Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...
Ocula Conversation Andrew Stahl and Guo Xiaohui The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...
Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...
The gallery programme began in 1984 in a Victorian terraced house in London’s East End. Initially named Interim Art the gallery changed its name to Maureen Paley in 2004 as a celebration of its 20th anniversary. Since September 1999 the gallery has been situated in its present location in Herald Street, Bethnal Green. From its inception the gallery’s aim has remained consistent: to promote great and innovative artists in all media.
Maureen Paley was one of the first to present contemporary art in London’s East End and has been a pioneer of the current scene promoting and showing art from the USA and continental Europe as well as launching new talent from the UK. Gallery artists include Turner prize winners Wolfgang Tillmans, 2000, and Gillian Wearing, 1997, and Turner Prize nominees Liam Gillick, 2002, and Rebecca Warren, 2006. AA Bronson, General Idea and Peter Hujar have recently been added to the gallery’s roster along with Morgan Fisher and Tim Rollins and K.O.S. All of the gallery artists have exhibited widely in the UK and abroad.
Maureen Paley, the gallery’s founder and director, was born in New York, studied at Sarah Lawrence College, and graduated from Brown University before coming to the UK in 1977 where she completed her Masters at The Royal College of Art from 1978–1980.
Together with running the gallery Maureen Paley has also curated a number of large-scale public exhibitions. In 1994 she organised an exhibition of works by Felix Gonzales Torres, Joseph Kosuth and Ad Reinhardt at the Camden Arts Centre. In 1995 Wall to Wall was presented for the National Touring Exhibitions and appeared at the Serpentine Gallery, London, Southampton City Art Gallery and Leeds City Art Gallery showing wall drawings by international artists including Daniel Buren, Michael Craig-Martin, Douglas Gordon, Barbara Kruger, Sol Lewitt, and Lawrence Weiner. Maureen Paley also selected an exhibition of work by young British artists in 1996 called The Cauldron featuring Christine Borland, Angela Bulloch, Jake & Dinos Chapman, Steven Pippin, Georgina Starr and Gillian Wearing for the Henry Moore Sculpture Trust which was installed in their Studio space in Dean Clough, Halifax.
Michaela EichwaldHas Potential, 2019 Acrylic, graphite, lacquer and spray paint on pleather
Michael QueenlandUntitled (New York Times, February 29, 2012), 2017 Archival inkjet print
Michael QueenlandUntitled (The Flight of the Eagle), 2017 Marble, granite, ceramic tile, dye sublimation tile, wood, and metal frame
Michael QueenlandUntitled (Turista Sempre), 2017 Marble, granite, ceramic tile, dye sublimation tile, wood, and metal frame
Michael QueenlandUntitled (Foreign Tongue), 2017 Marble, granite, ceramic tile, dye sublimation tile, wood, tape, and metal frame
Gardar Eide Einarsson(4) Bring up irrelevant issues as frequently as possible., 2019 Enamel on laser cut aluminium
Gardar Eide EinarssonLiquid Explosive Detonated by Pull-Friction Fuze, 2019 Acrylic, gesso, graphite and silk screen ink on canvas
Ocula Photolog Frieze Los Angeles 15 February 2019 'Frieze Los Angeles largely focuses on contemporary art and celebrates the exceptionally dynamic culture of Los Angeles and its global contributions to the visual arts. Frieze Los Angeles joins Frieze New York, Frieze London and Frieze Masters at the forefront of the international art fair calendar, celebrating Los Angeles' position as a global...
Ocula Photolog Frieze London 2018 8 October 2018 'Frieze London 2018 showcases the best of international contemporary art, with a discerning selection of around 160 galleries presenting their most forward-thinking artists and imaginative presentations. Opening for the first time with a two-day preview, Frieze London coincides with Frieze Sculpture and Frieze Masters in The Regent's Park, together...
Ocula Photolog Art Basel 2018 15 June 2018 'The anchor of Art Basel's show is its Galleries sector. Art Basel 2018 edition welcomes 16 galleries that join the fair for the first time, further rejuvenating the show and giving younger galleries the opportunity to present their program alongside today's leading established galleries.' –Art Basel (14–17 June 2018).
Ocula Photolog Frieze New York 2018 4 May 2018 'Providing vital insight into artistic practice worldwide and across art history, Frieze New York brings together top-tier international programs andgrowing participation from galleries across the Americas and the world. The fair showcases an extraordinary cross-section of work by international artists, from newly discovered talents to the most...
Related Press Daria Martin at Barbican Centre Art in America : 1 April 2019 For this exhibition, London-based artist and filmmaker Daria Martin took as a starting point the dream diaries kept by her Jewish grandmother Susi Stiassni, whose family fled Brno, Czechoslovakia, in 1938, when Stiassni was sixteen, in response to the looming threat of Nazi occupation.
Related Press Michael Krebber at Green Naftali Art in America : 1 February 2019 Michael Krebber is known for understated objects and an overstated reputation. My goal in visiting his latest exhibition was not only to scrutinize the paintings but also to experience a new arc in what has been a long and stimulating narrative of cultivated persona.
Related Press Strange Days review – fishy kisses, naked prancing and ribald revenge The Guardian : 3 October 2018 Strange Days: Memories of the Future is overwhelming: complex, at times annoying and confusing, repetitive, uplifting and baffling. Like life, really. Films and videos by 21 artists are spread over three floors of the Store X on London's Strand.
Related Press Home is where the art is: what Paula Rego, Lubaina Himid and other artists hang on their walls The Guardian : 26 August 2018 Art is more often a conversation than a monologue. Great and not-so-great artists have always wanted to surround themselves with paintings and objects that can speak to their own creative efforts. The most famous example of this desire perhaps is Henri Matisse, who as a young and struggling painter bought a small canvas by Paul Cézanne, Three...
Related Video & Audio /Dialogues: Visibility | Invisibility — Sculpture in Everyday Space EXPO CHICAGO : 14 September 2017 Nina Beier (Artist, STANDARD (OSLO), joségarcía, mx), Tom Burr (Artist, Bortolami Gallery). Moderated by Stephanie Cristello, Director of Programming, EXPO CHICAGO and Editor-in-Chief, THE SEENWhat is the responsibility of formalism in the twenty-first century? This panel will trace the work of contemporary artists whose diverse sculptural...
