Greta Anderson completed a Master of Visual Arts Degree at Sydney College of the Arts in New South Wales in 2006 after having graduated from the Elam School of Fine Arts at The University of Auckland in 1999. Since then, Anderson has received several grants and awards, been the subject of several solo shows, including a notable 2003 exhibition at Te Tuhi, The Stand Ins.
She has been selected for numerous major exhibitions at, for example, the Gus Fisher Gallery (Auckland), the Australian Centre of Photography (Sydney), The University of Sydney, the Museum of Photographic Arts (San Diego), the Archibald Prize at the Art Gallery of New South Wales (Sydney), and the Ringling Museum of Art (Sarasota).
Anderson’s work has been featured in numerous photographic compendiums including Picturing Eden by Anthony Bannon and Deborah Klochko (2006), Future Images by Mario Cresci (2010), PhotoForum at 40: Counterculture, Clusters, and Debate in New Zealand by Nina Seja (2014), and See What I Can See: New Zealand Photography for the Young and Curious by Gregory O’Brien (2015). In addition, Anderson has a comprehensive commercial portfolio, having been invited to photograph campaigns for high-profile advertising agencies including Saatchi & Saatchi, DDB, and Mojo, and for editorials in the New Zealand Herald, Metro Magazine and the Australian Financial Review.
Courtesy Two Rooms

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