THOMAS SCHÜTTE

The artist returns to time and again to human or human-like heads. Sometimes portrayed as grotesque or comic, or as characters in an ongoing drama, he has rendered the subject in wax, bronze, Murano glass and, as in Kopf (Mann) (2018), ceramic. His sculptures and sculptural installations often begin as small wax or clay models that are then cast at large scale, such as Mann im Wind I–III (2018), a series central to his solo exhibition at Kunsthaus Bregenz, Austria (2019). Model for a Hotel (2007) was a sculpture constructed from brightly coloured panes of glass that occupied Trafalgar Square’s Fourth Plinth for eighteen months. The work underlined how even though his art often looks utilitarian, as if it might offer sustenance, shelter or companionship, it often delivers false promises and alien worlds.

In 2016 the artist had a major solo exhibition United Enemies at Stockholm’s Moderna Museet, which was the same year he opened Skulpturenhalle outside Düsseldorf, an exhibition space for contemporary sculpture as well as a home for his own works. Unpredictable and enormously inventive, Schütte uses a wide range of materials to revise the basic constituents – natural, cultural, political – of everyday life while exploring fundamental questions about the role of the artist in an age of entertainment.

Text courtesy Frith Street Gallery