rebecca Horn contemporary artwork
Rebecca HornLe baiser du corbeau, 2003Feather, mirror, electric motor
80 x 148 cm
Galerie Lelong & Co. Paris Contact Gallery

Rebecca Horn Current & Recent Exhibitions

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Contemporary art exhibition, Rebecca Horn, Bee’s Planetary Map at Galerie Thomas Schulte, Berlin
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28 April–26 June 2021 Rebecca Horn Bee’s Planetary Map Galerie Thomas SchulteBerlin
Contemporary art exhibition, Group Exhibition, Touching Feeling at Hua International, Beijing
Closed
29 August–25 October 2020 Group Exhibition Touching Feeling Hua InternationalBeijing
Contemporary art exhibition, Group Exhibition, Listen to a heart beat at Galerie Thomas Schulte, Berlin
Closed
23 May–11 July 2020 Group Exhibition Listen to a heart beat Galerie Thomas SchulteBerlin

Rebecca Horn Represented By

Rebecca Horn In Ocula Magazine

Gallery Weekend Berlin: Shows to See Ocula Insight Gallery Weekend Berlin: Shows to See By Tessa Moldan, Berlin

Ocula Magazine selects 12 exhibition highlights from the 17th Gallery Weekend Berlin, running between 30 April and 2 May 2021.

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Art Basel Lowdown: Shows to See Ocula Feature Art Basel Lowdown: Shows to See By Tessa Moldan, Basel

To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions. From Rebecca Horn at Museum Tinguely to Geumhyung Jeong at Kunsthalle Basel, here is a selection of what to see. William Kentridge, Dead Remus (2014–2016). Charcoal on...

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Rebecca Horn In Related Press

A Prophet of the Coming Electronic and Mechanical Realities Related Press A Prophet of the Coming Electronic and Mechanical Realities 5 August 2019, Hyperallergic

METZ, France; BASEL, Switzerland — The Centre Pompidou-Metz and Museum Tinguely have joined together to present a remarkably diverse and prolific two-part exhibition devoted to the German artist Rebecca Horn. Horn's stimulating body of work, begun in the late 1960s, consists of conceptually based, process-oriented, prosthetic performances...

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In Head-To-Head Exhibitions, Artist Rebecca Horn Equips Machines To Fiddle With Human Emotions Related Press In Head-To-Head Exhibitions, Artist Rebecca Horn Equips Machines To Fiddle With Human Emotions 17 June 2019, Forbes

When Rebecca Horn was in art school, she used fiberglass and polyester as sculptural materials. They soon damaged her lungs, forcing her to spend a year in a sanitarium. The months of isolation led to a reappraisal of her sculptural medium. After she was released, she started sculpting own body.

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Klaus Biesenbach recalls the founding of KW in Berlin 25 years ago, a moment of 'radical change and freedom' Related Press Klaus Biesenbach recalls the founding of KW in Berlin 25 years ago, a moment of 'radical change and freedom' 29 November 2016, ARTnews

In late November 1989 I came to Berlin. I had spent the summer in New York, staying with a friend who at the time was the editor of an international magazine. On her cable TV and in the many different newspapers she had at her home on the Upper West Side, I had seen and read about an autumn full of demonstrations in East Germany, embassies taken...

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THE BACKBONE OF REBECCA HORN Related Press THE BACKBONE OF REBECCA HORN 15 May 2015, Interview Magazine

If you were to imagine Justine, the titular heroine in the Marquis de Sade's late 18th-century novel (also called The Misfortunes of Virtue ), in a tiger pelt, you would be sharing a poetic vision with celebrated German artist Rebecca Horn. You might also be fantasizing about the late German born-Swiss Surrealist, Méret Elisabeth Oppenheim, to...

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Rebecca Horn In Video & Audio

Thomas Schulte speaks about the exhibitions 'Everything Is Going To Be OK' and 'Listen To a Heart Beat' Related Video & Audio Thomas Schulte speaks about the exhibitions 'Everything Is Going To Be OK' and 'Listen To a Heart Beat' 7 July 2020, Galerie Thomas Schulte

Thomas Schulte speaks about Allan McCollum's exhibition Everything Is Going To Be OK and the simultaneous group show Listen To a Heart Beat, both of which are on view at Galerie Thomas Schulte from 23 May to 11 July 2020.

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