b. 1955, United States

Christopher Wool Biography

Perhaps best known for his word paintings, American artist Christopher Wool's practice is centred around his continual reformations of painting and abstraction. Combining the aesthetics of graffiti and street culture with the legacies of pop and conceptual art, Wool has employed media and techniques as diverse as incised rollers, stencils, silkscreen printing, photography, replication and overlapping to explore the potential of painting during a time when many deemed it irrelevant.

Read More

Wool was born in 1955 in Chicago and moved to New York in 1969, where he studied painting and photography first at Sarah Lawrence College and later at the New York Studio School. Based in Manhattan's Chinatown for 25 years from 1976, Wool became a part of the downtown New York art and music scenes and befriended artists Robert Gober, Richard Prince, James Nares and Jeff Koons, among others. In the 1970s, downtown New York artists were mostly divided between neo-expressionist painting—as seen in the work of Julian Schnabel and Jean-Michel Basquiat—and conceptual and pop-influenced works like those of Cindy Sherman and Prince. Merging influences, Wool borrows from pop art techniques like the use of silkscreen printing, while utilising 1970s conceptualism's incorporation of language.

In 1986, Wool replaced the brush with the paint roller, a shift inspired by the way slumlords in his neighbourhood used the tool to give their properties an impression of having been wallpapered. For one early painting made with a patterned roller, Untitled (1987), Wool printed a vegetal motif in black enamel over a sheet of aluminium. From a distance, the repetitive imagery recalls a mass-produced design; instead of a seamless surface, however, the print is interrupted by smudges and an intentionally uneven distribution of ink. Repurposing a commercial tool for fine art purposes, Wool questioned the kind of traditional material and processes that define painting as a medium. At the same time, Wool's roller paintings somewhat parody the works of colour field painters such as Barnett Newman and Mark Rothko, which were widely criticised as being decorative.

About a year later, Wool began making his iconic stencilled word paintings, conceived when he saw the words 'sex' and 'luv' graffitied on a white delivery van. Like his roller paintings, which lifted content from commercial wallpaper, Wool appropriates language from popular sayings, song lyrics, movies and mass culture for his word paintings. The text 'HELTER' (Untitled [1988]), for instance, comes from the Manson murders ('Helter Skelter' was a term Charles Manson used to refer to a racial apocalyptic war), while 'YOU MAKE ME' (Untitled [1997]) is taken from a Richard Hell album cover. Apocalypse Now (1988), his seminal word painting and one of the few that are titled, derives its name and text—'SELL THE HOUSE SELL THE CAR SELL THE KIDS'—from an American epic war film. Although the notion of treating language as a painting had been previously employed by artists such as John Baldessari, Wool departed from other artists' crisp lettering by using crude stencils to capture the marks of the printing process.

While continuing to create word paintings, Wool has closely worked with silkscreen prints since the 1990s. Often employing floral motifs from wallpapers, he enlarges and overlaps them upon one another to devise dense and abstracted configurations. At times, he spray-guns looping lines of black over them, sometimes wiping the surface with rags to allude to the act of vandalism in the streets. It was also in the 1990s that Wool began creating silkscreens of his finished paintings by photographing them and printing them on canvas. For Wool, appropriating his own work is not only a way of revising his practice, but also of exploring a method of generating new paintings.

Alongside his paintings, Wool has produced a number of photographic works over the course of his career. One of his most famous and earliest photos was a result of his collaboration with Robert Gober. The photograph shows a dress—sewn by Gober and printed by Wool—hanging on a tree. The untitled black-and-white image was exhibited in A Project: Robert Gober/Christopher Wool (1988), a joint exhibition co-curated by 303 Gallery, Paula Cooper Gallery, Luhring Augustine and Hodes Gallery in New York. In the 1990s, Wool started to incorporate photographs into his artworks and to generate discrete series, of which the 'East Broadway Breakdown' (1994–1995/2002) is arguably the most famous. With a 35mm camera, the artist captured the desolate landscapes of downtown New York City in the quiet night hours devoid of human presence, focusing on aspects such as graffiti, garbage and stray dogs.

Wool has more recently extended his abstraction into the third dimension. In 2012, he designed a set of stained-glass windows for the 11th-century Chapelle capitulaire du Prieuré de la Charité-sur-Loire, France, for which he conceived a composition of looping lines with highlights in yellow. Whereas lead is used in traditional glassmaking to support and divide glass parts, Wool adopted it to reproduce the tangled strokes of his drawing. An untitled sculpture from his exhibition A New Sculpture (2018) at New York's Luhring Augustine echoes the abstracted lines of his stained-glass windows, in which bronze and copper plate steel cords are intricately entwined.

Wool has had numerous exhibitions, including with the Hill Art Foundation at H Queen's Atrium, Hong Kong (2018); Galerie Max Hetzler, Berlin (2017); The Museum of Modern Art, New York (2015, 2012); Hirshhorn Museum and Sculpture Garden, Washington, DC (2014); Musée d'Art Moderne de la Ville de Paris (2012); the 54th Venice Biennale (2011); and the New Museum, New York (2010). In 2013, a major survey of his oeuvre titled Christopher Wool was organised by the Solomon R Guggenheim Museum, New York, and travelled to the Art Institute of Chicago.

Sherry Paik | Ocula | 2018

Christopher Wool
featured artworks

Untitled by Christopher Wool contemporary artwork painting
Christopher Wool Untitled, 2021 Portfolio of 4 intaglios on Arches En-Tous-Cas paper
Xavier Hufkens Request Price & Availability
Untitled by Christopher Wool contemporary artwork painting
Christopher Wool Untitled, 2021 Oil and silkscreen on paper
111.8 x 76.2 cm
Xavier Hufkens
Untitled by Christopher Wool contemporary artwork sculpture
Christopher Wool Untitled, 2022 Copper-plated bronze
153.4 x 143 x 69.5 cm
Xavier Hufkens
Road by Christopher Wool contemporary artwork photography
Christopher Wool Road, 2018 Portfolio of 18 gelatin silver prints
Xavier Hufkens Request Price & Availability
Untitled by Christopher Wool contemporary artwork sculpture
Christopher Wool Untitled, 2017 Bronze and copper plated steel
426.7 x 640.1 x 228.6 cm
Not for sale
Xavier Hufkens
Untitled by Christopher Wool contemporary artwork painting, sculpture, print
Christopher Wool Untitled, 2018 Intaglio polymer photogravure on Hahnemühle Copperplate Bright White 300 gsm Paper
55.8 x 45.7 cm
Knust Kunz Gallery Editions Request Price & Availability

Christopher Wool
recent exhibitions

View 2 More
View 2 More

Represented by these
Ocula Member Galleries

Gagosian contemporary art gallery in 980 Madison Avenue, New York, United States
Gagosian Athens, Basel, Beverly Hills, Geneva, Gstaad +6
View 2 More

Christopher Wool
in Ocula Magazine

Learn more about the market for works
by Christopher Wool.
Enquire for a confidential discussion. Enquire Now
Simon Fisher, Ocula CEO
Ocula Advisor
Simon Fisher
Christoper Taylor, Ocula Advisor
Ocula Advisor
Christopher Taylor
Eva Fuchs, Ocula Advisor
Ocula Advisor
Eva Fuchs
Rory Mitchell, Ocula Advisor
Ocula Advisor
Rory Mitchell
Ocula discover the best in contemporary art icon.
Follow Christopher Wool
Stay ahead.
Receive updates on new artworks,
exhibitions and articles.
Your personal data is held in accordance with our privacy policy.
Do you have an Ocula account?
Ocula discover the best in contemporary art icon.
Get Access
Join Ocula to request price and availability of artworks, exhibition price lists and build a collection of favourite artists, galleries and artworks.
Do you have an Ocula account? Login
What best describes your interest in art?

Subscribe to our newsletter for upcoming exhibitions, available works, events and more.
By clicking Sign Up or Continue with Facebook or Google, you agree to Ocula's Terms & Conditions. Your personal data is held in accordance with our Privacy Policy.
Thank you for joining us. Just one more thing...
Soon you will receive an email asking you to complete registration. If you do not receive it then you can check and edit the email address you entered.
Thank you for joining us.
You can now request price and availability of artworks, exhibition price lists and build a collection of favourite artists, galleries and artworks.
Welcome back to Ocula
Enter your email address and password below to login.
Reset Password
Enter your email address to receive a password reset link.
Reset Link Sent
We have sent you an email containing a link to reset your password. Simply click the link and enter your new password to complete this process.