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b. 1957, USA

Raymond Pettibon Biography

Bringing together elements of cartoons, film noir, punk aesthetics, and art history, as well as political and social critique, Raymond Pettibon captures contemporary America in his illustrations and collages.

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Born Raymond Ginn in Tucson, Arizona, in 1957, the artist studied economics at the University of California, Los Angeles. He began his artistic career in 1976, shortly before he graduated, by designing concert flyers and album covers for Black Flag—the California-based punk band headed by his brother and guitarist Greg Ginn. It was also around this time that Pettibon adopted his surname, which was originally his father's nickname for him.

Raymond Pettibon began to gain a following in the punk rock scene for his Black Flag illustrations, which drew from the dark and violent imagery associated with film noir and punk culture. This soon led to his reputation as a contemporary artist working with text, drawing, and American pop culture; by the late 1980s and early 90s, Pettibon was holding solo exhibitions at galleries in New York, Los Angeles, and Europe.

While his stylised black-and-white, satirical, and graffitied aesthetic is often compared to that of political cartoons, Raymond Pettibon rarely employs exaggeration that is characteristic of the genre. As he told Modern Matterin 2020: '[Honoré] Daumier was a formative influence on me . . . though for the most part, I shy away from caricature'. The overtly political nature of his oeuvre, as well as his use of text and image, draw inspiration from a range of influences including the work of painter Francisco Goya and caricaturist Thomas Rowlandson, and contemporary socio-political issues.

Some of the recurring motifs found across Pettibon's work represent a compressed portrait of modern America: police and violence (Black Flag, Made me Come, 1982); trains (No Title [When I see a train...], 2000); politicians, especially in relation to war (No Title [The war, now...], 2008); and baseball players (No Title [Doing what he...], 2020).

In addition to his two-dimensional works, Pettibon produced several low-fi videos in the 1980s that examine American counterculture of the 1960s and 70s through disjointed scenes and narratives. In 2019, excerpts from his scripts for earlier films such as Weatherman '69 (1989) and Sir Drone: A New Film About the New Beatles (1989-1990), were performed as staged readings as part of Whoever Shows: Strike Uyp th' Band!, New Museum, New York, for Performa 19 Biennial.

Raymond Pettibon is also known for his artistic and commercial collaborations. These include designing the cover for the pioneering rock band Sonic Youth's 1990 album Goo; producing a zine with Canadian artist Marcel Dzama, which led to the exhibition Forgetting the Hand at David Zwirner, New York, in 2016; and a collaboration with Dior in 2019.

Robert Pettibon solo exhibitions

And What is Drawing For?, Tel Aviv Museum of Art (2019); ... No Hugs Coming, CFA Contemporary Fine Arts, Berlin (2018); and The Cloud of Misreading, Garage Museum of Contemporary Art, Moscow (2017). In 2017, the New Museum organised a major retrospective exhibition of Pettibon's oeuvre, A Pen of All Work, which travelled to Bonnefantenmuseum in the Netherlands later that year.

Robert Pettibon group exhibitions

Never Again. Art against War and Fascism in the 20th and 21st centuries, Museum on the Vistula, Warsaw (2019); Too Fast to Live, Too Young to Die: Punk Graphics, 1976-1986, MAD Museum of Arts and Design, New York (2019); Everything Is Connected: Art and Conspiracy, Metropolitan Museum of Art, New York (2018); PUNK. Its Traces in Contemporary Art, Museu d'Art Contemporani de Barcelona (MACBA), Barcelona (2016).

Sherry Paik | Ocula | 2020

Raymond Pettibon Featured Artworks

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No Title (Talking sets, Elvis!...) by Raymond Pettibon contemporary artwork
Raymond PettibonNo Title (Talking sets, Elvis!...), 1999Watercolour and ink on paper
28.6 x 43.2 cm
David Zwirner Contact Gallery
No Title (I must confess...) by Raymond Pettibon contemporary artwork
Raymond PettibonNo Title (I must confess...), 1998Pen and ink on paper
27.3 x 23.5 cm
David Zwirner Contact Gallery
No Title (Waimea shorebreak.) by Raymond Pettibon contemporary artwork
Raymond PettibonNo Title (Waimea shorebreak.), 2019Ink and charcoal on paper
46 x 61 cm
David Zwirner Contact Gallery
No Title (Roll eyes warily...) by Raymond Pettibon contemporary artwork
Raymond PettibonNo Title (Roll eyes warily...), 2019Ink, coloured pencil, and graphite on paper
51.1 x 71.8 cm
David Zwirner Contact Gallery
No Title (Faster than a...) by Raymond Pettibon contemporary artwork
Raymond PettibonNo Title (Faster than a...), 2020Ink and coloured pencil on paper
36.2 x 51.1 cm
David Zwirner Contact Gallery
No Title (Rigour mortis.) by Raymond Pettibon contemporary artwork
Raymond PettibonNo Title (Rigour mortis.), 2019Ink on paper
76.2 x 56.5 cm
Sadie Coles HQ Contact Gallery
No Title (Daisy) by Raymond Pettibon contemporary artwork
Raymond PettibonNo Title (Daisy), 2019Ink and acrylic on paper
101.6 x 66 cm
Sadie Coles HQ Contact Gallery
No Title (Well, that’s my...) by Raymond Pettibon contemporary artwork
Raymond PettibonNo Title (Well, that’s my...), 2019Ink, acrylic, crayon, and collage on paper
104 x 72 cm
Sadie Coles HQ Contact Gallery

Raymond Pettibon Recent Exhibitions

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Raymond Pettibon Represented By

David Zwirner contemporary art gallery in 19th Street, New York, USA David Zwirner New York, London, Paris, Hong Kong

Raymond Pettibon In Ocula Magazine

In Ocula Advisory

Raymond Pettibon In Related Press

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The Must-See Exhibitions in Paris During FIAC Related Press The Must-See Exhibitions in Paris During FIAC 16 October 2019, Frieze Magazine

Known for her politically charged works that explore themes like exile, mass-migration and displacement, British-Palestinian artist Mona Hatoum is experiencing renewed and timely interest today, particularly since her remarkable show at the Tate Modern in 2016.

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Raymond Pettibon | Hang One of These on the Establishment and Let's See What They Say Related Press Raymond Pettibon | Hang One of These on the Establishment and Let's See What They Say 15 October 2019, FLAUNT

Everyone knows Raymond Pettibon. Even if you don't recognise the name, his inky cross-hatched lines and confident handwriting have probably swirled around your eyes at some point—interconnecting webs of history, baseball stats, freight trains, surfers, musical announcements, and scathing critique in words and images—getting stuck...

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Everything is connected: new exhibition on art and conspiracy Related Press Everything is connected: new exhibition on art and conspiracy 17 September 2018, The Guardian

In 1974, Black Panthers artist Emory Douglas created a portrait of Gerald Ford, America's 38th president, being pulled by puppet strings held by giant corporations. A speech bubble had Ford saying: 'I Gerald Ford am the 38th puppet of the United States.'

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WHAT TO SEE DURING FRIEZE WEEK 2017 Related Press WHAT TO SEE DURING FRIEZE WEEK 2017 3 May 2017, Whitewall

Ethics demonstrated in geometrical order will showcase new works from the artist Erwin Wurm's series One Minute Sculptures, which he's been making for 20 years. The series asks viewers to enact a pose with everyday items for just one minute—this time around he's using midcentury modern furniture. These audience-activated sculptures will...

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