b. 1957, USA

Tony Oursler Biography

American artist Tony Oursler has been compared to a circus showman. It is not difficult to imagine Oursler as a ringleader of an orphic recital; known for his twisted and ethereal combinations of sculpture, film and technology, his practice has incorporated projections, smoke, puppets, video screens and automatons to examine themes such as UFOs, magic, séances, pseudoscience, camera obscura and mass media. In his Manhattan studio is a collection of over 15,000 objects, publications and ephemera related to the paranormal and uncanny—an accumulation that has fed his hallucinogenic practice. Over the past 40 years, Oursler has become recognised for his inventive works exploring the intersection of technology and the occult.

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Tony Oursler earned a BFA from the California Institute of the Arts in the late 1970s, where John Baldessari and Laurie Anderson were teachers and his peers included artists Mike Kelley, Jim Shaw, Sue Williams and Stephen Prina. He returned to New York after graduating, and his first handmade videos incorporated intricate sets, soundtracks and DIY special effects—works for which he is now considered a pioneer of video art. Formative installations from the 1980s experimented with distorting video images with reflections in mirrors, water and glass in dark rooms. Tony Oursler's early popularity was in part due to the fact he was picked up by Electronic Arts Intermix, a non-profit resource for video and media art. In the late 1980s, Oursler began incorporating social critiques into his works, touching on political and cultural violence, mass media and alienation. In the 1990s, he started to project disembodied facial features onto bizarre surfaces including fabric and smoke. The works were accompanied by layered recordings of voices reciting poetic, irreverent and sometimes nonsensical phrases written by Oursler–his 'sound collage' technique developed into a mainstay of his practice. His works over the next two decades experimented with the possibilities of video sculpture and psychodramatic technological theatre, all the while pointing at the ephemerality of the virtual image.

Tony Oursler's artwork has been exhibited extensively in solo and group exhibitions around the world including at the Centre Pompidou in Paris, Tate Liverpool, documenta 8 in Kassel and The Museum of Contemporary Art, Los Angeles. In 2016, Tony Oursler's Imponderable (2015–16) was exhibited at The Museum of Modern Art, New York; the feature-length film told an alternate history of technology by delving into the artist's own archive of objects related to the paranormal. Oursler called the work a '5-D' film as an array of sensory effects such as aromas, vibrations and a 19th-century phantasmagorical device made the experience dramatically immersive.

Harking back to the bodiless facial features of the 1990s, more recently Tony Oursler's art (as seen in his 2016 exhibition PriV%te at Lehmann Maupin) has stemmed from his interest in the pervasiveness of facial recognition technology. LCD screens or iPads are embedded within large, aluminium head-shaped structures and show ultra high-definition moving eyes and mouths accompanied by sound collages, making the actors within seem trapped between technology and real life. Algorithmic points are plotted around the faces, as if recording them in real time. 'Portraiture today', Oursler has said, 'is no longer a chiaroscuro painting or photographic mug shot.' Instead, according to Tony Oursler, portraiture is comprised of the ubiquity of data collected of our beings without our express knowledge or consent: 'It's changed the way we think about ourselves'.

Elliat Albrecht | Ocula | 2018

Tony Oursler Featured Artworks

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Groft by Tony Oursler contemporary artwork works on paper
Tony Oursler Groft, 2004 Collage and acrylic on paper
72 x 57 cm
Dep Art Gallery Contact Gallery
M·}age by Tony Oursler contemporary artwork installation, mixed media
Tony Oursler M·}age, 2019 Acrylic on cardboard and monitor and micro-computer
53 x 42.5 cm
Dep Art Gallery Contact Gallery
B!aS by Tony Oursler contemporary artwork painting, sculpture, print, installation, moving image
Tony Oursler B!aS, 2018 Aluminium, acrylic paint, resin, video monitor, digital player
121.9 x 129.5 cm
Not for sale
Lisson Gallery
4^#z by Tony Oursler contemporary artwork print, installation, mixed media
Tony Oursler 4^#z, 2019 Inkjet print mounted on wood metal LED screen media player with sound
163.8 x 111.8 x 9.5 cm
Lisson Gallery Contact Gallery
Bo*z* by Tony Oursler contemporary artwork sculpture
Tony Oursler Bo*z*, 2019 Glass, metal, digital screens, cords, media player
152.4 x 25.4 x 25.4 cm
Lehmann Maupin Contact Gallery
To be determined by Tony Oursler contemporary artwork sculpture, moving image
Tony Oursler To be determined, 2019 Glass, resin, steel, projector, video, and sound
152.4 x 22.9 x 22.9 cm
Lehmann Maupin Contact Gallery
e X ! R by Tony Oursler contemporary artwork sculpture
Tony Oursler e X ! R, 2020 Inkjet print and acrylic on canvas mounted on wood and metal, with LCD screen and media player
118.7 x 84.5 x 9.5 cm
Lehmann Maupin Contact Gallery
Bub* by Tony Oursler contemporary artwork mixed media
Tony Oursler Bub* Aluminium, acrylic paint, and LCD screen
129.5 x 119.4 cm
Lehmann Maupin Contact Gallery

Tony Oursler Current & Recent Exhibitions

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Tony Oursler Represented By

Lehmann Maupin contemporary art gallery in 501 West 24th Street, New York, USA
Lehmann Maupin Hong Kong, London, New York, Palm Beach, Seoul
Lisson Gallery contemporary art gallery in Lisson Street, London, United Kingdom
Lisson Gallery Beijing, East Hampton, London, New York, Shanghai

Tony Oursler In Ocula Magazine

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