b. 1938, Japan

Daido Moriyama Biography

At the heart of Japanese photographer Daido Moriyama's black and white, gritty, and starkly contrasted photographs lies a fascination with the modern city—a constantly shifting space, populated with the pushes and pulls of tradition and new values, whirling with desire.

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While acclaimed for his snapshots of the underside of rapidly changing Japanese society in the 1960s and 70s, Moriyama is also known for his immortalisation of ordinary yet beautiful moments.

Early Work

Moriyama was born and raised in Osaka, where he originally trained as a graphic designer. Captivated by the energy of a photography studio he visited, he decided to take on photography and joined Osaka-based photographer Takeji Iwamiya's studio in 1959. Two years later, Moriyama moved to Tokyo for VIVO, a prominent photographers' collective. When the group disbanded soon after his arrival, Eikoh Hosoe—a founding member of VIVO—took Moriyama in as his assistant.

Daido Moriyama Photogrpahy

In 1964, Moriyama began working as a freelance photographer. He was hugely inspired by Jack Kerouac's On the Road and William Klein's confrontational, documentary-style photo books charting life in New York, but also by the writings of Yukio Mishima, street and crime scene photography of Weegee, and silk screened images of Andy Warhol. Moriyama took to the streets with a small compact camera, with which he has always worked since, and took snapshots of mundane, passing moments that interested him. 'Japan: A Photo Theatre', his first major series published in 1968, brings attention to a Tokyo that was then undergoing an immense transformation, breaking off with traditions to become a modern, urban city, through photographs of a traveling theatre group.

The year 1968 also coincided with the establishment of Provoke, a radical photography magazine founded by Japanese photographers and poets—among them Takahiko Okada, Takuma Nakahira, and Koji Taki—and which Moriyama joined in the second issue. While Provoke lasted only three installments, its saturated, anti-academic, and experimental aesthetic became influential on younger generations of Japanese photographers. Known as the are-bure-boke style, roughly translated as 'grainy, blurry, out of focus', the Provoke style is foremost associated with Moriyama's oeuvre. His revolutionary spirit is captured in 'Farewell Photography' (1972), in which the artist includes technological mistakes as finished products, pushing at the definition of a successful photographic image.

Rise to Prominence

Gaining reputation, Moriyama was a central figure in the group exhibition New Japanese Photography at the Museum of Modern Art, New York, in 1974, which traveled to several locations including Minneapolis Institute of Art and the San Francisco Museum of Modern Art. Moriyama himself began to travel outside Japan, visiting New York for the first time with graphic designer Tadanori Yokoo in 1971. In the Ocula Report Daido Moriyama: The Erotics of Photography (2019), Tianyuan Deng describes the photographs taken during this trip—published under the title Another Country in New York in 1974—as '[insisting] on the "photographed-ness" of photography'. Strategies such as using two vertical cells of sequential films in each image, for example, stress the quality of seriality that is intrinsic to photography.

Colour Photography

While most known for his monochrome photography, Moriyama has been working with colour since the 1970s. In 2016, Fondation Cartier pour l'art Contemporain in Paris organised Daido Tokyo, his first major solo exhibition to focus on colour photographs, that showed 'Tokyo Color' (2008–2015)—a series containing 86 chromogenic prints of scenes from Shinjuku, Tokyo. Daido Tokyo also included the black-and-white series 'Dog and Mesh Tights' (2014–5), similarly taken in Tokyo, with the title borrowed from Moriyama's earlier iconic works. One of them, Stray Dog (1971) captures a stray dog he saw outside a hotel in Aomori, gazing ambiguously into the camera, while the 'Tights' series (1986) consists of erotic photographs of fishnet stockings that evoke abstract configurations.

Exhibitions and Awards

A highly prolific artist, Moriyama has published over 150 photo books and held more than 100 solo exhibitions since 1968.

Selected solo exhibitions of Moriyama's pictures include Sillkscreen, Taka Ishii Gallery Photography/Fillm, Tokyo (2020); Daido Moriyama, Simon Lee, Hong Kong (2019); Daido Tokyo, Fondation Cartier, Paris (2016); Fracture: Daido Moriyama, Los Angeles County Museum of Art (2012); William Klein + Daido Moriyama, Tate Modern, London (2012); Daido Moriyama: On the Road, The National Museum of Art, Osaka (2012); DAIDO RESTROSPECTIVE 1965–2005, DAIDO HAWAII, Tokyo Metropolitan Museum of Photography (2008).

Selected group exhibitions include My Flower, Taka Ishii Gallery Photography/Film (2021); All the World's A Stage, Reflex Amsterdam (2019); Perfect Likeness: Photography and Composition, Hammer Museum, Los Angeles (2015); With a Trace: Photographs of Absence, Akron Art Museum, Ohio (2013); Tokyo 19551970: A New Avant-Garde, Museum of Modern Art, New York (2012); A Quiet Gaze, Echoing Worlds, Museum of Contemporary Art, Tokyo (2008).

In 2004, Moriyama was awarded the Lifetime Achievement Award from the Photographic Society of Japan; in 2019, he won the Hasselblad Foundation International Award in Photography.

Daido Moriyama's website can be found here.

Sherry Paik | Ocula | 2021

Daido Moriyama Featured Artworks

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Viaduct, Bunkyo-ku, Tokyo by Daido Moriyama contemporary artwork photography
Daido Moriyama Viaduct, Bunkyo-ku, Tokyo, 1990 Gelatin silver print, printed c. 1990
8 x 10 inches
Bruce Silverstein Contact Gallery
DM-4_5512,  “’71-NY” by Daido Moriyama contemporary artwork sculpture, photography
Daido Moriyama DM-4_5512, “’71-NY”, 1971 / 2002 Gelatin silver print
29.6 x 21.3 cm
Reflex Amsterdam Contact Gallery
DM-4_5581, “’71-NY” by Daido Moriyama contemporary artwork photography
Daido Moriyama DM-4_5581, “’71-NY”, 1971/2002 Gelatin silver print
30.5 x 25.4 cm
Reflex Amsterdam Contact Gallery
Shinjuku by Daido Moriyama contemporary artwork photography
Daido Moriyama Shinjuku, 2000–2004/2004 Silver gelatin print
100 x 150 cm
Simon Lee Gallery Contact Gallery
Shinjuku by Daido Moriyama contemporary artwork photography
Daido Moriyama Shinjuku, 1966/2003 Silver gelatin print
150 x 100 cm
Simon Lee Gallery Contact Gallery
Tights 1987-2011 by Daido Moriyama contemporary artwork photography
Daido Moriyama Tights 1987-2011, 2011 Gelatin silver print
40.5 x 50.8 cm
Simon Lee Gallery Contact Gallery
Northern 3 by Daido Moriyama contemporary artwork photography
Daido Moriyama Northern 3, 2010/printed later Gelatin silver print
50.4 x 60.7 cm
Simon Lee Gallery Contact Gallery
Aomori, Japan by Daido Moriyama contemporary artwork photography
Daido Moriyama Aomori, Japan, 1971 Gelatin silver print
50 x 60 cm
Gallery Fifty One Contact Gallery

Daido Moriyama Recent & Recent Exhibitions

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Daido Moriyama Represented By

Daido Moriyama In Ocula Magazine

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In Ocula Advisory

Daido Moriyama In Video & Audio

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