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Sharjah Biennial 14: Leaving the Echo Chamber Ocula Report Sharjah Biennial 14: Leaving the Echo Chamber 15 Mar 2019 : Stephanie Bailey for Ocula

In Meiro Koizumi's three-channel video installation, The Angels of Testimony (2019), the central frame features an interview with Hajime Kondo about his time as a solider of the Imperial Japanese Army during the Second Sino-Japanese War. The conversation centres on war crimes perpetrated in China, including the beheading of Chinese prisoners for...

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Diana Campbell Betancourt Ocula Conversation Diana Campbell Betancourt

Diana Campbell Betancourt is a curator working predominantly across South and Southeast Asia. Since 2013 she has been the founding artistic director of the Samdani Art Foundation and chief curator of the Dhaka Art Summit in Dhaka, Bangladesh, a transnational art event that has grown in size and scale ever since its first edition in 2012. Backed by...

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Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art Ocula Report Chinternet Ugly at Manchester’s Centre for Chinese Contemporary Art 7 Mar 2019 : Mike Pinnington for Ocula

China, home to 802 million internet users, is subject to sophisticated online censorship. This shrouded state of affairs, unsurprisingly perhaps, serves to reinforce stereotypes around conformity elsewhere. Any realm, digital or otherwise, subject to such strict scrutiny must necessarily be bland and uncritical, right? I was mulling over such...

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Related Press

National Gallery’s East Building reopens with rich addition to its photo collection

Philip Kennicott The Washington Post First published on 28 September 2016

The work of the Dusseldorf School is represented by the architectural interior photographs of Candida Höfer, as with her 2010 image George Peabody Library Baltimore. Copyright Candida Hofer and VG Bild-Kunst, Bonn.

After the National Gallery of Art founded its photography department in 1990, curators focused on building its historic collection of images, dating to the origins of the medium in the 1830s. But at the same time, as it was assembling an overview of the history of photography as an art form, the art form was marching on, and so was the art market. Contemporary photographers became art-world stars, and much of the work they were producing became all but prohibitively expensive for the gallery's acquisitions budget.

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