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Almine Rech-Picasso Goes Global Ocula Conversation Almine Rech-Picasso Goes Global

French gallerist Almine Rech-Picasso opened her first space in Asia on Shanghai's historic Bund in July this year, bringing her eponymous gallery's total locations to five. The Shanghai gallery occupies roughly 4,000 square feet on the second floor of the three-storey Amber Building, a beautiful warehouse space, originally occupied by the Central...

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From the Gallery to the Streets: Home Works 8 in Beirut Ocula Report From the Gallery to the Streets: Home Works 8 in Beirut 8 Nov 2019 : Nat Muller for Ocula

There's an inside joke amongst the team of Ashkal Alwan, The Lebanese Association for Plastic Arts: that every time an edition of its biennial forum on cultural practices is planned, a national crisis happens. The eighth edition of Home Works was no different: it opened on 17 October amidst the most devastating wildfires that Lebanon had witnessed...

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Hans Hartung and Art Informel: Exhibition Walkthrough Ocula Insight | Video
Sponsored Content | Mazzoleni Gallery
Hans Hartung and Art Informel: Exhibition Walkthrough 15 October 2019

Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy.Born in Leipzig in 1904, Hans...

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Sean Scully

b. 1945, Ireland

Best known for his large-scale, grid-like paintings, artist Sean Scully has long been a proponent of abstraction. Desiring to rescue the mode from remoteness and re-inject it with exalted feeling, in a 2016 interview with Ocula Magazine, Scully explained his devotion to the style, saying, 'in my paintings, I don't paint space. I paint things. I paint the stripe as if it's a kind of life and death.'

Born in Dublin, Scully grew up south of London and studied painting at Croydon School of Art, London, and Newcastle University, where he was inspired by the colour field paintings of Mark Rothko and the minimalist abstraction of Bridget Riley. In the 1970s, he moved to America for a graduate fellowship at Harvard and later settled in New York, where he still lives part-time, in addition to Bavaria. His status as an immigrant and outsider has long been an important part of his philosophy about life and art.

Scully's earliest paintings, made in the UK, were inspired by the bright colours and wild stripes of Moroccan textiles. However, following his move to America in the 1970s, Scully simplified his motif and reigned in his palette. His paintings from that era to the present day are characterised by their compositions that are made up of several rectangular or square sections painted in various colours—often deep, rich and stormy or autumn-toned hues. Several thickly brushed layers of oil paint on each section result in illusions of luminescence or movement, with a dynamic surface texture often compared to skin.

Reflecting his upbringing in working-class neighbourhoods and his adult life in cities, Scully's works from the 1980s were inspired by conflict, discord, haphazard urban planning and human competition for survival—weighty themes reflected in the paintings' sombre palettes and cramped, brick-like compositions. While in such early works Scully used tape to delineate the clean, structured sections on his canvases, he later abandoned that hard-edge aesthetic and began painting more loosely, allowing the shapes to breathe and show evidence of their making. In Battered Earth (1988), for example, patches of cream-coloured rectangles belie their earthy underlying layers, as do the blood-coloured sections with the umber paint beneath.

Showing a further loosening up of technique, Scully's major 'Wall of Light' series works (1998–ongoing) are first drawn out with charcoal stuck to the end of a long stick before being filled in with paint. The series begun when the artist was travelling in Mexico and was struck by the play of light on Mayan stone walls. Indeed, the combination of vertical and horizontal bars in Scully's paintings are often compared to architectural elements; the sections are said to resemble Stonehenge-like structures.

While he mostly works with oil on canvas, Scully also uses watercolour, pastels and aquatints, as well as painting directly on aluminium—a support that enhances the thickness of the oil paint and its illusion of emitting light. His recent sculptures borrow the same compositions as his paintings; Air (2018) is a large cube made of multi-coloured recinto, marble and cantera, assembled in blocks that create asymmetrical grid patterns when viewed from each angle.

Scully has been named as a Turner Prize nominee twice: in 1989 and again in 1993.

Biography by Elliat Albrecht | Ocula | 2018
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Featured Artworks

Red Doric 7.15.19 by Sean Scully contemporary artwork
Sean ScullyRed Doric 7.15.19, 2019 Pastel on paper
102.6 x 152.4 cm
Kerlin Gallery
Wall of Light Cubed by Sean Scully contemporary artwork
Sean ScullyWall of Light Cubed, 2007 Granite
400 x 2000 x 800 cm
Kerlin Gallery
Battered Earth by Sean Scully contemporary artwork
Sean ScullyBattered Earth, 1988 Oil on canvas
183 x 183 cm
ShanghART
WALL OF LIGHT KOREA by Sean Scully contemporary artwork
Sean ScullyWALL OF LIGHT KOREA, 2012 Oil on linen
160 x 160 cm
Sold
Wooson Gallery

Recent Exhibitions

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Contemporary art exhibition, Group Exhibition, Painters Reply: Experimental Painting in the 1970s and now at Lisson Gallery, New York
Closed
27 June–9 August 2019 Group Exhibition Painters Reply: Experimental Painting in the 1970s and now Lisson Gallery, 10th Avenue, New York
Contemporary art exhibition, Group Exhibition, Painters Reply: Experimental Painting in the 1970s and now at Lisson Gallery, New York
Closed
27 June–9 August 2019 Group Exhibition Painters Reply: Experimental Painting in the 1970s and now Lisson Gallery, West 24th Street, New York
Contemporary art exhibition, Group Exhibition, Lignes at Galerie Lelong & Co. Paris, Paris
Closed
18 May–13 July 2019 Group Exhibition Lignes Galerie Lelong & Co. Paris, 38 Avenue Matignon

Represented By

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In Ocula Magazine

Sean Scully Ocula Conversation Sean Scully Artist, USA

Already recognised in the Western art historical canon, 71-year-old Irish-born, American-based artist Sean Scully’s oil paintings are characterised by their geometric constructions and painterly expression. These two disparate modes marry in the artist’s canvases and act as a retort to the rigidity of last century’s hard...

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In Related Press

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Sean Scully takes up residence in Picasso’s former studio at Château de Boisgeloup Related Press Sean Scully takes up residence in Picasso’s former studio at Château de Boisgeloup Wallpaper* : 6 November 2019

'I'm the Donald Trump of the art world,' Sean Scully jokingly declared in the BBC documentary released in April this year about his art and life as one of the world's wealthiest living artists, in which he jets around the world on his private jet.

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Reconciling Secular Art in Sacred Spaces Related Press Reconciling Secular Art in Sacred Spaces Hyperallergic : 20 July 2019

VENICE — The two most arresting exhibitions I saw among the Venice Biennale's collateral displays were Sean Scully's Human and Artists Need to Create on the Same Scale that Society Has the Capacity to Destroy: Mare Nostrum, curated by Phong Bui and Francesca Pietropaolo for The Brooklyn Rail.Scully's show is a magisterial display of a...

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Painters Reply: Experimental Painting in the 1970s and Now Related Press Painters Reply: Experimental Painting in the 1970s and Now The Brooklyn Rail : 2 July 2019

On some timely occasions, we get the true pleasure to be reminded of T.S. Eliot's 'historical sense' (from his famous 1919 essay Tradition and Individual Talent). This historical sense involves a perception, not only of the pastness of the past but of its very presence, which simply implies a co-function of simultaneous existence and simultaneous...

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The Best Things to See at the 2019 Venice Biennale Related Press The Best Things to See at the 2019 Venice Biennale AnOther : 13 May 2019

The 58th edition of the Venice Biennale, May You Live in Interesting Times curated by Ralph Rugoff–from London’s very own Hayward Gallery–proves to be as interesting as its title promises. Venice is an easy city to get lost in, and it’s easy to see why Proust dubbed the city’s labyrinth of alleyways a network of 'innumerable slender capillary...

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