The search for identity in socially and politically evolving China characterizes Zeng Fanzhi’s work. Often compared to the German Expressionists, his vivid brushstrokes have made him the most high-valued Asian artist working today (The Last Supper, inspired by Leonardo da Vinci’s 15th-century mural of the same name, sold for $23.3 million at a 2013 Sotheby’s auction, eclipsing Takashi Murakami’s My Lonesome Cowboy). While marketplace demand soars, the unassuming personality behind these coveted works is seldom seen. Filmmaker Alison Chernick captured a rare moment with Fanzhi in Paris, between openings, when the artist opened up about the value of technique and spirituality.
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