Renzo Martens is an artist that devises methodologies through which critique can miraculously resolve inequality. Martens studied political science and art.
After having made the films Episode I and Episode III: Enjoy Poverty, Martens established Human Activities and its ‘reverse gentrification program’ on a plantation in the DR Congo. Together with the plantation workers of the Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC), he employs artistic critique to build a new world – not symbolically, but in material terms.
Together, they opened a White Cube that is meant to repatriate capital and visibility to communities of plantation workers. White Cube, Martens’ latest film, shows how Congolese plantation workers set a new precedent: they successfully co-opt the concept of the ‘white cube’ to liberate their land and turn it into sacred forests.
Text courtesy Buro Stedelijk


A respected voice in contemporary art discourse.
Focusing on ambitious storytelling and insightful art-world commentary. Ocula Magazine publishes in-depth interviews, critical essays and timely analysis on the artists, exhibitions and ideas driving the global art world.
Learn more about Ocula Magazine
Showcasing the best of the art world.
Ocula partners with galleries from around the world to highlight their artists, artworks and exhibitions. Gallery membership is by application and invitation, with each member vetted by an independent panel.
Learn more about Ocula Membership
Specialises in the sale of major artworks.
Led by a team with deep ties to the world’s leading auction houses, galleries and collectors. Ocula’s advisory team offers bespoke services to high-net-worth clients from around the world who are looking to acquire the best of contemporary and modern art.
Learn more about our team and services