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Taloi Havini: Reclaiming Space and History Ocula Conversation
In Partnership with Artspace Sydney
Taloi Havini: Reclaiming Space and History By Ruth McDougall, Sydney

Artist Taloi Havini and Ruth McDougall, curator of Pacific art at Queensland Art Gallery and Gallery of Modern Art, discuss Havini's first Australian solo exhibition, Reclamation .

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Sydney Biennale Connects Here with Everywhere Ocula Report Sydney Biennale Connects Here with Everywhere By Soo-Min Shim, Sydney

'This year's Biennale of Sydney seems like a corrective,' writes Soo-Min Shim, 'prioritising autonomy in an international exhibition format that has all too often omitted or sidelined First Nations artists.'

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Hell is a Place on Earth: P·P·O·W Looks to History in Context of Covid-19 Ocula Insight Hell is a Place on Earth: P·P·O·W Looks to History in Context of Covid-19 By Stephanie Bailey, London

In the United States, parallels have been drawn between the HIV/AIDS crisis and what is unfolding with Covid-19. These connections feed into P·P·O·W's online exhibition, Hell is a Place on Earth. Heaven is a Place in Your Head .

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(1901 – 1966), Switzerland

Alberto Giacometti Biography

Alberto Giacometti was a Swiss sculptor, painter, draughtsman and printmaker. Alberto attended the School of Fine arts in Geneva. In 1922 he moved to Paris to study under the sculptor Antoine Bourdelle, an associate of Rodin. It was at this time that Giacometti started to experiment with both Cubism and surrealism and came to be known as one of the leading Surrealist sculptors.

Alberto Giacometti Featured Artworks

Tête d'homme III by Alberto Giacometti contemporary artwork
Alberto GiacomettiTête d'homme III, 1964Lithograph
65.5 x 47.8 cm
Galerie Lelong & Co. Paris Enquire about this work

Alberto Giacometti Recent Exhibitions

Contemporary art exhibition, Group Exhibition, Prints at Galerie Lelong & Co. Paris, Paris
Closed
21 November 2019–18 January 2020 Group Exhibition Prints Galerie Lelong & Co. Paris, 13 Rue de Téhéran
Contemporary art exhibition, Group Exhibition, Spiegelgasse (Mirror Alley) at Hauser & Wirth, London
Closed
18 May–28 July 2018 Group Exhibition Spiegelgasse (Mirror Alley) Hauser & Wirth, London

Alberto Giacometti Represented By

Alberto Giacometti In Related Press

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How Surrealism’s Playful Aesthetic Was Deeply Political Related Press How Surrealism’s Playful Aesthetic Was Deeply Political 16 September 2019, Hyperallergic

Susan Laxton's book Surrealism at Play passionately traces how a particular art movement envisioned and articulated its own transformative potential. As Laxton illustrates, the Surrealists agitated for exploding art into life, which meant engaging with their day-to-day reality, and taking a critical stance toward it. A professor of art history at...

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The unsolved mysteries of Alberto Giacometti Related Press The unsolved mysteries of Alberto Giacometti 14 July 2017, Apollo Magazine

Giacometti's reputation as one of the 20th century's greatest and most celebrated artists is unassailable. Since his death in 1966, exhibitions of his work around the world have ensured the continuing visibility of his distinctive achievement. In the last decade, France, Turkey, Spain, Italy, Brazil, Argentina, Germany, the Netherlands, and the...

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On the edge of madness: the terrors and genius of Alberto Giacometti Related Press On the edge of madness: the terrors and genius of Alberto Giacometti 24 April 2017, The Guardian

In 1957, the writer Jean Genet described the studio of his friend Alberto Giacometti. It was 'a milky swamp, a seething dump, a genuine ditch'. There was plaster all over the floor and all over the face, hair and clothes of the sculptor; there were scraps of paper and lumps of paint on every available surface. And yet, 'lo and behold the...

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'It's hard to figure out why Giacometti is so good' Related Press 'It's hard to figure out why Giacometti is so good' 19 April 2017, Apollo

Alberto Giacometti turned down all requests to exhibit in the Swiss Pavilion at Venice, even though his brother Bruno designed the building. The sculptor Carol Bove talks to Apollo about responding to this absence at this year’s Venice Biennale.

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