Ocula Report Havana Biennial 2019: Constructing the Possible 17 Apr 2019 : Federica Bueti for Ocula I first visited Havana in November 2016, a few days after Fidel Castro died, and just under a year before Hurricane Irma hit Cuba in September 2017. Since then, much has changed, including the hand-painted signs that punctuate the journey from the airport to the city centre, which today do not celebrate the revolution so much as the 'Unidad y...
Ocula Conversation Andrew Stahl and Guo Xiaohui The exhibition Beyond Boundaries at Somerset House in London (12 March–2 April 2019) marked the historic contributions of the Central Academy of Fine Arts, Beijing (CAFA) and the Slade School of Fine Art, University College London, on the occasion of their 100th and 150th anniversaries, respectively. Spread across several rooms of Somerset House's...
Ocula Report The National 2019: New Australian Art 13 Apr 2019 : Elyse Goldfinch for Ocula The National 2019: New Australian Art features work by 70 contemporary Australia-based artists split across three venues: the Art Gallery of New South Wales (AGNSW), Carriageworks, and the Museum of Contemporary Art Australia (MCA) (29 March–21 July 2019), as curated by Isobel Parker Philip, curator of photographs at AGNSW; Daniel Mudie Cunningham,...
Blum & Poe opened in 1994 in Santa Monica, California with a roster of young Los Angeles and international artists. Now occupying a 22,000 square foot space in Los Angeles, the gallery produces a dynamic program serving both established and younger artists, as well as mounts conceptually rigorous group shows. Blum & Poe was a catalyst for the Culver City Arts District and has played a significant role in the critical reception of Los Angeles artists and their inclusion in public and private collections worldwide. In August 2014, Blum & Poe opened an office and space in Tokyo, Japan, which will function as a base for Asian operations and cement the galleryʼs long-standing relationship with post-war Japanese art.
Kenjiro OkazakiOkachimachi 2018–1, 1981/2018 Acrylic, pigment, polypropylene, polyethylene
Agnès VardaBord de Mer, 2009 Digital HD projection, Blu-ray aspect 16:9 colour/sound video projection, sand, 1 min, looped
Kenjiro OkazakiKonoHananoSakuyahime / trăng mật thoáng qua, 2018 Acrylic on canvas
Ocula Photolog Art Basel in Hong Kong 2019 31 March 2019 'Art Basel reinforces its ongoing commitment to showcasing exceptional art from Asia and the Asia Pacific, with over half of the participating galleries having exhibition spaces in the region. The main sector of the show features 196 of the world's leading galleries presenting the highest quality of painting, sculpture, drawings, installation,...
Ocula Photolog Frieze Los Angeles 15 February 2019 'Frieze Los Angeles largely focuses on contemporary art and celebrates the exceptionally dynamic culture of Los Angeles and its global contributions to the visual arts. Frieze Los Angeles joins Frieze New York, Frieze London and Frieze Masters at the forefront of the international art fair calendar, celebrating Los Angeles' position as a global...
Ocula Photolog Art Basel in Miami Beach 2018 6 December 2018 'This year, over 200 of the world's leading international Modern and contemporary art galleries display artworks by over 4,000 artists, including paintings, sculptures, installations, photography, film, video, and digital art.' –Art Basel in Miami Beach (6–9 December 2018).
Ocula Conversation Park Seo-Bo Artist Park Seo-Bo is widely recognised as the godfather of modern Korean art. The artist played an instrumental role in nurturing the careers of emerging artists and for his own contribution to the formation of Dansaekhwa—the Korean monochromatic painting movement that emerged in the mid-1970s. In the spring of 2018, Park was recognised with the...
Related Press Julian Schnabel makes us see through Van Gogh’s eyes – At Eternity’s Gate reviewed Apollo : 12 April 2019 February, 1888. A small, cheerless room in the south of France. Vincent Van Gogh has come here to escape the grey Paris light, but this doesn't seem much better. He flings down his heavy pack, takes a seat on a lone wooden chair, unlaces his boots. Yes, you think, have a nap; this is all exhausting. But no – he arranges the beaten-up old shoes on...
Related Press New York Art Galleries: What to See Right Now The New York Times : 3 April 2019 'Détournement' means taking an existing artwork or artifact and transforming it into something wiser, funnier and cooler, as evidenced in the show Strategic Vandalism: The Legacy of Asger Jorn's Modification Paintings, at Petzel Gallery.Jorn, a Danish artist associated with the Situationist International group in Paris in the '50s, was a master of...
Related Press In the Studio: Pia Camil Art in America : 1 April 2019 PIA CAMIL'S STUDIO in Mexico City is an expansive, windowless room on the ground floor of an old building tucked away between a wide arterial road and the city's Parque de Chapultepec. She keeps the basement-like space orderly, and during the workday it is almost impossible to imagine it moonlighting as El Cisne (The Swan), a lively cabaret Camil...
Related Press From Monumental to Microscopic, These Works Changed the History of Art in Japan Frieze : 13 March 2019 Curated by Mika Yoshitake, Parergon: Japanese Art of the 1980s and 1990s forms a corollary to her 2012 Blum & Poe exhibition Requiem for the Sun: The Art of Mono-ha, which presented a much-needed introduction to a group of postwar Japanese artists whose works have now been aligned with more recognizable Western European movements such as Arte...
Related Video & Audio Artist Interview | Kwon Young-Woo Kukje Gallery : 20 March 2017 On the occassion of Kwong Young-Woo's solo exhibition at Kukje Gallery K2, Seoul, as well as his participation in the Kabinett sector of Art Basel Hong Kong 2017, take a look at historical footage of the artist discussing his groundbreaking practice and process in a new video released by Kukje Gallery:
