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‘An Opera for Animals’ at Rockbund Art Museum Ocula Report ‘An Opera for Animals’ at Rockbund Art Museum 19 Jul 2019 : Penny Liu for Ocula

An Opera for Animals was first staged at Para Site in Hong Kong between 23 March and 2 June 2019, with works by over 48 artists and collectives that use opera as a metaphor for modes of contemporary, cross-disciplinary art-making. The exhibition's second iteration takes up a large portion of the Rockbund Art Museum (RAM) in Shanghai (22 June–25...

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Mandy El-Sayegh: Productive Ambiguity Ocula Conversation Mandy El-Sayegh: Productive Ambiguity

Moving across installation, painting, drawing, and writing, Malaysia-born and London-based artist Mandy El-Sayegh explores the political, social, and economic complexities of humanity, using a mosaic of information—from advertising slogans and pornographic imagery to newspaper articles—that she subjects to processes of layering,...

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Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House Ocula Report Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House 5 Jul 2019 : Jareh Das for Ocula

Get Up Stand Up Now: Generations of Black Creative Pioneers at Somerset House in London (12 June–15 September 2019) surveys more than half a century of black creativity in Britain and beyond across the fields of art, film, photography, music, design, fashion, and literature.Curated by Zak Ové, works by approximately 100 intergenerational black...

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Related Press

Two Projects Revisit Historical Images with a Calm and Critical Eye

Ben Valentine Hyperallergic 10 November 2016
Alfredo Jaar, The Sound of Silence (2006), Exhibition view at the Museum of Contemporary Art (MCA), Chicago (all photos by the author for Hyperallergic).

There are photographs that strike me as insurmountable. An image of presumable lovers, falling hand in hand from the World Trade Center as it burned. The image of a Vietnamese girl, screaming from the burning effects of napalm. The pain these photographs elicit is debilitating and the experience of seeing them is voyeuristic, not productive. The act is over, the misery finished, but the image remains.

READ MORE ON hyperallergic.com

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