Ocula MagazineContentsView All
Featured ContentView All
LACMA Explores the Allure of Matter Ocula Report LACMA Explores the Allure of Matter 14 Jun 2019 : Jareh Das for Ocula

The Allure of Matter: Material Art from China at Los Angeles County Museum of Art (LACMA) (2 June 2019–5 January 2020) is an inter-generational show of 21 Chinese artists working from the 1980s to the present, including Ai Weiwei, Cai Guo-Qiang, Lin Tianmiao, Song Dong, He Xiangyu, Yin Xiuzhen, and Ma Qiusha.Staged on Level 2 of LACMA's Renzo...

Read More
Thomas J Price: Reframing Classical Sculpture Ocula Conversation Thomas J Price: Reframing Classical Sculpture

When the London-born artist Thomas J Price graduated with a Bachelor of Fine Arts from Chelsea College of Arts in 2004, the school's college art prize was by no means his most notable accomplishment as an emerging artist. In 2001, Price presented his much-talked-about work Licked, a daring performance, later profiled on the BBC 4 television...

Read More
Art Basel Lowdown: Shows to See Ocula Report Art Basel Lowdown: Shows to See 6 Jun 2019 : Tessa Moldan for Ocula

To coincide with Art Basel 2019, which opens to the public from 13 to 16 June, galleries and institutions across the city are presenting a range of stellar exhibitions. From Rebecca Horn at Museum Tinguely to Geumhyung Jeong at Kunsthalle Basel, here is a selection of what to see.William Kentridge, Dead Remus (2014–2016). Charcoal on found ledger...

Read More

Catherine Opie

b. 1961, USA

Catherine Opie is an American photographer best known for her portrayal of fringe facets of contemporary American life. Initially inspired by the documentary work of Lewis Hine (1874–1940), who used his camera to expose the plight of child labourers, Opie has worked with a diverse range of communities including lesbian families, sadomasochists, football players and surfers. Despite the seeming disparity of these groups, Opie’s oeuvre is cohesive in its effort to examine society’s perception of the marginalised and foster a new sense of intimacy and community.

Throughout her career, Opie has frequently drawn from her immediate surroundings—including her family and friends—to respond to larger social discourses. Reacting against the homophobic campaigns of the 1990s led by Jesse Helms, Opie depicted her gay and lesbian friends in Los Angeles in 'Being and Having' (1991) and 'Portraits' (1993–1997). Through vibrant colours and formal compositions that bring to mind historic painters like Hans Holbein (c 1497–1543), Opie has portrayed the otherwise denigrated members of the queer community as dignified individuals. 

Of her numerous series, however, Opie is perhaps most remembered for her provocative self-portraits. Self-Portrait/Cutting (1993) and Self-Portrait/Pervert (1994), both exhibited at the 1995 Whitney Biennial, depict the artist at a time when she was involved in the leather community. In these photographs, Opie’s torso appears naked and her face anonymous, turned away from the camera or hidden underneath a leather mask. Drawings cut into her skin accompany her body in both images: one of a lesbian couple and the other of the word ‘Pervert’. The two images express the artist’s simultaneous desire for a family and her identity as a queer participant in sadomasochism. Opie’s self-portraits were a callout to the larger gay community, who she felt undervalued the leather community. In her striking declaration of self, Opie demanded that society reconsider its perception of ‘outsiders’.

A controversial figure in her early days, Opie has now come to enjoy critical success. Born in Ohio, she completed her studies in California, receiving a BFA from the San Francisco Art Institute in 1985 and an MFA from California Institute of the Arts in 1988. Since then, the artist has lived and worked in Los Angeles, where she has become a prominent local fixture: in 2001, she began teaching at University of California, Los Angeles, and she also is a board member at the Museum of Contemporary Art Los Angeles and the Andy Warhol Foundation for the Visual Arts. Since her solo debut in 1991, Opie has exhibited widely in the United States, Europe and Japan. 

In 2008, the Solomon R. Guggenheim Museum in New York devoted four floors to a mid-career survey of her work, entitled Catherine Opie: American Photographer. Opie has received the President’s Award for Lifetime Achievement from the Women’s Caucus for Art (2009) and been the recipient of a United States Artists Fellowship (2006), the Larry Aldrich Award (2004), the Washington University Freund Fellowship (1999) and the Citibank Private Bank Emerging Artist Award (1997).

Sherry Paik | Ocula | 2017
Read More

Featured Artworks

View All (41)
Mural Study #1 (The Modernist) by Catherine Opie contemporary artwork
Catherine OpieMural Study #1 (The Modernist), 2016 Pigment print
51.4 x 41.3 cm
Lehmann Maupin
Mural Study #3 (The Modernist) by Catherine Opie contemporary artwork
Catherine OpieMural Study #3 (The Modernist), 2016 Pigment print
51.4 x 41.3 cm
Lehmann Maupin
Mural Study #4 (The Modernist) by Catherine Opie contemporary artwork
Catherine OpieMural Study #4 (The Modernist), 2016 Pigment print
51.4 x 41.3 cm
Lehmann Maupin
Mirror #1 (The Modernist) by Catherine Opie contemporary artwork
Catherine OpieMirror #1 (The Modernist), 2016 Pigment print
101.6 x 67.6 cm
Lehmann Maupin
Mirror #2 (The Modernist) by Catherine Opie contemporary artwork
Catherine OpieMirror #2 (The Modernist), 2016 Pigment print
101.6 x 67.6 cm
Lehmann Maupin
Artist #2 (The Modernist) by Catherine Opie contemporary artwork
Catherine OpieArtist #2 (The Modernist), 2016 Pigment print
101.6 x 67.6 cm
Lehmann Maupin
Artist #3 (The Modernist) by Catherine Opie contemporary artwork
Catherine OpieArtist #3 (The Modernist), 2016 Pigment print
101.6 x 67.6 cm
Lehmann Maupin
Artist #1 (The Modernist) by Catherine Opie contemporary artwork
Catherine OpieArtist #1 (The Modernist), 2016 Pigment print
101.6 x 67.6 cm
Lehmann Maupin

Recent Exhibitions

View All (6)
Contemporary art exhibition, Catherine Opie, The Modernist at Lehmann Maupin, New York
Closed
1 November 2018–12 January 2019 Catherine Opie The Modernist Lehmann Maupin, 501 West 24th Street
Contemporary art exhibition, Catherine Opie, So long as they are wild at Lehmann Maupin, Hong Kong
Closed
17 May–7 July 2018 Catherine Opie So long as they are wild Lehmann Maupin, Hong Kong
Contemporary art exhibition, Group Exhibition, American Landscape at Lehmann Maupin, New York
Closed
15 March–5 May 2018 Group Exhibition American Landscape Lehmann Maupin, 536 West 22nd Street

Represented By

In Ocula Magazine

Catherine Opie Ocula Conversation Catherine Opie Artist

In the 1990s, American photographer Catherine Opie rose to fame for her portraits of the lesbian and gay community in Los Angeles. Inspired by the documentary photographs of Berenice Abbott, Lewis Hine and Dorothea Lange, among others, Opie cast her otherwise misunderstood and marginalised subjects as dignified individuals through formal...

Read More

In Related Press

View All (17)
Catherine Opie at Lehmann Maupin Related Press Catherine Opie at Lehmann Maupin Art in America : 1 February 2019

A paranoiac's map of doomsday Los Angeles was the opening salvo in Catherine Opie's exhibition The Modernist. Declaring a new, experimental direction for the artist, the five-by-eight-foot collage combined photographs of the city's iconic midcentury architecture with ominous newspaper clippings and frenetic, hand-drawn flames.

Read More
‘We Are Family’: Aperture Fetes Agnes and Catherine Gund, Deborah Willis and Hank Willis Thomas, Catherine Opie at Fall Gala Related Press ‘We Are Family’: Aperture Fetes Agnes and Catherine Gund, Deborah Willis and Hank Willis Thomas, Catherine Opie at Fall Gala ARTnews : 5 November 2018

Last week, during the Aperture Foundation's fall gala at a cavernous space in New York's Chelsea neighborhood, Marilyn Minter turned to Catherine Opie while the two artists stood onstage together, and said, "I wish you would adopt me." Opie, not missing a beat, deadpanned back, "Can I swaddle you, then?"

Read More
Beauty and Disunity in Two Visions of the United States Related Press Beauty and Disunity in Two Visions of the United States Hyperallergic : 20 April 2018

A nation is a strange, abstracted construction: an aggregate of people, most of whom will never meet each other, who are nevertheless understood to be fellow citizens — that is, collaborators in some shared political project. American Landscape, on view at Lehmann Maupin gallery until May 5, presents two contradictory visions of the United...

Read More
Catherine Opie: Portraits and Landscapes at Thomas Dane Gallery Related Press Catherine Opie: Portraits and Landscapes at Thomas Dane Gallery Contemporary Art Space : 3 November 2017

American photographer Catherine Opie shot to prominence in the early 1990s with a spectacular body of studio portraits of gay, lesbian and transgender women and men drawn from her circle of fellow artists and intimates in Los Angeles and San Francisco. Her practice, sometimes described as 'social portraiture', spans across portraits, seascapes,...

Read More

Sign up to be notified when new artworks and exhibitions by Catherine Opie are added to Ocula.

WeChat

Scan the QR Code via WeChat to follow Ocula's official account.

iCal GoogleYahooOutlook