Olafur Eliasson is a Danish-Icelandic artist known for his sculptures and large-scale, immersive installations. Eliasson completed his studies at the Royal Danish Academy of Art in 1995 and relocated to Berlin upon graduating where he established Studio Olafur Eliasson. Today it employs around seventy professionals working in various fields such as architecture, geometry, and art history.Read More
Eliasson works across a diverse variety of media including sculpture, painting, photography, film, and installation, although it is his installations which have undoubtedly gathered the most attention. Audiences are able to actively engage with Eliasson’s installations which are immersive environments of colour, light, and movement that endeavour to prompt a greater understanding about the way people can engage with and interpret the world. Many of Eliasson’s works seek to inspire public action against climate change.
Eliasson led the Institut für Raumexperimente (Institute for Spatial Experiments) for five years from 2009 during his time as a professor at the Berlin University of the Arts. The artist launched his solar products business at London’s Tate Modern in 2012 alongside engineer Frederik Ottesen. The organisation aims to promote sustainable global development and provides affordable light sources to communities that are without access to electricity.
Eliasson has been the recipient of numerous awards throughout his career including, most recently, a Crystal Award in 2016 for showing commitment to improving the state of the world. In particular praise was given to his works The New York City Waterfalls, Ice Watch, Riverbed, and The Weather Projects. Other awards granted to the artist have included the Eugene McDermott Award in the Arts at MIT (2014); the Wolf Prize in Painting and Sculpture (2014); The European Union Prize for Contemporary Architecture - Mies van der Rohe Award - alongside Henning Larsen Architects and Batterid (2013); the Joan Miró Prize (2007); and the 3rd Benesse Prize (1999).
In 2007, the first retrospective of Eliasson’s work, Take your time: Olafur Eliasson, was held at the San Francisco Museum of Modern Art, before travelling to the Museum of Modern Art and PS1 Contemporary Art Center in New York. Olafur Eliasson’s work is held in major public and private collections worldwide, including institutions such as the Museum of Modern Art, New York; The Art Institute of Chicago; Guggenheim Museum, New York; Carnegie Museum of Art, Pittsburgh; Astrup Fearnley Museum of Modern Art, Oslo; Leeum Samsung Museum of Art, Seoul; Hirshhorn Museum and Sculpture Garden, Washington D.C.; Walker Art Center, Minneapolis; The Museum of Contemporary Art, Chicago; and the MIT List Visual Arts Center, Cambridge.
First launched in 2012, Gallery Weekend Berlin returns this year between 11 and 13 September 2020.
This week's need-to-know art news, including Christie's new global auction and an attempt at a fairer art fair by the New Art Dealers Alliance.
The Ocula team present picks from Taipei Connections, an online platform launched by Ocula and Taipei Dangdai.
Gallery Weekend Beijing was first staged in 2017 on a number of premises, including the fact that Beijing needed an annual event with international appeal to maintain its place as an art destination after the rise of successful art fairs, and an increasing number of museums, in other regional cities like Shanghai and Hong Kong. As its title...
The artists are El Anatsui, Byung Hoon Choi, Carlos Cruz-Diez, Olafur Eliasson, Trenton Doyle Hancock, Cristina Iglesias and Ai Weiwei, and they were commissioned to create a mix of sculptures, light installations and suspended artworks for the 14-acre premises, known as the Susan and Fayez S. Sarofim Campus.
SAN FRANCISCO — The Danish-Icelandic artist Olafur Eliasson told Hyperallergic that he hopes his massive public art installation, Seeing spheres, at the new Golden State Warriors stadium will become part of the tissue of San Francisco.
LONDON — The great Rebecca Solnit once wrote: 'During my years as an art critic I used to joke that museums love artists the way that taxidermists love deer, and something of that desire to secure, to stabilize, to render certain and definite the open-ended, nebulous, and adventurous work of artists is present in many who work in that...
As the realities of a global climate emergency begin to sink in, the well-heeled visitors to this year's Art Basel fair can expect to see work that reflects the concerns of the world outside–at least to a certain extent. 'Studies show that the wealthier you are, the bigger your carbon footprint, so it's great that we are now seeing this addressed...
Eight 11-ton blocks of glacial ice are en route to Paris to make a monumental statement about climate change adjacent to the UN conference on the subject, COP21. An assemblage of boats, cranes, and trucks are transporting the frozen obelisks from from a fjord outside Nuuk, Greenland, to the age-old capital of European culture, courtesy of...