Ocula Report LACMA Explores the Allure of Matter 14 Jun 2019 : Jareh Das for Ocula The Allure of Matter: Material Art from China at Los Angeles County Museum of Art (LACMA) (2 June 2019–5 January 2020) is an inter-generational show of 21 Chinese artists working from the 1980s to the present, including Ai Weiwei, Cai Guo-Qiang, Lin Tianmiao, Song Dong, He Xiangyu, Yin Xiuzhen, and Ma Qiusha.Staged on Level 2 of LACMA's Renzo...
Ocula Conversation Thomas J Price: Reframing Classical Sculpture When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...
Ocula Report Art Basel Lowdown: Shows to See 6 Jun 2019 : Tessa Moldan for Ocula To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions. From Rebecca Horn at Museum Tinguely to Geumhyung Jeong at Kunsthalle Basel, here is a selection of what to see.William Kentridge, Dead Remus (2014–2016). Charcoal on found ledger...
Born in Newark, New Jersey in 1945, Barbara Kruger began her career as an editorial designer, followed by a picture editor at Condè Nast Publications. She started making art in the early 1970s and gradually developed her unmistakable and unique formal language using a powerful combination of image and text.
Since the mid 1990s, Barbara Kruger has diversified her practice and embraced a series of aesthetic expansions which includes working with film and audio installations. This progression into large-scale immersive installations is fuelled by the artist’s longstanding interest in architecture and desire to address the viewer directly within whole environments.
Barbara Kruger lives and works in New York and Los Angeles. She was awarded The Golden Lion for Lifetime Achievement at the 51st Venice Biennale in 2005 and currently teaches at the University of California, Los Angeles (UCLA). Solo shows include the Institute of Contemporary Art, London, 1983, Kunsthalle Basel, 1984, the Musée d'art contemporain de Montreal, 1985, the Kunsthalle Düsseldorf, 1986, the Serpentine Gallery, London, 1994, the Museum of Contemporary Art, Los Angeles, 1999, the Whitney Museum of American Art, New York, 2000, and the Schirn Kunsthalle Frankfurt, 2010-2011. Group shows include Solomon R. Guggenheim Museum, New York, 1987, Centre Pompidou, Paris, 1988, Tate Liverpool, 2002, the Museum of Contemporary Art, Chicago, 2004, Palazzo Grassi, Venice, 2006, and the Museum of Modern Art, New York, 2007. Upcoming group shows include That’s the Way We Do It: The Techniques and Aesthetic of Appropriation at the Kunsthaus Bregenz from April 16 to July 3, 2011.
Related Press Kara Walker, Barbara Kruger, and Charles Atlas Dissect Modernity Hyperallergic : 7 May 2018 LOS ANGELES — Art is humanity's attempt to articulate life's intangible experiences. That idea is reflected in the title of Unspeakable, a new exhibition at UCLA's Hammer Museum. Museum director Ann Philbin and chief curator Connie Butler have created a trilogy of video installations from the Hammer Contemporary Collection, each projected in...
Related Press Books, Wefts, and Black Lives Matter at the Baltimore Museum of Art Hyperallergic : 27 May 2017 Like the Baltimore Museum of Art's books, Louise B. Wheatley's textiles and Pendelton's mixed-media ventures pack a punch (actually, hers is more of a lingering touch). With her, you don't see it coming; with him, you can feel the vibrations down the block. Her mists/his missiles, resounding, both.
Related Press Barbara Kruger: back to the futura Dazed Digital : 12 October 2016 Barbara Kruger’s art hits you like a punch to the jaw. You’ve seen her work, even if you’ve never been to one of her shows – photography overlaid with coloured boxes filled with bold white Futura Oblique, or caps locked sans serif text that bears down at you from gallery walls and the sides and roofs of buildings. It’s...
Related Press A celebration of women who made it to the top of the art world Hyperallergic : 19 August 2016 The current show at Sprüth Magers gallery, Eau de Cologne, has a title that might seem like a play on the words (that’s what I initially thought), but it is actually quite straightforwardly unironic. It is simply the name of the art magazine published by Monika Sprüth between 1985 and 1989 that presented interviews with and essays about...
