The Democratic Republic of the Congo (DRC), the largest Francophone nation in Africa with vast resources and nearly 80 million inhabitants, is a place where commodities play a vital role in the national economy and the country's significance on the world stage. This is the context from which the 6th Lubumbashi Biennale (24 October–24 November...
From 20 to 21 July 2019, Artspace Sydney held a two-day symposium that brought artists in conversation with leading curators, writers, activists, academics, diplomats, and journalists from across Asia. The symposium was the final chapter of the 52 ARTISTS 52 ACTIONS exhibition, publication, website, and Instagram project. Instigated and...
The Power Station of Art will make a fitting location for Andrés Jaque, whose past projects expose the politics concealed by buried pipes and managed cables. Spanish architect, writer, and curator Andrés Jaque has been named the chief curator of the 13th Shanghai Biennale, which will take place at the Power Station of Art (PSA) from 13 November...
Hans Hartung and Art Informel at Mazzoleni London (1 October 2019-18 January 2020) presents key works by the French-German painter while highlighting his connection with artists active in Paris during the 50s and 60s. In this video, writer and historian Alan Montgomery discusses Hartung's practice and its legacy. Born in Leipzig in 1904, Hans...
Sir Peter Blake (b. 1932, Dartford, Kent) is a British painter, sculptor, draughtsman and printmaker. He is known as one of the leading figures of British Pop art. Peter Blake studied at Gravesend School of Art before being accepted into the Royal College of Art, London, where he studied alongside other key British Pop artists, David Hockney, R.B. Kitaj, Joe Tilson, Allen Jones, Peter Phillips and Derek Boshier. After graduating from the Royal College of Art in 1956, Blake began to appropriate pop culture icons and advertising imagery to create homages to the likes of Marilyn Monroe, Brigitte Bardot, Elvis Presley and professional wrestlers. His iconic 1961 Self-portrait with Badges, in the Tate Collection, shows Blake holding an Elvis album, dressed in American jeans, Converse trainers, and baseball badges; here is the artist as a genuine fan. In other works, he composes assemblages of found objects with humorous allusions to art history and childhood fantasies. In 1967 he designed the iconic album cover for The Beatles' Sgt. Pepper's Lonely Hearts Club Band in his distinctive style of collage. Blake continues to be associated with the music world by designing album covers. In 1975 Blake co-founded the Brotherhood of Ruralists, a group of artists who moved to Somerset to paint nature.
Read MoreAfter completing his National Service with the R.A.F., he received the Leverhulme Research Award to study popular art and travelled through Europe 1956–1957. Blake's first one-man exhibition was held in 1962 at the Portal Gallery, London; solo shows followed at the Robert Fraser Gallery, London, 1965, and at Leslie Waddington Prints, London, 1969. His first retrospective exhibition was held as early as 1969 at the City Art Gallery, Bristol. Subsequent retrospectives were held in 1973 at the Stedelijk Museum, Amsterdam, touring to Hamburg and Brussels and the Tate Gallery in 1983. In 1994 he was made the Third Associate Artist of the National Gallery, London. Peter Blake was elected a member of the Royal Academy in 1981, and was knighted in 2002. In 2007 the Tate Liverpool held a major retrospective of Peter Blake's work which toured to the Museo de Bellas Artes, Bilbao, Spain in 2008. In 2010, Lund Humphries published Peter Blake: One Man Show, a comprehensive monograph by Marco Livingstone.
Peter Blake lives and works in London.
Text courtesy Waddington Custot.
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