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b. 1968, Mexico

Abraham Cruzvillegas Biography

Treating his artworks as self-portraits, Mexican contemporary artist Abraham Cruzvillegas repurposes discarded materials to build assemblages and sculptural installations that explore the unstable and shifting constituents of identity.

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At the basis of Abraham Cruzvillegas' practice lies autoconstrucción or 'self-building', a concept that derives from his upbringing in Colonia Ajusco. The neighbourhood, which only began to be occupied in the 1960s, was largely built by members of the community through collective effort and improvisation. Inspired by a spirit of recycling and constant rebuilding, Cruzvillegas often employs inexpensive, found, or local materials and leaves many of his works unfinished. As he told Art21 in 2016, this approach is analogous to his construction of his identity.

Among Cruzvillegas' investigations into culture and identity is Blind Self Portrait (2008). The wall installation consists of hundreds of paper scraps, including leaflets, newspapers, postcards, flyers, tickets, and receipts, that he painted in red and pinned to a wall face down. By obscuring the printed sides from view, Cruzvillegas deliberately confused their content and identity in a reference to exclusion and marginalisation in public space. Blind Self Portrait has been reiterated in different colours, such as green in 2013 and white in 2016.

Unpredictability enters Abraham Cruzvillegas' works such as Empty Lot: the inaugural Hyundai Commission for the Turbine Hall at Tate Modern, London, in 2015. The monumental installation consisted of scaffolding built with materials from various London construction sites and 240 triangular flower beds. The soil mixed samplings from 36 sites across the city. No seeds were planted, except for those that may have already been in the earth, leaving the future of the flower beds to chance.

Nature and environmental concerns are recurring themes in Cruzvillegas' works. The Water Trilogy exhibitions—presented at Galerie Chantal Crousel, Paris; Maison Hermès, Tokyo; and Museum Boijmans Van Beuningen, Rotterdam—for example, revolved around sculptures and installations that examine water issues in urban cities. Agua Dulce (2020) at The Bass Museum of Art in Miami Beach, by contrast, offered a plant sanctuary to the public. The large-scale installation was made of numerous plant species and accompanied by performances mimicking birds.

Abraham Cruzvillegas has presented his works at international exhibitions including the 21st Biennale of Sydney (2018), Sharjah Biennial 12 (2015), 12th Havana Biennial (2015), Gwangju Biennale (2012), and the 12th Istanbul Biennial (2011).

Abraham Cruzvillegas Solo Exhibitions include:

La Señora de Las Nueces, Galerie Chantal Crousel, Paris (2021); Unique performance, LA MAISON DE RENDEZ-VOUS, Brussels (2020); Hi, How Are You, Gonzo?, Aspen Art Museum, Colorado (2019); Esculturas pendientes (Pending Sculptures), kurimanzutto, Mexico City (2019); Autorreconstrucción: Social Tissue, Kunsthaus Zürich (2018); Autoconstrucción, Museo Jumex, Mexico City, and Museo Amparo, Puebla (2014); The Autoconstrucción Suites, Walker Art Center, Minneapolis (2013).

Abraham Cruzvillegas Group Exhibitions include:

Mappa mundi—Cartographies contemporaines, Boghossian Foundation, Villa Empain, Brussels (2020); Al filo de la navaja, Museo Jumex, Mexico City (2020); Ice and fire: a benefit exhibition in three parts, The Kitchen, New York (2020); Biennale d'Architecture d'Orléans, Frac Centre-Val de Loire, Orléans, France (2019); La rue, où le monde se crée, La Panacée, Montpellier Contemporain, France (2019); Artaud 1936, Museo Tamayo, Mexico City (2018); Repetition and Difference, The Jewish Museum, New York (2015).

Sherry Paik | Ocula | 2021

Abraham Cruzvillegas Featured Artworks

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Untitled portable sculpture (La Señora de Las Nueces) 2 by Abraham Cruzvillegas contemporary artwork
Abraham CruzvillegasUntitled portable sculpture (La Señora de Las Nueces) 2, 2020–2021Wood, paint, beer caps, nylon, copper, cardboard, steel, cotton
Galerie Chantal Crousel Contact Gallery
Untitled portable sculpture (La Señora de Las Nueces) 6 by Abraham Cruzvillegas contemporary artwork
Abraham CruzvillegasUntitled portable sculpture (La Señora de Las Nueces) 6, 2020–2021Wood, steel, plastic, cotton, hemp, rubber, steel, leather, computer cable and keyboard, iron
Galerie Chantal Crousel Contact Gallery
Untitled portable sculpture (La Señora de Las Nueces) 9 by Abraham Cruzvillegas contemporary artwork
Abraham CruzvillegasUntitled portable sculpture (La Señora de Las Nueces) 9, 2020–2021Wood, leather, steel, polyester, beer caps, nuts, concrete, stones
Galerie Chantal Crousel Contact Gallery
On the road of La Señora de Las Nueces 21 by Abraham Cruzvillegas contemporary artwork
Abraham CruzvillegasOn the road of La Señora de Las Nueces 21, 2020Monotype in oil paint on paper, beer caps, wooden frame
84 x 59.4 cm
Galerie Chantal Crousel Contact Gallery
On the road of La Señora de Las Nueces 23 by Abraham Cruzvillegas contemporary artwork
Abraham CruzvillegasOn the road of La Señora de Las Nueces 23, 2020Monotype in oil paint on paper, beer caps, wooden frame
84 x 59.4 cm
Galerie Chantal Crousel Contact Gallery
On the road of La Señora de Las Nueces 24 by Abraham Cruzvillegas contemporary artwork
Abraham CruzvillegasOn the road of La Señora de Las Nueces 24, 2020Monotype in oil paint on paper, beer caps, wooden frame
84 x 59.4 cm
Galerie Chantal Crousel Contact Gallery
Autoconclusión, 2015 (For Parkett 97) by Abraham Cruzvillegas contemporary artwork
Abraham CruzvillegasAutoconclusión, 2015 (For Parkett 97), 2015Wooden briefcase, with 34 bamboo wood sticks in 34 different colours, with a separate 7-colour silkscreen included in the briefcase, briefcase interior lined with canvas
Parkett Contact Gallery

Abraham Cruzvillegas Recent Exhibitions

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Contemporary art exhibition, Abraham Cruzvillegas, La Señora de Las Nueces at Galerie Chantal Crousel, Paris
Closed
23 January–27 February 2021 Abraham Cruzvillegas La Señora de Las Nueces Galerie Chantal CrouselParis
Contemporary art exhibition, Group Exhibition, Rhé at Galerie Chantal Crousel, Paris
Closed
23 January–27 February 2021 Group Exhibition Rhé Galerie Chantal CrouselParis
Contemporary art exhibition, Group Exhibition, DEMAIN EST LA QUESTION at Galerie Chantal Crousel, Paris
Closed
27 June–25 July 2020 Group Exhibition DEMAIN EST LA QUESTION Galerie Chantal CrouselParis

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