Ocula Conversation Sandrine Colard on the 6th Lubumbashi Biennale The Democratic Republic of the Congo (DRC), the largest Francophone nation in Africa with vast resources and nearly 80 million inhabitants, is a place where commodities play a vital role in the national economy and the country's significance on the world stage. This is the context from which the 6th Lubumbashi Biennale (24 October–24 November...
Ocula Report From 20 to 21 July 2019, Artspace Sydney held a two-day symposium that brought artists in conversation with leading curators, writers, activists, academics, diplomats, and journalists from across Asia. The symposium was the final chapter of the 52 ARTISTS 52 ACTIONS exhibition, publication, website, and Instagram project. Instigated and...
Ocula News We Are Our Infrastructure, Argues Newly Announced Shanghai Biennale Chief Curator 13 December 2019 The Power Station of Art will make a fitting location for Andrés Jaque, whose past projects expose the politics concealed by buried pipes and managed cables. Spanish architect, writer, and curator Andrés Jaque has been named the chief curator of the 13th Shanghai Biennale, which will take place at the Power Station of Art (PSA) from 13 November...
Ocula Insight Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy. Born in Leipzig in 1904, Hans...
The gallery programme began in 1984 in a Victorian terraced house in London’s East End. Initially named Interim Art the gallery changed its name to Maureen Paley in 2004 as a celebration of its 20th anniversary. Since September 1999 the gallery has been situated in its present location in Herald Street, Bethnal Green. From its inception the gallery’s aim has remained consistent: to promote great and innovative artists in all media.
Read MoreMaureen Paley was one of the first to present contemporary art in London’s East End and has been a pioneer of the current scene promoting and showing art from the USA and continental Europe as well as launching new talent from the UK. Gallery artists include Turner prize winners Wolfgang Tillmans, 2000, and Gillian Wearing, 1997, and Turner Prize nominees Liam Gillick, 2002, and Rebecca Warren, 2006. AA Bronson, General Idea and Peter Hujar have recently been added to the gallery’s roster along with Morgan Fisher and Tim Rollins and K.O.S. All of the gallery artists have exhibited widely in the UK and abroad.
Maureen Paley, the gallery’s founder and director, was born in New York, studied at Sarah Lawrence College, and graduated from Brown University before coming to the UK in 1977 where she completed her Masters at The Royal College of Art from 1978–1980.
Together with running the gallery Maureen Paley has also curated a number of large-scale public exhibitions. In 1994 she organised an exhibition of works by Felix Gonzales Torres, Joseph Kosuth and Ad Reinhardt at the Camden Arts Centre. In 1995 Wall to Wall was presented for the National Touring Exhibitions and appeared at the Serpentine Gallery, London, Southampton City Art Gallery and Leeds City Art Gallery showing wall drawings by international artists including Daniel Buren, Michael Craig-Martin, Douglas Gordon, Barbara Kruger, Sol Lewitt, and Lawrence Weiner. Maureen Paley also selected an exhibition of work by young British artists in 1996 called The Cauldron featuring Christine Borland, Angela Bulloch, Jake & Dinos Chapman, Steven Pippin, Georgina Starr and Gillian Wearing for the Henry Moore Sculpture Trust which was installed in their Studio space in Dean Clough, Halifax.
Ocula Conversation RoseLee Goldberg: Performance Then and Now RoseLee Goldberg had long been invested in contemporary performance art before her founding of the inter-disciplinary arts organisation Performa in New York in 2004. Born in Durban, South Africa, Goldberg studied political science and fine arts at the University of the Witwatersrand in Johannesburg, and then art history at the Courtauld...
Ocula Report Aichi to Okayama: Art in Japan Looks to the Future 11 Oct 2019 : Stephanie Bailey for Ocula There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced...
Ocula Report 58th Venice Biennale: May You Live In Interesting Times 24 May 2019 : Mohammad Salemy for Ocula The 58th Venice Biennale , May You Live In Interesting Times (11 May–24 November 2019), certainly benefitted from low expectations, given the lacklustre curatorial of the previous edition, when different segments of the show were conceptually framed with titles like 'Pavilion of Joys and Fears' and 'Pavilion of Colours'. Add to this the...
Ocula Photolog Frieze New York 2019 6 May 2019 'Building on Frieze's history as a platform for discovery and challenging the traditional art fair format, the eighth edition introduces new curators and collaborations with leading museum directors; including two exhibitions exploring virtual reality and the significance of self-taught artists, and two new sections celebrating Latin American art...
Related Press Turner Prize Nominees Consider the Injustices Brought About by Borders Hyperallergic : 14 November 2019 MARGATE, England — Every year the Turner Prize judges trawl through dozens of exhibitions around the world to find new and fresh voices in contemporary art. The four nominees are then presented in a group show, and part-way through a winner is announced and awarded the £25,000 (~$32,000) prize. If the Turner Prize tries to capture the...
Related Press Nam June Paik today – part II ArtReview : 18 October 2019 Young-Hae Chang Heavy Industries (Young-hae Chang and Marc Voge) How did you first encounter the work of Nam June Paik? Paik accosted us in Paris, on the rue de Seine, in front of his hotel, La Louisiane, during the open market. Then he ran up to his room and brought us back a catalogue of his current show.
Related Press Turner Prize 2019 Review: The Roots of Our Political Crisis Go Far Beyond Brexit Frieze : 27 September 2019 All four artists nominated for this year's Turner Prize draw on political histories: some wide-ranging, others highly localized; one contained within the last decade, another drawing on a text from the early 15th century. With one subtle exception, none of them are directly exploring the themes that emerged after the electoral shocks of 2016,...
Related Press Lawrence Abu Hamdan: Earwitness Theatre The Brooklyn Rail : 1 August 2019 We primacy vision: what we see, we take as truth. It may be cliché but clichés are colloquial truths, developed through relatable experiences that come to structure experience. When first drafting this review, I had begun: 'Imagine a silence...' but what is an image of silence? How can we even conceive of an image of an absent sense?
Related Video & Audio /Dialogues: Visibility | Invisibility — Sculpture in Everyday Space EXPO CHICAGO : 14 September 2017 Nina Beier (Artist, STANDARD (OSLO), joségarcía, mx), Tom Burr (Artist, Bortolami Gallery). Moderated by Stephanie Cristello, Director of Programming, EXPO CHICAGO and Editor-in-Chief, THE SEEN What is the responsibility of formalism in the twenty-first century? This panel will trace the work of contemporary artists whose diverse sculptural...
