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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Zoe Butt on the Challenges and Rewards of Curating Ocula Conversation Zoe Butt on the Challenges and Rewards of Curating

Zoe Butt is the artistic director of The Factory Contemporary Arts Centre in Ho Chi Minh City, the first purpose-built space for contemporary art in Vietnam. Founded in March 2016, the Centre was designed by HTAP Architects in an old steel warehouse, with cargo shipping containers added to its structure. Initiated as a social enterprise...

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Ocula 报告|Condo Shanghai 2019 展览看点 Ocula Report Ocula 报告|Condo Shanghai 2019 展览看点 11 Jul 2019 : Penny Liu for Ocula

即将于2019年7月13开幕的第二届 Condo Shanghai,联合上海7座画廊/艺术机构与14 家来自全球11个不同的城市,如东京、首尔、雅加达、巴尔的摩、洛杉矶、伦敦、纽约、危地马拉城、利马和墨西哥城,为实验性展览营造了一个更切实可行的国际环境。以下是Ocula的展览看点。周奥,《景观/对象WA》(2016)。橡木上固化油墨打印,左: 55.88 × 147.32 cm,中: 121.92 × 152.4 cm,右: 55.88 × 147.32 cm,图片提供:马凌画廊,上海。马凌画廊 × 80m2 Livia Benavides × LABOR × Proyectos Ultravioleta马凌画廊 |...

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Chung Sang-hwa

b. 1932, South Korea

After Sang-Hwa Chung repeatedly employs the method of action consisting of “taking off/removing” and “re-painting,” small trace forms such as squares or triangles remain. This action of “formless” goes beyond the representation expression of pictorial dimension. That is, the subtle edges of the squares or triangles are created in the process of taking off the surface rather than painted directly onto the surface. They are subtle traces randomly generated in a series of “repeated” working processes as additional elements, and yet, at the same time, these vestiges are the clandestine essence of his oeuvre.

Indubitably, Chung’s work deals with the awakening of the surface, or a reduction process toward the surface, through a logical and structural procedure. As much as the artist’s simple, repeated action is consistent, the colors on which he depends are quite limited, the main focus being given to the contrast of black and white; when blue and white are treated as gradation, dark brown tints are frequently visible. His recent work is characterized by blue hues; the tension in the contrast of black and white is replaced by the convergence of bright and transparent depth. There may be a compelling correspondence between the frequent use of blue color and blue sea, which he personally experienced, having been born in a harbor city and spending his adolescent years there. The artist most likely immersed himself in the sensibility and depth of blue color, which he directly observed. The shiny reflection on the surface of the water with sunlight overlaps on the surface of Chung’s work, which appears to create peaceful riffles. The artist cultivates his dreams while contemplating the blue sea and enduring the ages from a distance of time; he now looks back on the past of his traces as a form of meditation.

From [The Surface of the Canvas as a Form of Contemplation: Sang-Hwa Chung’s Oeuvre], Kwang Su Oh (Art Critic).

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Featured Artworks

90-3-4 by Chung Sang-hwa contemporary artwork
Chung Sang-hwa90-3-4, 1990 Acrylic on canvas
162 x 130 cm
Tina Kim Gallery
Untitled 88-7-28 by Chung Sang-hwa contemporary artwork
Chung Sang-hwaUntitled 88-7-28, 1988 Acrylic on canvas
130 x 162 cm
Tina Kim Gallery
Untitled 87-1-27 by Chung Sang-hwa contemporary artwork
Chung Sang-hwaUntitled 87-1-27, 1987 Acrylic on canvas
92 x 60 cm
Wooson Gallery

Current & Recent Exhibitions

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Contemporary art exhibition, Group Exhibition, Homage to Korea at Wooson Gallery, Daegu
Open Now
27 June–7 September 2019 Group Exhibition Homage to Korea Wooson Gallery, Daegu
Contemporary art exhibition, Chung Sang-hwa, Shin Sung-hy, Chung Sang-hwa & Shin Sung-hy at Blum & Poe, Los Angeles
Closed
3 November 2018–12 January 2019 Chung Sang-hwa, Shin Sung-hy Chung Sang-hwa & Shin Sung-hy Blum & Poe, Los Angeles

Represented By

In Ocula Magazine

Top 5 booths at Art Busan 2016 Ocula Report Top 5 booths at Art Busan 2016 31 May 2016 : Angela Suh for Ocula

Located a stones throw from the famed Haeundae Beach, popularised in Korean cinema and countless K-dramas, Art Busan 2016 conveyed a leisurely air brought on by the first warm days of spring. Now in its fifth edition, the fair has grown into a sizeable event showcasing some of the best works in the region. With over 190 participating galleries...

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Beyond Influence: The Legacy of Korean Monochrome Painting Ocula Report Beyond Influence: The Legacy of Korean Monochrome Painting 14 Oct 2014 : Stephanie Bailey for Ocula

'One thing to remember about Tansaekhwa is that it was never an official movement,' Joan Kee, Associate Professor of Art History at the University of Michigan at Ann Arbor, explains in an email interview. 'There was no manifesto, no declaration—not even a series of exhibitions consciously organized under that rubric.' 

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In Related Press

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Monochrome and minimalism: 6 Dansaekhwa artists in New York Related Press Monochrome and minimalism: 6 Dansaekhwa artists in New York Art Radar : 23 May 2016

Dansaekhwa, or Korean monochrome art, is characterised by painting in a single colour, textured and with simplified images. Featured as a collateral event of the 56th Venice Biennale (2015), the art form has also generated interest in the western world through recent exhibitions such as From All Sides: Tansaekhwa on Abstraction (Blum & Poe, Los...

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Dansaekhwa and Korean Abstraction at Boghossian Foundation in Brussels Related Press Dansaekhwa and Korean Abstraction at Boghossian Foundation in Brussels Blouin Artinfo : 21 February 2016

Opening at the Boghossian Foundation’s Villa Empain in Brussels this weekend is When Process Becomes Form: Dansaekhwa and Korean Abstraction, the first exhaustive exhibition of the Korean Dansaekhwa movement in Belgium, featuring some fifty works by seven of its leading proponents: Chung Chang-Sup, Chung Sang-Hwa, Ha Chong-Hyun, Kim Whanki,...

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'When Process Becomes Form: Dansaekhwa and Korean Abstraction' Related Press 'When Process Becomes Form: Dansaekhwa and Korean Abstraction' Courtesy Tina Kim Gallery : 10 February 2016

When Process Becomes Form is the first comprehensive presentation in Belgium of a number of seminal works by a generation of Korean artists whose negotiation of abstraction has become known as Dansaekhwa.The exhibition consists of some 50 paintings and works of paper drawn from the 1970s and the 1980s, along with a substantial array of archival...

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 The rise of Dansaekhwa Related Press The rise of Dansaekhwa MutualArt : 21 January 2016

Dansaekhwa and Minimalism, which opened January 16 at Blum & Poe in Los Angeles, is the latest in a series of exhibitions and publications devoted to the Korean monochrome painting movement sweeping the globe of late. While Dansaekhwa (also spelled “Tansaekhwa”) emerged somewhat concurrently with American Minimalism, this is the...

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