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Taloi Havini: Reclaiming Space and History Latest Ocula Conversation
In Partnership with Artspace Sydney
Taloi Havini: Reclaiming Space and History By Ruth McDougall, Sydney

Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .

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Armory Week Lowdown: Art Shows to See Latest Ocula Report Armory Week Lowdown: Art Shows to See By Casey Carsel, New York

After structural issues forced The Armory Show into last-minute relocation pirouettes last year, the fair returns between 5 and 8 March 2020 with a flourishing programme, complemented by stand-out shows across New York City.

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Ella Kruglyanskaya Steals from Art History, Takes Back Gaze Ocula Insight Ella Kruglyanskaya Steals from Art History, Takes Back Gaze By Tessa Moldan, London

For her second solo exhibition at Thomas Dane Gallery in London, Ella Kruglyanskaya's compositions signal the many possibilities of paint.

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b. 1986, Australia

Abdul Abdullah Ocula Magazine

Aaron Seeto Ocula Conversation Aaron Seeto By Rachael Vance, Brisbane, Australia

This month the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) in Brisbane, Australia, plays host to the 8th Asia Pacific Triennial of Contemporary Art (APT8). Renowned as a platform for surveying the vast geographic expanse of Asian and Pacific contemporary art, the triennial continues to uphold a long-term commitment to the region....

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Abdul Abdullah: Leaving Clues Ocula Insight
IN PARTNERSHIP WITH GILLMAN BARRACKS
Abdul Abdullah: Leaving Clues By Mikala Tai, Singapore

Sydney-based artist Abdul Abdullah is the 'outsider amongst outsiders', with an interdisciplinary practice that explores the misconceptions and misunderstanding of minority groups in a multicultural society. Born to a sixth-generation Australian father and a Malay migrant mother, Abdullah is the epitome of the contemporary urban Australian. His...

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Institutional critique in the 8th Asia Pacific Triennial Ocula Report Institutional critique in the 8th Asia Pacific Triennial By Tess Maunder, Brisbane

Since the late 1980s the major concern for curatorial practice has been the rise of biennale culture; the impact this exhibition format has had upon both the production and reception of contemporary art internationally. Reflecting on this lineage and recent politics from within the Asia-Pacific region, it is apparent that exhibitions such as...

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