Brendan Van Hek, the continual condition – seven colour arrangement, 2016, neon, plywood, 33 x 60.5 x 40cm. Image courtesy of the artist and Sarah Cottier Gallery, Sydney.
Images converge then shift, contract and explode in a field of colour. Curated by Alexie Glass-Kantor and Talia Linz, Superposition of three types highlights the continuing effectiveness of colour and form in contemporary Australian art. Implicit in its title, the exhibition deals with the overlapping of different 'types' of practices; and the dimensionality of abstraction with theoretical underpinnings of individual creativity.