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Havana Biennial 2019: Constructing the Possible Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula

I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...

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Andrew Stahl and Guo Xiaohui Ocula Conversation Andrew Stahl and Guo Xiaohui

The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...

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The National 2019: New Australian Art Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula

The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...

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Related Press

Now Jonathan Yeo is using Virtual Reality to make art

Sophie Hastings GQ First published on 11 December 2017

Image via GQ.

In celebration of its 250th birthday, London's Royal Academy Of Arts explores the historic practice of life drawing in a revolutionary way. Beginning with the Academy's 18th-century origins, From Life continues to the present and, most intriguingly, moves into the future. Historical paintings hang alongside works by Cai Guo-Qiang, Jenny Saville, Michael Landy, Chantal Joffe, Gillian Wearing, Antony Gormley and Jonathan Yeo. But for the first time, the RA is supporting several of these artists in their use of emerging technologies. Ongoing developments in virtual reality and 3-D printing present artists with new ways to observe and represent themselves and their subjects, and Jonathan Yeo is at the vanguard of this brave new art world.

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