The trouble with [AR]T—an augmented reality initiative produced by Apple in collaboration with the New Museum—began when I tried to get tickets. Because it was framed as a free public art experience, I thought that the [AR]T Walk would be easily accessible, like a drop-in guided tour at a museum. But Apple's home page offered no...

SAN FRANCISCO — The Danish-Icelandic artist Olafur Eliasson told Hyperallergic that he hopes his massive public art installation, Seeing spheres, at the new Golden State Warriors stadium will become part of the tissue of San Francisco.

I remember exactly where and when I decided to write a book about the moon: lying on my back in a dentist's chair, waiting for the anaesthetic to take effect. To distract his patients, the dentist had tacked a poster to the ceiling: a NASA image of the earth from space at night. I was struck by the way so much of the northern hemisphere glitters...

This year, all Koreans at the Venice Biennale are women. The Korean Pavilion is curated by Kim Hyun-jin and three participating artists Jung Eun-young, also known as siren eun young jung, Jane Jin Kaisen and Nam Hwa-yeon. At the main exhibition, the works of three Korean women artists Lee Bul, Suki Seokyeong Kang and Anicka Yi are on view.

'My work', Bruce Nauman told Art in America in 1988, 'comes out of being frustrated about the human condition.' Black radical aesthetics and criticism prefigured my encounter with Disappearing Acts, the artist's retrospective survey at the Museum of Modern Art and MoMA PS1 in New York, which was first mounted at The Schaulager last summer in...

Somewhere in a maze of picket fences, golf greens and lakes, Vero Beach's The Gallery at Windsor is a remote haven for British art world patricians. It's currently two years into a partnership with London's Royal Academy of Arts, which annually brings a celebrated artist to the Atlantic coastline to exhibit.

Does it vex you, the environmental impact of Olafur Eliasson's Ice Watch? Do you hear about the transportation of 30 icebergs from the Nuup Kangerlua fjord in Greenland to be displayed in London as a memento mori for our inhabitable environment and judge the project a bit of an own-goal, sustainability-wise? You would not be alone – on personal...

EVERY ONCE IN a while I get an artwork stuck in my head. Bruce Nauman's A Cast of the Space Under My Chair (1965–68) was one such work. For years, while sketching new sculptures or gabbing in a studio visit, I would remember it, though I'll admit that for the first few years this happened, I didn't consistently remember who made it. I didn't...

When Donald Judd asked Yun Hyong-Keun what art is, the latter responded that art is 'artless and bland.' To some viewers of Yun's paintings—which have been associated with Korean Dansaekhwa—these words may serve as curious descriptors of the late artist's striking, monochromatic canvases.

From across the gallery, the four framed prints of architectural ruins look like vintage black-and-white photographs. But a photograph is just the start for what you are seeing at Crown Point Press.

COPENHAGEN — Outside Denmark's Louisiana Museum of Modern Art on a recent late-summer morning, a few sunstruck visitors were sprawling on the turf of the sculpture garden, between monumental outdoor works by Alexander Calder and Richard Serra.

Portraiture is an enduring art form, thanks to the narcissistic tendencies of the human race.

Feminist science-fiction has long played on the idea that women are liberated when humans are confronted with other intelligences.

Bruce Nauman, 'Disappearing Acts' Schaulager 17 March – 26 August The Schaulager enjoys immense resources; its founder, Maja Oeri, a trustee of the Museum of Modern Art, New York, and a major donor to its collection, is honoured with a MoMA gallery in her name. Bruce Nauman's detailed survey exhibition, created in collaboration with that...

Many of the art spaces in early '90s Berlin were located in vacant, abandoned, often ruined buildings that artists had taken over. Artists were running studio collectives and co-ops, outfitting surprising storefronts, and creating nightclubs and music programs. One very influential artist for me was Daniel Pflumm, who was organizing the...

The sci-fi imagination of Lee Bul literally lit up the Hayward Gallery last night, as one of the artist’s works set on fire just an hour before the private view was scheduled to occur. It was an appropriate moment for the exhibition, as the works look as though they have smashed into the gallery from another cosmos.

Lee Bul's earliest memories are defined by dust. In a military town outside Seoul, where she lived aged 11, many of the trees had been cut down for fuel, while, under the dictator Park Chung-Hee's modernisation programme, new roads were begun and abandoned. The inhabitants of her neighbourhood's cheap and fragile houses came and went: soldiers...

Visitors to the sixth edition of Art Basel Hong Kong, which runs through Saturday at the Hong Kong Convention and Exhibition Centre, will encounter a huge table with its circular, metal top slowly rotating. On the top are scores of what look like golden and silver miniature towers. Actually, they are dabba or tiffin carriers, in which Indian...

It’s hard for anything to stay hidden for long in Reykjavik. With a population of 120,000, the highstreet feels like a backstreet (albeit a quaintly beautiful one), and everyone knows everyone. In the even less-trodden industrial area to the northwest of the city, where cranes and fish trawlers rhythmically churn up the harbour, and a tinny...

Olafur Eliasson's installation Room for one colour (1997) is the final work in the National Gallery's exhibition Monochrome: Painting in Black and White (until 18 February 2018). The exhibition spans seven centuries and includes 50 works by artists who have—in most cases—deliberately turned to monochrome in their art, whether it me...

Two artists exhibit two very different expressive styles — one is figurative and the other is abstract. Somehow, however, there exists quite a surprising similarity between American Hernan Bas and Korean Jeong Young-do when it comes to expressing suppressed desires in their works.

The Turkish novelist Elif Shafak is to follow Margaret Atwood, David Mitchell and Sjón as one of the 100 contributors to the Future Library, an art project that will only be seen by readers in 2114, when the spruce trees to make its paper have been fully grown.

When the Detroit-based artist Hernan Bas arrived at Jesus College, Cambridge, for a period of research in 2016, he didn't know what 'fresher' meant. The term, familiar to anyone who's been to a British university, is used to describe first-year undergraduates and hints at much of the bravado of student life.

In Counterbalance: The Stone and the Mountain, Cody Choi and Lee Wan, representing Korea for the 57th Venice Biennale, engage with the spawning disparity they encountered in their transnational journey to find their own identity. Current international political movements such as right-wing populism and restrictions on immigration influenced these...