
Victoria Miro is delighted to announce an exhibition in Venice of new paintings by Celia Paul, examining the act of looking and being looked at.
The exhibition coincides with the publication of a new book by the artist, Objects of Desire: An Artist in Venice, a painter’s memoir of obsession, loss and creation during a residency in Venice.
The pivotal subject of both the book and the exhibition is Giorgione’s La Tempesta (1503–1504), on view in the Gallerie dell’Accademia, which interested Paul because of the dynamic between the figure of a man and a breastfeeding woman. In 2023, Paul painted an interpretation of La Tempesta, which she titled That Obscure Object of Desire, the same title as Luis Buñuel’s 1977 surrealist film, noting how the film and the painting share dreamlike qualities and are rich with symbolism. The new paintings in this exhibition continue her fascination with the complex relationship between the observer and the observed.
Objects of Desire: An Artist in Venice by Celia Paul.
Alone in Venice for an artist’s residency, Celia Paul records her daily painting practice. Her days are both charged with and interrupted by the turmoil she feels over her husband’s death and by a later obsession with a younger man.
Inspired by the art, literature and light-filled atmosphere of the city, Paul’s meditations on love, creation, ageing and belonging are interwoven with vivid explorations of artists and writers connected to Venice. An act of profound and deeply personal observation, Objects of Desire reveals more with each reading: a window on to a life devoted to art and a self-portrait of an artist who longs to look unflinchingly at herself – and invites us to do the same.
Objects of Desire: An Artist in Venice by Celia Paul is published in the UK by Jonathan Cape and in the US by New York Review Books on 12 November 2026. Celia Paul: Objects of Desire is on view at Victoria Miro, Venice from 7 November to 12 December 2026.

Celia Paul’s art stems a deep connection with subject matter and is quiet, contemplative and ultimately moving in its profound attention to detail and deeply-felt spirituality. She makes intimate depictions of people and places she knows well. From 1977 to 2007 Paul worked on a series of paintings of her mother, and since then she has concentrated on painting her four sisters, especially her sister Kate, as well as a number of portraits of close friends. She has also produced a large number of evocative self-portraits over the course of her career. Paul’s self-portraits open up a painterly and conceptual dialogue between the dual role of subject and artist – caught between self-possession and self-scrutiny – as well as offering an extended consideration of the essential dualities of the medium – its ability to capture qualities of form, light and atmosphere, and its material presence.



Since Victoria Miro founded her eponymous gallery in Cork Street, Mayfair, in 1985, the gallery has grown to represent over 40 artists and estates. With a reputation for presenting ground-breaking artworks from around the world, Victoria Miro has exhibition spaces in Mayfair and Wharf Road in London, and a further gallery space in Venice.

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