Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...
Ocula Conversation Andrew Stahl and Guo Xiaohui The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...
Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...
Born 1928, United States of America.
Robert IndianaONE through ZERO (Cor-ten steel), 2003 cor-ten steel on painted aluminium base
Robert IndianaThe American LOVE (White Blue Red), 1966/2000 Polychrome aluminium
Related Press More than Love: Remembering Robert Indiana (1928–2018) Frieze : 30 May 2018 In the late 1950s, five artists, all gay, living within a few blocks of one another in New York, redirected the course of American painting. They abandoned gestural expressionism and laid the groundwork for the pop and minimalist idioms of the following decade. Four of them have received plenty of credit for doing so: Ellsworth Kelly, Robert...
Related Press The State Russian Museum bring Robert Indiana retrospective to Saint Petersburg Forbes : 16 June 2016 ‘Robert Indiana was hugely influenced by Russian avant-garde art, even though in the early stages of his career he didn’t realise it’ said Yevgenia Petrova, deputy director of The State Russian Museum, a few weeks after the opening of To Russia With Love, a micro retrospective of works by Robert Indiana on show at The State...
