JUSTINE VARGA

b. 1984, Australia

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Works at Two Rooms

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End of Violet 170Y50.5M3C by Justine Varga contemporary artwork photography

Justine Varga End of Violet (170Y50.5M3C), 2022–2023 Chromogenic photograph
160 x 125 cm
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Quarantine by Justine Varga contemporary artwork photography

Justine Varga Quarantine, 2020–2021 Chromogenic photograph
102.5 x 79.5 cm
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End of Violet 72Y50.5M10C by Justine Varga contemporary artwork photography

Justine Varga End of Violet (72Y50.5M10C), 2022 Chromogenic photograph
159.4 x 125 cm
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End of Violet 102.5Y70M10C by Justine Varga contemporary artwork photography

Justine Varga End of Violet (102.5Y70M10C), 2022 Chromogenic photograph
152.5 x 116.2 cm
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Valencia by Justine Varga contemporary artwork photography

Justine Varga Valencia, 2020–202 Chromogenic photograph
158.7 x 125 cm
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End of Violet 66.5Y14.5M by Justine Varga contemporary artwork photography

Justine Varga End of Violet (66.5Y14.5M), 2022 Chromogenic photograph
159.9 x 125 cm
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Ripe by Justine Varga contemporary artwork photography

Justine Varga Ripe, 2016 Chromogenic photograph
116.2 x 83.1 cm
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Antidote by Justine Varga contemporary artwork photography

Justine Varga Antidote, 2016 Chromogenic photography
147 x 113.5 cm
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Recently Exhibited

Contemporary art exhibition Justine Varga End of Violet at Two Rooms Auckland New Zealand

Justine Varga End of Violet Two Rooms 7 June–13 July 2024
Auckland

Contemporary art exhibition Justine Varga Memoire at Two Rooms Auckland New Zealand

Justine Varga Memoire Two Rooms 31 May–6 July 2019
Auckland

Justine Varga in Ocula Magazine

News Who Won the $25,000 HOTA Photography Award 2022? Michael Irwin Established by Gold Coast’s Home of the Arts in 2002, the prize is awarded annually to an Australian artist working in photography.

Spotlight Great Expectations: Emerging Australian Art Stella Rosa McDonald In literary criticism, the term Bildungsroman refers to a coming of age novel. The protagonist learns a lesson, undergoes a transformation and grows up. They are stories where sentiment conflicts with authority, and we love them because they question our foundations and because we were all kids, once. ‘Emerging’ is the art...

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