Pierre Huyghe is a producer of spectacular and memorable enigmas, with works that function more like mirages than as objects. Abyssal Plain (2015–ongoing), his contribution to the 2015 Istanbul Biennial, curated by Carolyn Christov-Bakargiev, was installed on the seabed of the Marmara Sea, some 20 metres below the surface of the water and close to...
In the early decades of its existence, New York's Museum of Modern Art (MoMA), founded in 1929, transformed from a philanthropic project modestly housed in a few rooms of the Heckscher Building on the corner of Fifth Avenue and 57th Street, to an alleged operating node in the United States' cultural struggle during the cold war, and one of the...
Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...
James Welling, Portrait of Avidia Plautia (2019). Oil pigment and electrostatic print on polyester. 45.7 x 30.5 cm. © James Welling. Courtesy Maureen Paley, London.
The gallery programme began in 1984 in a Victorian terraced house in London’s East End. Initially named Interim Art the gallery changed its name to Maureen Paley in 2004 as a celebration of its 20th anniversary. Since September 1999 the gallery has been situated in its present location in Herald Street, Bethnal Green. From its inception the gallery’s aim has remained consistent: to promote great and innovative artists in all media.
Maureen Paley was one of the first to present contemporary art in London’s East End and has been a pioneer of the current scene promoting and showing art from the USA and continental Europe as well as launching new talent from the UK. Gallery artists include Turner prize winners Wolfgang Tillmans, 2000, and Gillian Wearing, 1997, and Turner Prize nominees Liam Gillick, 2002, and Rebecca Warren, 2006. AA Bronson, General Idea and Peter Hujar have recently been added to the gallery’s roster along with Morgan Fisher and Tim Rollins and K.O.S. All of the gallery artists have exhibited widely in the UK and abroad.
Maureen Paley, the gallery’s founder and director, was born in New York, studied at Sarah Lawrence College, and graduated from Brown University before coming to the UK in 1977 where she completed her Masters at The Royal College of Art from 1978–1980.
Together with running the gallery Maureen Paley has also curated a number of large-scale public exhibitions. In 1994 she organised an exhibition of works by Felix Gonzales Torres, Joseph Kosuth and Ad Reinhardt at the Camden Arts Centre. In 1995 Wall to Wall was presented for the National Touring Exhibitions and appeared at the Serpentine Gallery, London, Southampton City Art Gallery and Leeds City Art Gallery showing wall drawings by international artists including Daniel Buren, Michael Craig-Martin, Douglas Gordon, Barbara Kruger, Sol Lewitt, and Lawrence Weiner. Maureen Paley also selected an exhibition of work by young British artists in 1996 called The Cauldron featuring Christine Borland, Angela Bulloch, Jake & Dinos Chapman, Steven Pippin, Georgina Starr and Gillian Wearing for the Henry Moore Sculpture Trust which was installed in their Studio space in Dean Clough, Halifax.
RoseLee Goldberg had long been invested in contemporary performance art before her founding of the inter-disciplinary arts organisation Performa in New York in 2004. Born in Durban, South Africa, Goldberg studied political science and fine arts at the University of the Witwatersrand in Johannesburg, and then art history at the Courtauld Institute...
There has been a flurry of triennial and biennial art activity in Japan this year. The Aichi Triennale opened in Nagoya this August, sparking a national debate about the shutting down of a display of formerly censored works—the result of public backlash against a burnt image of Emperor Hirohito and a statue commemorating the women forced into...
The 58th Venice Biennale, May You Live In Interesting Times (11 May–24 November 2019), certainly benefitted from low expectations, given the lacklustre curatorial of the previous edition, when different segments of the show were conceptually framed with titles like 'Pavilion of Joys and Fears' and 'Pavilion of Colours'. Add to this the...
'Building on Frieze's history as a platform for discovery and challenging the traditional art fair format, the eighth edition introduces new curators and collaborations with leading museum directors; including two exhibitions exploring virtual reality and the significance of self-taught artists, and two new sections celebrating Latin American art...
MARGATE, England — Every year the Turner Prize judges trawl through dozens of exhibitions around the world to find new and fresh voices in contemporary art. The four nominees are then presented in a group show, and part-way through a winner is announced and awarded the £25,000 (~$32,000) prize. If the Turner Prize tries to capture the...
Young-Hae Chang Heavy Industries (Young-hae Chang and Marc Voge)How did you first encounter the work of Nam June Paik?Paik accosted us in Paris, on the rue de Seine, in front of his hotel, La Louisiane, during the open market. Then he ran up to his room and brought us back a catalogue of his current show.
All four artists nominated for this year's Turner Prize draw on political histories: some wide-ranging, others highly localized; one contained within the last decade, another drawing on a text from the early 15th century. With one subtle exception, none of them are directly exploring the themes that emerged after the electoral shocks of 2016, which...
We primacy vision: what we see, we take as truth. It may be cliché but clichés are colloquial truths, developed through relatable experiences that come to structure experience. When first drafting this review, I had begun: 'Imagine a silence...' but what is an image of silence? How can we even conceive of an image of an absent sense?
Nina Beier (Artist, STANDARD (OSLO), joségarcía, mx), Tom Burr (Artist, Bortolami Gallery). Moderated by Stephanie Cristello, Director of Programming, EXPO CHICAGO and Editor-in-Chief, THE SEENWhat is the responsibility of formalism in the twenty-first century? This panel will trace the work of contemporary artists whose diverse sculptural...