
No matter how degraded the factory hand, he is not real estate. . . . “It is safe to say that the law regards a Negro slave, so far as his civil status is concerned, purely and absolutely property, to be bought and sold and pass and descend as a tract of land, a horse, or an ox.” — W. E. B. Du Bois, Black Reconstruction in America
Property in the United States is predicated on slavery.2 In tracing the emergence of U.S. property law, K-Sue Park writes that “laws evolved to render land and people the two most significant market commodities during this period.” “Real estate” described the combination of stolen indigenous land and slaves. Enslaved people were components of the land. The land was a prison. The carceral twinning of enslaved people and property produced value. Slaves were simultaneously commodities and assets who were the producers of commodities and assets. Partus sequitur ventrem stipulated that all children of enslaved women would be the property of their owners. Judge James Gholson argued before the Virginia Legislature, “The legal maxim of ’Partus sequitur ventrem’ is coeval with the existence of the right of property itself.”




DIA Beacon is a renowned contemporary art museum situated in Beacon, New York, on the banks of the Hudson River. Housed in a repurposed 1929 Nabisco box printing factory, its expansive galleries and minimalist architecture make it a destination for lovers of postwar art and industrial design.

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