GROUP EXHIBITION

Before they enabled us to recognise the artists who created them, portraits served to identify the person they represented. Since the 19th century, however, artistic excellence has not been assessed on the basis of resemblance or technical skill. In German photographer August Sander’s photographic portraits, only the artists, opinion leaders and prominent figures retained their names. But all, whether unknowns or celebrities, were entitled to a portrait. Photography provided the masses with what had previously been the privilege of the few. And more than ever, all portraits were portraits of society.

Here the presentation of the Centre Pompidou collection is exhibited along a tour punctuated with many encounters. The exhibition unfolds in a theme-based breakdown rather than in chronological order. Famous figures and forgotten artists are presented side by side. The first section, “In Colour”, reminds us that the modernists put an end to the lacklustre hues to which the portrait genre had long been confined. The second, “Disfiguring”, underscores the fact that they had to break free from the conventions of representation. The “Hats Off!” section which concludes the presentation testifies to our admiration as we take our leave.