Ocula MagazineContentsView All
Featured ContentView All
Sharjah Biennial 14: Leaving the Echo Chamber Ocula Report Sharjah Biennial 14: Leaving the Echo Chamber 15 Mar 2019 : Stephanie Bailey for Ocula

In Meiro Koizumi's three-channel video installation, The Angels of Testimony (2019), the central frame features an interview with Hajime Kondo about his time as a solider of the Imperial Japanese Army during the Second Sino-Japanese War. The conversation centres on war crimes perpetrated in China, including the beheading of Chinese prisoners for...

Read More
Diana Campbell Betancourt Ocula Conversation Diana Campbell Betancourt

Diana Campbell Betancourt is a curator working predominantly across South and Southeast Asia. Since 2013 she has been the founding artistic director of the Samdani Art Foundation and chief curator of the Dhaka Art Summit in Dhaka, Bangladesh, a transnational art event that has grown in size and scale ever since its first edition in 2012. Backed by...

Read More
Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art Ocula Report Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art 7 Mar 2019 : Mike Pinnington for Ocula

China, home to 802 million internet users, is subject to sophisticated online censorship. This shrouded state of affairs, unsurprisingly perhaps, serves to reinforce stereotypes around conformity elsewhere. Any realm, digital or otherwise, subject to such strict scrutiny must necessarily be bland and uncritical, right? I was mulling over such...

Read More

Nam June Paik

(1932 - 2006), South Korea

Nam June Paik was born in Korea, but moved to New York City in 1964. He is frequently referred to as 'the grandfather of video art.' Paik began his career as a composer and musician studying at the University of Tokyo, the University of Munich, and the Conservatory of Music in Freiburg, Germany. Influenced by the composer John Cage, Paik's interests brought him into the orbit of Fluxus, an international postwar movement of artists -- many of whom were influenced by the earlier work of Duchamp and Dada -- who sought to break down the barriers between high art and everyday life. Fluxus is often considered 'anti-art' in its sometimes violent renunciation of conventional definitions of the art object.

Paik was first drawn to video in the context of his music; it was the random quality of the television soundtrack which initially appealed to him. For over three decades, however, he was a provocative and prophetic spokesman for new uses of television technology and for the relevance of TV to art. He used television sets in startling constructions for performances (i.e., the TV as cello, bra, or glasses) and designed installations composed of televisions transformed into aquariums, and stacked as pyramids. Paik also made TV chairs and many versions of TV robots. He combined fast-paced video clips -- often dramatically colorized -- in high-energy montages programmed over several television monitors. Paik was a pioneer in combining straight or manipulated segments of broadcast TV with artist-produced videos, organized by a complex visual and aural matrix.

Source: Stuartcollection.ucsd.edu

Read More

Featured Artworks

Untitled by Nam June Paik contemporary artwork Nam June PaikUntitled, c. 1988 From Project DMZ, Storefront for Art and Architect, New York
Tina Kim Gallery

Recent Exhibitions

Contemporary art exhibition, Group Show, Crow's Eye View: The Korean Peninsula at Tina Kim Gallery, New York
10 September–17 October 2015 Group Show Crow's Eye View: The Korean Peninsula Tina Kim Gallery, New York

Represented By

In Ocula Magazine

View All (5)
Michelle Yun Ocula Conversation Michelle Yun Senior Curator, Modern and Contemporary Art, Asia Society Museum, New York

Michelle Yun, who specialises in Chinese contemporary art and diaspora artists, is the Senior Curator of Modern and Contemporary Art at the Asia Society Museum. As such, Yun is tasked with managing the museum’s considerable initiatives in modern and contemporary visual art by Asian and Asian American artists at an institution that is...

Read More
Synergetic Seoul: Movers In The Korean Art Scene Ocula Report Synergetic Seoul: Movers In The Korean Art Scene 11 Feb 2014 : Ines Min for Ocula

It’s easy to list off the most influential gallerists in Seoul. Kukje, Arario, Hyundai, PKM, Pyo and Gana Art. But in recent years, a pivotal band of creative spaces have been taking the South Korean art scene in a different direction, headed by a new generation of artists and gallerists able to adapt to the post-recession economic...

Read More
Melissa Chiu Ocula Conversation Melissa Chiu Senior Vice President, Global Arts & Cultural Programs, Asia Society

Asia Society recently played host to some of the most significant institutional figures in the art world, including Glenn D. Lowry (Director of The MoMA New York), Caroline Collier (Director, Tate Modern), Yuko Hasegawa (Chief Curator, Museum of Contemporary Art, Tokyo) and Lars Nittve (Executive Director, M+, Hong Kong).  These figures...

Read More
MMCA Seoul's First Steps Ocula Report MMCA Seoul's First Steps 12 Nov 2013 : Ines Min for Ocula

South Korea’s most anticipated event of the year, the opening of MMCA Seoul, is a milestone for the national museum and local art scene. The new outpost of South Korea’s singular, national contemporary art museum is situated on a minefield of historic structures, set within a zoning law nightmare, and sandwiched between...

Read More

In Related Press

View All (9)
The Emperor's new museum Related Press The Emperor's new museum The New Yorker : 8 November 2016

"It's nice to come home to Shanghai,” the Chinese billionaire Liu Yiqian told me one day in February, four months after gaining worldwide notoriety by spending a hundred and seventy million dollars on a painting by Amedeo Modigliani. We had just sat down in his office at the Long Museum West, one of two privately run art museums that...

Read More
Nam June Paik has the last laugh Related Press Nam June Paik has the last laugh The Japan Times : 13 September 2016

Rapid, multilayered, fluid — the high-tech images created by Nam June Paik earned him the epithet the Father of Video Art. He may be most often associated with banks of television screens and intense, distorted video images, but as a new retrospective of his work at the Watarium (The Watari Museum of Contemporary Art) in Tokyo highlights,...

Read More
Discussion on video art research in the context of globalisation: 'Time Test' is unveiled Related Press Discussion on video art research in the context of globalisation: 'Time Test' is unveiled CAFA ART INFO : 12 July 2016

At 2:30 pm on July 2, 2016, Time Test – International Video Art Research Exhibition was unveiled at CAFA Art Museum. The exhibition is jointly hosted by Eli and Edythe Broad Art Museum at Michigan State University East Lansing, Michigan, U.S.A. and CAFA Art Museum. In the axis of the development course of the video art, the project presents...

Read More
Information overload: Whitechapel packs in 50 years of computer art Related Press Information overload: Whitechapel packs in 50 years of computer art The Art Newspaper : 28 March 2016

Electronic Superhighway (2016-1966) at the Whitechapel Gallery traces the impact of computer and internet technologies on artists over the past 50 years. And much like the internet, it is a jam-packed, spam filled, free-for-all. Running in reverse chronological order, it includes works by 70 artists, fr om lo-fi 60s plotter drawings to Jacolby...

Read More

Be among the first to know when new artworks and exhibitions by Nam June Paik are added to Ocula.


Scan the QR Code via WeChat to follow Ocula's official account.

iCal GoogleYahooOutlook