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Cinga Samson: ‘a different conversation on representation’ Ocula Conversation Cinga Samson: ‘a different conversation on representation’ By Jareh Das, New York

Cinga Samson 's paintings lay bare the complex relationship between contemporary life, African traditions, globalisation, and representation. His strikingly sombre portraits contain similarities to those of contemporary painters such as Toyin Ojih Odutola, Lynette Yiadom-Boakye , Kehinde Wiley , Florine Démosthène, and Tunji...

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Armory Week Lowdown: Art Shows to See Ocula Report Armory Week Lowdown: Art Shows to See By Casey Carsel, New York

After structural issues forced The Armory Show into last-minute relocation pirouettes last year, the fair returns between 5 and 8 March 2020 with a flourishing programme, complemented by stand-out shows across New York City.

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Danh Vo at Winsing Art Place, Taipei: Exhibition Walkthrough Ocula Insight
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Danh Vo at Winsing Art Place, Taipei: Exhibition Walkthrough

At the freshly opened Winsing Art Place in Taipei, works by Vietnamese-Danish artist Danh Vo are being presented in Taiwan for the first time. In this video, the founder of Winsing Arts Foundation, Jenny Yeh, introduces Vo's exhibition.

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HomePage Artists

b. 1936, South Korea

Lee Ufan Related Press

Ai Weiwei, Anish Kapoor and Marina Abramović lead major new exhibition Everything At Once at Store Studios Related Press Ai Weiwei, Anish Kapoor and Marina Abramović lead major new exhibition Everything At Once at Store Studios 8 September 2017, The Vinyl Factory

This October, Store Studios will host Everything At Once, an extensive off-site exhibition featuring 24 artists currently shown at Lisson Gallery in celebration of its 50th anniversary.

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Ha Chong-Hyun at Almine Rech Gallery, Paris Related Press Ha Chong-Hyun at Almine Rech Gallery, Paris 23 May 2017, ArtAsiaPacific

At Almine Rech Gallery in Paris, 21 of the artist's paintings, the majority of which were created in the past four years, demonstrated Ha's ability to imbue paint with the qualities of sculpture. The artist uses a methodical, labor-intensive process to create energetic paintings on hemp cloth, recalling the sacks of aid supplies distributed to...

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How a 'scream' of post-war Japanese art pioneered Modernism Related Press How a 'scream' of post-war Japanese art pioneered Modernism 31 October 2016, The Creators Project

These days, Japanese artists like Yayoi Kusama and Takashi Murakami pull big crowds and even bigger price tags, but it wasn’t always so. Vibrant though it was, the Japanese avant-garde was relatively unknown to Western audiences for most of the 20th century. This began to change in 1996 when scholar and author Alexandra Munroe, Senior Curator...

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Tate Modern's Switch House Related Press Tate Modern's Switch House 23 June 2016, Art Agenda

“When racism and sexism are no longer fashionable,” the Guerilla Girls asked in 1989, “what will your art collection be worth?” Predicting that “the art market won’t bestow mega-buck prices on the work of a few white males forever,” their printed notice listed 67 female artists (several of whom are now on...

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Monochrome and minimalism: 6 Dansaekhwa artists in New York Related Press Monochrome and minimalism: 6 Dansaekhwa artists in New York 23 May 2016, Art Radar

Dansaekhwa, or Korean monochrome art, is characterised by painting in a single colour, textured and with simplified images. Featured as a collateral event of the 56th Venice Biennale (2015), the art form has also generated interest in the western world through recent exhibitions such as From All Sides: Tansaekhwa on Abstraction (Blum & Poe,...

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Dansaekhwa and Korean Abstraction at Boghossian Foundation in Brussels Related Press Dansaekhwa and Korean Abstraction at Boghossian Foundation in Brussels 21 February 2016, Blouin Artinfo

Opening at the Boghossian Foundation’s Villa Empain in Brussels this weekend is When Process Becomes Form: Dansaekhwa and Korean Abstraction , the first exhaustive exhibition of the Korean Dansaekhwa movement in Belgium, featuring some fifty works by seven of its leading proponents: Chung Chang-Sup, Chung Sang-Hwa, Ha Chong-Hyun, Kim Whanki,...

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'When Process Becomes Form: Dansaekhwa and Korean Abstraction' Related Press 'When Process Becomes Form: Dansaekhwa and Korean Abstraction' 10 February 2016, Courtesy Tina Kim Gallery

When Process Becomes Form is the first comprehensive presentation in Belgium of a number of seminal works by a generation of Korean artists whose negotiation of abstraction has become known as Dansaekhwa. The exhibition consists of some 50 paintings and works of paper drawn from the 1970s and the 1980s, along with a substantial array of...

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 The rise of Dansaekhwa Related Press The rise of Dansaekhwa 21 January 2016, MutualArt

Dansaekhwa and Minimalism , which opened January 16 at Blum & Poe in Los Angeles, is the latest in a series of exhibitions and publications devoted to the Korean monochrome painting movement sweeping the globe of late. While Dansaekhwa (also spelled “Tansaekhwa”) emerged somewhat concurrently with American Minimalism, this is the...

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Korea’s Monochrome Painting Movement Is Having a New York Moment Related Press Korea’s Monochrome Painting Movement Is Having a New York Moment 3 December 2015, Hyperallergic

The term Dansaekhwa, or “monochrome painting,” may elude readers unfamiliar with Korean, but it represents arguably Korea’s most important art movement of the late 20th century. The artists who practiced this approach to painting began to emerge in the early 1970s, when the Republic of Korea was still under a military...

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Solitary Soul: Lee Ufan Related Press Solitary Soul: Lee Ufan 17 November 2015, Apollo Magazine

'For over 40 years I have been a kind of déraciné’, says Lee Ufan, ‘and I’m really still continuing on a pilgrimage around the world.’ We are sitting in the artist’s Paris studio on a brilliant early autumn day. A few minutes away is rue Victor Massé, where Degas lived in his later years, and a short walk uphill...

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An upward trend continues Related Press An upward trend continues 6 November 2015, Korea Joongang Daily

The art world’s surging interest in dansaekhwa, or Korean abstract monochrome paintings, is still going strong. The ongoing trend was evident at the Foire Internationale d’Art Contemporain (FIAC) art fair that ran from Oct. 21 to 25 in Paris. At the booth of the Seoul-based Kukje Gallery, viewers stopped to see paintings by dansaekhwa...

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From point, from line, from wind Related Press From point, from line, from wind 12 October 2015, Nicole

As soon as one walks into Pace’s gallery space on Burlington Gardens, we are immediately immersed into a space that is distinctively Lee Ufan. Four of his seven major series— From Point (1972–84), From Line (1972–84) From Winds( 1982–86) and With Winds (1987–91)—are on show in his third solo exhibition...

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The Koreans at the top of the art world Related Press The Koreans at the top of the art world 6 October 2015, The New Yorker

Next week, when V.I.P.s and special guests shuffle through Christie’s new West Galleries, in Rockefeller Center, they will alight on a series of abstract paintings by a group of relatively unknown artists. These pieces reflect a recent market craze for attractive, anodyne work with an emphasis on process and materials. But the artists at the...

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Korean monochrome art shines in Basel Related Press Korean monochrome art shines in Basel 21 June 2015, Korea Herald

At Art Basel, the world’s biggest high-end art fair, top artworks were sold in the first hours of its VIP preview. This year, 284 leading galleries from 33 countries brought some of their best artworks for the six-day event last week, including the two-day exclusive VIP showing before the official kickoff on Thursday. Some of the...

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The pick of the 2015 Biennale - by 15 top art-world insiders Related Press The pick of the 2015 Biennale - by 15 top art-world insiders 30 April 2015, The Art Newspaper

Melissa Chiu - Director of the Hirshhorn Museum and Sculpture Garden, Washington DC What/who are you looking forward to seeing at the Venice Biennale this year? I’m looking forward to seeing the dansaekhwa (monochrome painting) exhibition from Korea, one of the satellite shows. This is an historical show bringing together works...

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Trauma and tranquility: Anish Kapoor and minimalist Lee Ufan take over London's Lisson Gallery Related Press Trauma and tranquility: Anish Kapoor and minimalist Lee Ufan take over London's Lisson Gallery 6 April 2015, Wallpaper*

An impressive double header opened at London's Lisson Gallery yesterday with new shows from Anish Kapoor and Korean minimalist Lee Ufan. More than thirty years on from his first exhibition at the gallery, Kapoor presents new giant resin and silicon pieces - not for the squeamish - that blur the boundary between sculpture and painting and look,...

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Australian adds weight to Art Basel Encounter Related Press Australian adds weight to Art Basel Encounter 24 February 2015, Visual ArtsHub

There is a new encounter in Hong Kong, Australian curator Alexie Glass-Kantor, and her vision captures the zeitgeist of our region. A curated section within any art fair presents an interesting conversation, sitting somewhere between the commercial streams and a rigorous view of now. Encounters is slightly different in that it is dedicated to...

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Contemporary Asian Art At Art Basel Miami Beach Related Press Contemporary Asian Art At Art Basel Miami Beach

The 13th edition of Art Basel in Miami Beach (ABMB) offered an especially strong showing of Asian galleries. As interest in contemporary Asian art continues to grow, so does the number of Asian exhibitors at international art fairs. Of the 267 exhibitors that showed at this year’s ABMB, 21 are located in or have branches in Asia. New...

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Post 1989 Japanese Art Survey Opens At Qagoma Related Press Post 1989 Japanese Art Survey Opens At Qagoma 4 September 2014, Darryl Wee for Artinfo / 03 September 2014

“We can make another future: Japanese art after 1989,” a sprawling survey of contemporary Japanese art curated by Reuben Keehan, opens at the Queensland Art Gallery and Gallery of Modern Art (GOMA) on September 6. This ambitious survey takes a retrospective look at key artists and tendencies from Japan’s Heisei era through a...

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Lee Ufan Related Press Lee Ufan 15 October 2011, Artforum

IT HAS BEEN SOME TWENTY YEARS since the great wave of introductions to modern non-Western art, the peak of which coincided with the popularization of such terms as globalization and transnationalism in the 1990s. Now, with those introductions complete, the project of positioning non-Western modernities in an expanded art history has taken on...

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